Simon Watney

3.4k citations
28 papers · 715 indexed · h-index 10

Simon Watney

24 papers receiving 458 citations

Peers

Simon Watney
Comparison fields: 5 of 67
  • Visual Arts and Performing Arts 78
  • Gender Studies 148
  • Sociology and Political Science 389
  • Communication 59
  • Music 25
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Citations per year

Countries citing papers authored by Simon Watney

Since Specialization
Citations

This map shows the geographic impact of Simon Watney's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Simon Watney with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Simon Watney more than expected).

Fields of papers citing papers by Simon Watney

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Simon Watney. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Simon Watney. The network helps show where Simon Watney may publish in the future.

Co-authorship network

The 12 scholars most cited alongside Simon Watney, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Simon Watney Line = papers co-authored together Simon Watney links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown
#Work
1 20136
2
A rediscovered prototype by Quinten Metsys: 'Christ blessing with the Virgin in adoration'
20101
3
Tunnel Vision: Photographic Education in Britain in the 1980s
20061
4 20062
5
The Two Art Histories: The Museum and the University, ed. C.H. Haxthausen; Art History, Aesthetics, Visual Studies, ed. M.A. Holly and K. Moxey
20031
6
The Masculine Masquerade : Masculinity and Representation
199521
7
Practices of Freedom
199410
8 19949
9
The Homosexual Body: Resources and a Note on Theory
19902
10
The art of Duncan Grant
19902
11 198929
12
Taking liberties: AIDS and Cultural Politics
198975
13 19892
14
Photography/Politics: Two
198725
15 198743
16 19875
17 19866
18 198610
19 19853
20 19822

About Simon Watney

Simon Watney is a scholar working on Visual Arts and Performing Arts, Museology, Communication, Gender Studies and Sociology and Political Science, having authored 28 papers that have together received 715 indexed citations. Recurring topics across this work include African Sexualities and LGBTQ+ Issues (3 papers), Art, Politics, and Modernism (2 papers), Historical Art and Culture Studies (2 papers), Visual Culture and Art Theory (2 papers), Cinema and Media Studies (2 papers), Media Studies and Communication (2 papers), Photography and Visual Culture (2 papers) and Memory, Trauma, and Commemoration (1 paper). The work is most often cited by research in Visual Arts and Performing Arts (78 citations), Gender Studies (148 citations), Sociology and Political Science (389 citations), Communication (59 citations) and Music (25 citations). Simon Watney has collaborated with scholars based in United Kingdom. Frequent co-authors include Erica Carter, Craig Owens, Jo Spence, Patricia Holland, Harry Brod, Steven Cohan, Michael T. Leininger, bell hooks, Hilary Yvonne Homans and Stuart Watson. Their work appears in journals such as Screen, Burlington magazine/˜The œBurlington magazine, Critical Quarterly, Leonardo and Oxford Literary Review.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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