Nikki Moran

437 total citations
22 papers, 240 citations indexed

About

Nikki Moran is a scholar working on Cognitive Neuroscience, Music and Social Psychology. According to data from OpenAlex, Nikki Moran has authored 22 papers receiving a total of 240 indexed citations (citations by other indexed papers that have themselves been cited), including 14 papers in Cognitive Neuroscience, 9 papers in Music and 8 papers in Social Psychology. Recurrent topics in Nikki Moran's work include Neuroscience and Music Perception (14 papers), Music Technology and Sound Studies (8 papers) and Diverse Music Education Insights (6 papers). Nikki Moran is often cited by papers focused on Neuroscience and Music Perception (14 papers), Music Technology and Sound Studies (8 papers) and Diverse Music Education Insights (6 papers). Nikki Moran collaborates with scholars based in United Kingdom, Australia and United States. Nikki Moran's co-authors include Peter E. Keller, Dylan van der Schyff, Andrea Schiavio, Richard Parncutt, Kelly Jakubowski, Michele Biasutti, Lauren V. Hadley, Tuomas Eerola, Martin Clayton and Julie Allan and has published in prestigious journals such as SHILAP Revista de lepidopterología, PLoS ONE and Frontiers in Psychology.

In The Last Decade

Nikki Moran

21 papers receiving 219 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Nikki Moran United Kingdom	9	169	95	80	60	59	22	240
Favio Shifres Argentina	8	104 0.6×	67 0.7×	81 1.0×	19 0.3×	34 0.6×	60	203
Martin Norgaard United States	10	224 1.3×	77 0.8×	136 1.7×	50 0.8×	60 1.0×	25	269
Haley E. Kragness Canada	9	186 1.1×	82 0.9×	60 0.8×	30 0.5×	46 0.8×	18	216
Arnie Cox United States	5	157 0.9×	65 0.7×	115 1.4×	93 1.6×	94 1.6×	9	268
Laura-Lee Balkwill Canada	5	257 1.5×	62 0.7×	118 1.5×	29 0.5×	73 1.2×	8	282
Ruth V. Brittin United States	11	288 1.7×	78 0.8×	258 3.2×	44 0.7×	69 1.2×	14	373
Anthony Chmiel Australia	7	107 0.6×	57 0.6×	48 0.6×	23 0.4×	53 0.9×	21	184
John Rink United Kingdom	9	140 0.8×	27 0.3×	173 2.2×	87 1.4×	32 0.5×	27	248
Rebecca D. Sager	2	188 1.1×	96 1.0×	81 1.0×	44 0.7×	56 0.9×	2	275
Anna Rita Addessi Italy	11	164 1.0×	37 0.4×	137 1.7×	92 1.5×	31 0.5×	49	292

Countries citing papers authored by Nikki Moran

Since Specialization

Citations

This map shows the geographic impact of Nikki Moran's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Nikki Moran with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Nikki Moran more than expected).

Fields of papers citing papers by Nikki Moran

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Nikki Moran. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Nikki Moran. The network helps show where Nikki Moran may publish in the future.

Co-authorship network of co-authors of Nikki Moran

This figure shows the co-authorship network connecting the top 25 collaborators of Nikki Moran. A scholar is included among the top collaborators of Nikki Moran based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Nikki Moran. Nikki Moran is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

Moran, Nikki, et al.. (2024). MOSA: Music Motion With Semantic Annotation Dataset for Cross-Modal Music Processing. IEEE/ACM Transactions on Audio Speech and Language Processing. 32. 4157–4170. 3 indexed citations

Timmers, Renee, et al.. (2022). Beyond WEIRD and towards the decolonisation of music for wellbeing and health. 1 indexed citations

Ryan, Kevin, et al.. (2022). By Myself but Not Alone. Agency, Creativity and Extended Musical Historicity. Journal of the Royal Musical Association. 147(2). 533–556. 7 indexed citations

Schiavio, Andrea, et al.. (2022). Grounding Creativity in Music Perception? A Multidisciplinary Conceptual Analysis. Music & Science. 5. 3 indexed citations

Moran, Nikki, et al.. (2021). Fundamentals of Music Theory. Edinburgh Research Explorer.

Schiavio, Andrea, Nikki Moran, Dylan van der Schyff, Michele Biasutti, & Richard Parncutt. (2020). Processes and Experiences of Creative Cognition in Seven Western Classical Composers. Musicae Scientiae. 26(2). 303–325. 25 indexed citations

Schiavio, Andrea, Dylan van der Schyff, Michele Biasutti, Nikki Moran, & Richard Parncutt. (2019). Instrumental Technique, Expressivity, and Communication. A Qualitative Study on Learning Music in Individual and Collective Settings. Frontiers in Psychology. 10. 737–737. 20 indexed citations

Eerola, Tuomas, Kelly Jakubowski, Nikki Moran, Peter E. Keller, & Martin Clayton. (2018). Shared periodic performer movements coordinate interactions in duo improvisations. Royal Society Open Science. 5(2). 171520–171520. 35 indexed citations

Hadley, Lauren V., Patrick Sturt, Nikki Moran, & Martin J. Pickering. (2017). Determining the end of a musical turn: Effects of tonal cues. Acta Psychologica. 182. 189–193. 6 indexed citations

10.

Huang, Yu‐Fen, Simon Coleman, Eric Barnhill, Raymond MacDonald, & Nikki Moran. (2017). How do conductors’ movements communicate compositional features and interpretational intentions?. Psychomusicology Music Mind and Brain. 27(3). 148–157. 1 indexed citations

11.

Moran, Nikki. (2017). Agency in Embodied Music Interaction. 105–112. 2 indexed citations

12.

Moran, Nikki, Kelly Jakubowski, & Peter E. Keller. (2017). Improvising Duos - visual interaction collection. 5 indexed citations

13.

Moran, Nikki, et al.. (2015). Perception of ‘Back-Channeling’ Nonverbal Feedback in Musical Duo Improvisation. PLoS ONE. 10(6). e0130070–e0130070. 26 indexed citations

14.

Athanasopoulos, George, Siu-Lan Tan, & Nikki Moran. (2015). Influence of literacy on representation of time in musical stimuli: An exploratory cross-cultural study in the UK, Japan, and Papua New Guinea. Psychology of Music. 44(5). 1126–1144. 2 indexed citations

15.

Schaefer, Rebecca, et al.. (2015). “Total inner memory”: Deliberate uses of multimodal musical imagery during performance preparation.. Psychomusicology Music Mind and Brain. 25(1). 83–92. 6 indexed citations

16.

Moran, Nikki. (2014). Social implications arise in embodied music cognition research which can counter musicological â€œindividualismâ€. Frontiers in Psychology. 5. 676–676. 26 indexed citations

17.

Athanasopoulos, George & Nikki Moran. (2013). Cross-Cultural Representations of Musical Shape. SHILAP Revista de lepidopterología. 185–199. 11 indexed citations

18.

Moran, Nikki, et al.. (2011). Community music knowledge exchange research in Scottish higher education. International Journal of Community Music. 4(2). 133–146. 1 indexed citations

19.

Moran, Nikki. (2010). Improvising musicians' looking behaviours: Duration constants in the attention patterns of duo performers. 11 indexed citations

20.

Allan, Julie, et al.. (2010). Knowledge exchange with Sistema Scotland. Journal of Education Policy. 25(3). 335–347. 23 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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