Daniel Leech‐Wilkinson

1.5k total citations
45 papers, 300 citations indexed

About

Daniel Leech‐Wilkinson is a scholar working on Music, Cognitive Neuroscience and Computer Vision and Pattern Recognition. According to data from OpenAlex, Daniel Leech‐Wilkinson has authored 45 papers receiving a total of 300 indexed citations (citations by other indexed papers that have themselves been cited), including 23 papers in Music, 11 papers in Cognitive Neuroscience and 10 papers in Computer Vision and Pattern Recognition. Recurrent topics in Daniel Leech‐Wilkinson's work include Musicology and Musical Analysis (20 papers), Neuroscience and Music Perception (11 papers) and Music and Audio Processing (10 papers). Daniel Leech‐Wilkinson is often cited by papers focused on Musicology and Musical Analysis (20 papers), Neuroscience and Music Perception (11 papers) and Music and Audio Processing (10 papers). Daniel Leech‐Wilkinson collaborates with scholars based in United States, United Kingdom and Brazil. Daniel Leech‐Wilkinson's co-authors include Mats B. Küssner, Dan Tidhar, R. Barton Palmer, Nicholas Cook, Sarah Fuller and Nicolas Gold and has published in prestigious journals such as Frontiers in Psychology, Psychology of Music and Notes.

In The Last Decade

Daniel Leech‐Wilkinson

33 papers receiving 235 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Daniel Leech‐Wilkinson United States 10 157 133 59 54 51 45 300
Warren Darcy 7 417 2.7× 272 2.0× 43 0.7× 44 0.8× 115 2.3× 16 472
Edward T. Cone United States 11 412 2.6× 206 1.5× 56 0.9× 78 1.4× 170 3.3× 43 547
James Hepokoski United States 11 573 3.6× 348 2.6× 49 0.8× 57 1.1× 153 3.0× 35 643
William Rothstein United States 8 187 1.2× 170 1.3× 36 0.6× 63 1.2× 96 1.9× 22 271
Jonathan P. J. Stock Ireland 9 177 1.1× 75 0.6× 26 0.4× 34 0.6× 26 0.5× 39 285
Arnie Cox United States 5 115 0.7× 157 1.2× 94 1.6× 38 0.7× 93 1.8× 9 268
John Rink United Kingdom 9 173 1.1× 140 1.1× 32 0.5× 55 1.0× 87 1.7× 27 248
Ruth V. Brittin United States 11 258 1.6× 288 2.2× 69 1.2× 48 0.9× 44 0.9× 14 373
Nikki Moran United Kingdom 9 80 0.5× 169 1.3× 59 1.0× 28 0.5× 60 1.2× 22 240
Jan McCrary United States 10 294 1.9× 246 1.8× 39 0.7× 33 0.6× 19 0.4× 12 378

Countries citing papers authored by Daniel Leech‐Wilkinson

Since Specialization
Citations

This map shows the geographic impact of Daniel Leech‐Wilkinson's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Daniel Leech‐Wilkinson with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Daniel Leech‐Wilkinson more than expected).

Fields of papers citing papers by Daniel Leech‐Wilkinson

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Daniel Leech‐Wilkinson. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Daniel Leech‐Wilkinson. The network helps show where Daniel Leech‐Wilkinson may publish in the future.

Co-authorship network of co-authors of Daniel Leech‐Wilkinson

This figure shows the co-authorship network connecting the top 25 collaborators of Daniel Leech‐Wilkinson. A scholar is included among the top collaborators of Daniel Leech‐Wilkinson based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Daniel Leech‐Wilkinson. Daniel Leech‐Wilkinson is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Leech‐Wilkinson, Daniel. (2020). Challenging Performance: Classical Music Performance Norms and How to Escape Them. 8 indexed citations
2.
Leech‐Wilkinson, Daniel. (2017). Musical shape and feeling. Oxford University Press eBooks. 7 indexed citations
3.
Leech‐Wilkinson, Daniel. (2016). Classical music as enforced Utopia. Arts and Humanities in Higher Education. 15(3-4). 325–336. 22 indexed citations
4.
Tidhar, Dan, et al.. (2014). Musicians are more consistent: Gestural cross-modal mappings of pitch, loudness and tempo in real-time. Frontiers in Psychology. 5. 789–789. 40 indexed citations
5.
Küssner, Mats B. & Daniel Leech‐Wilkinson. (2013). Paper presented at the biennial meeting of the Society for Music Perception and Cognition. 1 indexed citations
6.
Küssner, Mats B., et al.. (2011). Synaesthetic Traces: Digital Acquisition of Musical Shapes. Research Portal (King's College London). 2 indexed citations
7.
Cook, Nicholas, et al.. (2009). The Cambridge Companion to Recorded Music. Cambridge University Press eBooks. 34 indexed citations
8.
Leech‐Wilkinson, Daniel. (2009). The Changing Sound of Music. 2 indexed citations
9.
Leech‐Wilkinson, Daniel, et al.. (2009). A brief history of recording. 2 indexed citations
10.
Leech‐Wilkinson, Daniel. (2009). Musicology and performance. Research Portal (King's College London). 791–804.
11.
Leech‐Wilkinson, Daniel, et al.. (2007). Portamento e significado musical. Per Musi. 7–25. 1 indexed citations
12.
Leech‐Wilkinson, Daniel. (2006). Portamento and Musical Meaning. Journal of Musicological Research. 25(3-4). 233–261. 18 indexed citations
13.
Leech‐Wilkinson, Daniel. (2001). Using recordings to study musical performance. Research Portal (King's College London). 1–12. 2 indexed citations
14.
Leech‐Wilkinson, Daniel. (2001). Übersetzte Zeit: Das Mittelalter und die Musik der Gegenwart.
15.
Leech‐Wilkinson, Daniel. (2000). Review: Fauvel Studies: Allegory, Chronicle, Music, and Image in Paris, Bibliothèque Nationale de France, MS français 146 by Margaret Bent, Andrew Wathey. Journal of the American Musicological Society. 53(1). 152–159. 1 indexed citations
16.
Leech‐Wilkinson, Daniel, et al.. (1998). Le livre dou voir dit : The book of the true poem. Garland Pub. eBooks. 5 indexed citations
17.
Leech‐Wilkinson, Daniel. (1993). Le Voir Dit and La Messe de Nostre Dame: aspects of genre and style in late works of MacHaut. 2(1). 43–73. 2 indexed citations
18.
Leech‐Wilkinson, Daniel, et al.. (1990). La Messe de Nostre Dame. Oxford University Press eBooks.
19.
Leech‐Wilkinson, Daniel. (1984). Machaut's 'Rose, Lis' and the Problem of Early Music Analysis. Music Analysis. 3(1). 9–9. 12 indexed citations
20.
Leech‐Wilkinson, Daniel. (1982). Related Motets from Fourteenth-Century France. Proceedings of the Royal Musical Association. 109. 1–22. 6 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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