Clément Canonne

428 total citations
29 papers, 221 citations indexed

About

Clément Canonne is a scholar working on Cognitive Neuroscience, Computer Vision and Pattern Recognition and Social Psychology. According to data from OpenAlex, Clément Canonne has authored 29 papers receiving a total of 221 indexed citations (citations by other indexed papers that have themselves been cited), including 17 papers in Cognitive Neuroscience, 10 papers in Computer Vision and Pattern Recognition and 9 papers in Social Psychology. Recurrent topics in Clément Canonne's work include Neuroscience and Music Perception (14 papers), Music Technology and Sound Studies (10 papers) and Music and Audio Processing (7 papers). Clément Canonne is often cited by papers focused on Neuroscience and Music Perception (14 papers), Music Technology and Sound Studies (10 papers) and Music and Audio Processing (7 papers). Clément Canonne collaborates with scholars based in France, United Kingdom and United States. Clément Canonne's co-authors include Jean‐Julien Aucouturier, Nicolas Garnier, Louise Goupil, Thomas Wolf, Diemo Schwarz, Gérard Assayag, Emmanuel Ponsot, Nicolas Collins and Patrick Susini and has published in prestigious journals such as SHILAP Revista de lepidopterología, Scientific Reports and Philosophical Transactions of the Royal Society B Biological Sciences.

In The Last Decade

Clément Canonne

23 papers receiving 190 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Clément Canonne France 10 158 116 56 48 39 29 221
Nikki Moran United Kingdom 9 169 1.1× 95 0.8× 60 1.1× 80 1.7× 59 1.5× 22 240
Haley E. Kragness Canada 9 186 1.2× 82 0.7× 30 0.5× 60 1.3× 46 1.2× 18 216
Matthew Woolhouse Canada 8 182 1.2× 104 0.9× 43 0.8× 65 1.4× 53 1.4× 26 271
Rebecca D. Sager 2 188 1.2× 96 0.8× 44 0.8× 81 1.7× 56 1.4× 2 275
Arnie Cox United States 5 157 1.0× 65 0.6× 93 1.7× 115 2.4× 94 2.4× 9 268
Anthony Chmiel Australia 7 107 0.7× 57 0.5× 23 0.4× 48 1.0× 53 1.4× 21 184
David Borgo United States 5 104 0.7× 46 0.4× 68 1.2× 85 1.8× 21 0.5× 9 182
Helena Daffern United Kingdom 10 126 0.8× 87 0.8× 73 1.3× 83 1.7× 36 0.9× 37 302
Jude Brereton United Kingdom 7 113 0.7× 48 0.4× 82 1.5× 100 2.1× 25 0.6× 18 252
Friedrich Platz Germany 10 269 1.7× 105 0.9× 69 1.2× 166 3.5× 94 2.4× 25 368

Countries citing papers authored by Clément Canonne

Since Specialization
Citations

This map shows the geographic impact of Clément Canonne's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Clément Canonne with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Clément Canonne more than expected).

Fields of papers citing papers by Clément Canonne

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Clément Canonne. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Clément Canonne. The network helps show where Clément Canonne may publish in the future.

Co-authorship network of co-authors of Clément Canonne

This figure shows the co-authorship network connecting the top 25 collaborators of Clément Canonne. A scholar is included among the top collaborators of Clément Canonne based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Clément Canonne. Clément Canonne is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Susini, Patrick, et al.. (2025). Covert variations of a musician’s loudness during collective improvisation capture other musicians’ attention and impact their interactions. Proceedings of the Royal Society B Biological Sciences. 292(2039). 20242623–20242623. 1 indexed citations
2.
Susini, Patrick, et al.. (2024). Listening Behaviors and Musical Coordination in Collective Free Improvisation. Music & Science. 7. 1 indexed citations
3.
Wolf, Thomas, Louise Goupil, & Clément Canonne. (2023). Beyond togetherness: Interactional dissensus fosters creativity and tension in freely improvised musical duos.. Psychology of Aesthetics Creativity and the Arts. 19(5). 1008–1018. 8 indexed citations
4.
Canonne, Clément, et al.. (2023). Contrasts of Register Underlie the Perception of Musical Humor. Music Perception An Interdisciplinary Journal. 40(4). 316–333.
5.
Canonne, Clément, et al.. (2023). Does the Phineas Gage effect extend to aesthetic value?. Philosophical Psychology. 38(4). 1426–1452. 1 indexed citations
6.
Canonne, Clément, et al.. (2021). Even violins can cry: specifically vocal emotional behaviours also drive the perception of emotions in non-vocal music. Philosophical Transactions of the Royal Society B Biological Sciences. 376(1840). 20200396–20200396. 9 indexed citations
7.
Goupil, Louise, et al.. (2021). What it is like to improvise together? Investigating the phenomenology of joint action through improvised musical performance. Phenomenology and the Cognitive Sciences. 23(3). 573–597. 9 indexed citations
8.
Goupil, Louise, et al.. (2021). With, against, or without? Familiarity and copresence increase interactional dissensus and relational plasticity in freely improvising duos.. Psychology of Aesthetics Creativity and the Arts. 18(2). 182–195. 8 indexed citations
9.
Goupil, Louise, et al.. (2020). Musical coordination in a large group without plans nor leaders. Scientific Reports. 10(1). 20377–20377. 11 indexed citations
10.
Canonne, Clément, et al.. (2020). Coordinating free improvisation: An integrative framework for the study of collective improvisation. Musicae Scientiae. 26(3). 455–475. 6 indexed citations
11.
Canonne, Clément, et al.. (2019). Musique et hacking : de l’éthique aux pratiques. Volume !. 16 : 1. 7–14.
12.
Canonne, Clément, et al.. (2019). Pour une génétique de l’improvisation musicale (seconde partie). Genesis. 48. 169–182.
13.
Canonne, Clément. (2019). Élaborer son dispositif d’improvisation : hacking et lutherie dans les pratiques de l’improvisation libre. Volume !. 16 : 1. 61–79. 3 indexed citations
14.
Collins, Nicolas & Clément Canonne. (2019). From Circuitry to Live Improvisation (and Back): Hacking One’s Way Through Contemporary Electronic Music. Volume !. 16 : 1. 127–134.
15.
Canonne, Clément. (2019). L’appréciation esthétique de l’improvisation. SHILAP Revista de lepidopterología. 2 indexed citations
16.
Canonne, Clément. (2018). Rehearsing Free Improvisation? An Ethnographic Study of Free Improvisers at Work. Music Theory Online. 24(4). 11 indexed citations
17.
Aucouturier, Jean‐Julien & Clément Canonne. (2017). Musical friends and foes: The social cognition of affiliation and control in improvised interactions. Cognition. 161. 94–108. 51 indexed citations
18.
Canonne, Clément & Jean‐Julien Aucouturier. (2015). Play together, think alike: Shared mental models in expert music improvisers. Psychology of Music. 44(3). 544–558. 22 indexed citations
19.
Canonne, Clément. (2012). Improvisation collective libre et processus de création musicale : création et créativité au prisme de la coordination. Revue de musicologie. 107–148. 4 indexed citations
20.
Canonne, Clément & Nicolas Garnier. (2012). "Cognition and Segmentation In Collective Free Improvisation: An Exploratory Study". HAL (Le Centre pour la Communication Scientifique Directe). 15 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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