Jo Spence
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- Visual Culture and Art Theory 2
- Art, Politics, and Modernism 1
- Safety Research top 5%
- Conservation top 5%
- Museology top 5%
- Gender Studies top 10%
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- Photography and Visual Culture 6
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- Italian Fascism and Post-war Society 2
- Participatory Visual Research Methods 2
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- Diverse Music Education Insights 1
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- Sports and Physical Education Studies 1
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- Cinema and Media Studies 1
- Partner nations
- Mexico
In The Last Decade
Jo Spence
13 papers receiving 294 citations
Peers
Comparison fields: 5 of 67
- Visual Arts and Performing Arts 91
- Safety Research 69
- Conservation 26
- Museology 24
- Gender Studies 45
Countries citing papers authored by Jo Spence
This map shows the geographic impact of Jo Spence's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Jo Spence with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Jo Spence more than expected).
Fields of papers citing papers by Jo Spence
This network shows the impact of papers produced by Jo Spence. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Jo Spence. The network helps show where Jo Spence may publish in the future.
Co-authorship network
The 6 scholars most cited alongside Jo Spence, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | Jo Spence : beyond the perfect image : photography, subjectivity, antagonism | 2005 | 3 |
| 2 | 2003 | 1 | |
| 3 | 1997 | 83 | |
| 4 | What Can a Woman Do with a Camera? Photography for Women | 1995 | 17 |
| 5 | The creatures time forgot : photography and disability imagery | 1992 | 131 |
| 6 | 1990 | 0 | |
| 7 | 1988 | 81 | |
| 8 | Photography/Politics: Two | 1987 | 25 |
| 9 | Putting myself in the picture | 1986 | 30 |
| 10 | 1985 | 4 | |
| 11 | 1985 | 12 | |
| 12 | 1982 | 1 | |
| 13 | Comparación transcultural y análisis psicométrico de una medida de rasgos masculinos (instrumentales) y femeninos (expresivos) | 1981 | 21 |
| 14 | Photography, Ideology and Education. | 1976 | 1 |
About Jo Spence
Jo Spence is a scholar working on Life-span and Life-course Studies, Visual Arts and Performing Arts, History, Music and Sociology and Political Science, having authored 14 papers that have together received 410 indexed citations. Recurring topics across this work include Photography and Visual Culture (6 papers), Italian Fascism and Post-war Society (2 papers), Visual Culture and Art Theory (2 papers), Participatory Visual Research Methods (2 papers), Diverse Music Education Insights (1 paper), Sports and Physical Education Studies (1 paper), Art, Politics, and Modernism (1 paper) and Cinema and Media Studies (1 paper). The work is most often cited by research in Visual Arts and Performing Arts (91 citations), Safety Research (69 citations), Conservation (26 citations), Museology (24 citations) and Gender Studies (45 citations). Jo Spence has collaborated with scholars based in Mexico. Frequent co-authors include Barbara Rosenblum, David Hevey, Jessica Evans, Patricia Holland, Simon Watney and Rolando Díaz Loving. Their work appears in journals such as Feminist Review, Screen, Woman s Art Journal, Routledge eBooks and The Women s Review of Books.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.