Anna Xambó
Impact in
- Human-Computer Interaction top 2%
- Innovative Human-Technology Interaction
- Interactive and Immersive Displays
- Signal Processing top 5%
- Music and Audio Processing
- Speech and Audio Processing
Papers in
-
- Interactive and Immersive Displays 19
- Innovative Human-Technology Interaction 10
-
- Music Technology and Sound Studies 31
- Video Analysis and Summarization 3
- Co-authors
- Martín HaroFerdinand FuhrmannEmília GómezGerard RomaPerfecto HerreraDmitry BogdanovCarey JewittSara Price
- Journals
- Journal of the Audio Engineering Society (3 papers)Journal of New Music Research (1 paper)Interacting with Computers (1 paper)Qualitative Research (1 paper)Applied Sciences (1 paper)
- Partner nations
- United KingdomUnited StatesSpain
In The Last Decade
Anna Xambó
46 papers receiving 365 citations
Peers
Comparison fields: 5 of 65
- Human-Computer Interaction 148
- Signal Processing 115
- Computer Vision and Pattern Recognition 205
- Music 19
- Cognitive Neuroscience 116
Countries citing papers authored by Anna Xambó
This map shows the geographic impact of Anna Xambó's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Anna Xambó with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Anna Xambó more than expected).
Fields of papers citing papers by Anna Xambó
This network shows the impact of papers produced by Anna Xambó. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Anna Xambó. The network helps show where Anna Xambó may publish in the future.
Co-authorship network
The 25 scholars most cited alongside Anna Xambó, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2024 | 2 | |
| 2 | 2023 | 1 | |
| 3 | 2021 | 2 | |
| 4 | Proceedings of the International Web Audio Conference | 2020 | 5 |
| 5 | Proceedings of the International Conference on New Interfaces for Musical Expression | 2020 | 52 |
| 6 | 2020 | 4 | |
| 7 | 2020 | 2 | |
| 8 | 2020 | 3 | |
| 9 | Exploring Real-time Visualisations to Support Chord Learning with a Large Music Collection | 2019 | 5 |
| 10 | 2019 | 6 | |
| 11 | 2018 | 13 | |
| 12 | 2018 | 1 | |
| 13 | A Javascript Library for Flexible Visualization of Audio Descriptors | 2018 | 1 |
| 14 | 2018 | 1 | |
| 15 | 2016 | 22 | |
| 16 | 2014 | 6 | |
| 17 | 2014 | 1 | |
| 18 | 2012 | 83 | |
| 19 | Multi-touch interaction principles for collaborative real-time music activities: towards a pattern language | 2011 | 1 |
| 20 | 2010 | 9 |
About Anna Xambó
Anna Xambó is a scholar working on Human-Computer Interaction, Computer Vision and Pattern Recognition, Signal Processing, Cognitive Neuroscience and Architecture, having authored 48 papers that have together received 397 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (31 papers), Interactive and Immersive Displays (19 papers), Music and Audio Processing (17 papers), Innovative Human-Technology Interaction (10 papers), Neuroscience and Music Perception (8 papers), Tactile and Sensory Interactions (5 papers), Speech and Audio Processing (3 papers) and Video Analysis and Summarization (3 papers). The work is most often cited by research in Human-Computer Interaction (148 citations), Signal Processing (115 citations), Computer Vision and Pattern Recognition (205 citations), Music (19 citations) and Cognitive Neuroscience (116 citations). Anna Xambó has collaborated with scholars based in United Kingdom, United States and Spain. Frequent co-authors include Martín Haro, Ferdinand Fuhrmann, Emília Gómez, Gerard Roma, Perfecto Herrera, Dmitry Bogdanov, Carey Jewitt, Sara Price, Robin Laney and Jason Freeman. Their work appears in journals such as Journal of the Audio Engineering Society, Journal of New Music Research, Interacting with Computers, Qualitative Research and Applied Sciences.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.