Monica Prendergast
- Visual Arts and Performing Arts top 0.5%
- Theatre and Performance Studies 30
- Art Education and Development 18
- Artistic and Creative Research 7
- Conservation top 1%
- Art Therapy and Mental Health 4
- Music top 2%
- Diverse Music Education Insights 6
- Human Factors and Ergonomics top 10%
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- Shakespeare, Adaptation, and Literary Criticism 4
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- Posthumanist Ethics and Activism 4
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- Diversity and Impact of Dance 3
- Co-authors
- Carl LeggoPauline SameshimaJuliana SaxtonPeter GouzouasisRita L. IrwinGeorge BelliveauMarilys GuilleminSusan Cox
- Journals
- Qualitative Inquiry (9 papers)Research in Drama Education The Journal of Applied Theatre and Performance (5 papers)Canadian Theatre Review (4 papers)
- Partner nations
- CanadaUnited StatesAustralia
In The Last Decade
Monica Prendergast
46 papers receiving 531 citations
Peers
Comparison fields: 5 of 78
- Visual Arts and Performing Arts 210
- Conservation 77
- Music 63
- Human Factors and Ergonomics 15
- Literature and Literary Theory 66
Countries citing papers authored by Monica Prendergast
This map shows the geographic impact of Monica Prendergast's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Monica Prendergast with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Monica Prendergast more than expected).
Fields of papers citing papers by Monica Prendergast
This network shows the impact of papers produced by Monica Prendergast. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Monica Prendergast. The network helps show where Monica Prendergast may publish in the future.
Co-authorship network
The 11 scholars most cited alongside Monica Prendergast, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2023 | 1 | |
| 2 | 2022 | 5 | |
| 3 | 2022 | 0 | |
| 4 | 2022 | 1 | |
| 5 | 2020 | 3 | |
| 6 | 2020 | 4 | |
| 7 | 2019 | 1 | |
| 8 | 2019 | 1 | |
| 9 | 2017 | 3 | |
| 10 | "I Contain Multitudes": The Challenges of Self-Representation in Arts-Based Educational Research. | 2014 | 2 |
| 11 | 2013 | 12 | |
| 12 | 2012 | 0 | |
| 13 | 2011 | 2 | |
| 14 | 2011 | 2 | |
| 15 | Applied theatre : international case studies and challenges for practice | 2009 | 76 |
| 16 | Teacher as Performer: Unpacking a Metaphor in Performance Theory and Critical Performative Pedagogy. | 2008 | 15 |
| 17 | 2004 | 4 | |
| 18 | 2004 | 5 | |
| 19 | 2004 | 4 | |
| 20 | Belfry 101: Audience Education in Professional Theatre. | 2002 | 4 |
About Monica Prendergast
Monica Prendergast is a scholar working on Visual Arts and Performing Arts, Music and Conservation, having authored 52 papers that have together received 630 indexed citations. Recurring topics across this work include Theatre and Performance Studies (30 papers), Art Education and Development (18 papers), Artistic and Creative Research (7 papers), Diverse Music Education Insights (6 papers), Art Therapy and Mental Health (4 papers), Posthumanist Ethics and Activism (4 papers), Shakespeare, Adaptation, and Literary Criticism (4 papers) and Diversity and Impact of Dance (3 papers). The work is most often cited by research in Visual Arts and Performing Arts (210 citations), Conservation (77 citations) and Music (63 citations). Monica Prendergast has collaborated with scholars based in Canada, United States and Australia. Frequent co-authors include Carl Leggo, Pauline Sameshima, Juliana Saxton, Peter Gouzouasis, Rita L. Irwin, George Belliveau, Marilys Guillemin, Susan Cox, Amy Petersen Jensen and Johnny Saldaña. Their work appears in journals such as Qualitative Inquiry, Research in Drama Education The Journal of Applied Theatre and Performance, Canadian Theatre Review, Youth Theatre Journal and Theatre Research in Canada.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.