Hit papers significantly outperform the citation benchmark for their cohort. A paper qualifies
if it has ≥500 total citations, achieves ≥1.5× the top-1% citation threshold for papers in the
same subfield and year (this is the minimum needed to enter the top 1%, not the average
within it), or reaches the top citation threshold in at least one of its specific research
topics.
Countries citing papers authored by Perfecto Herrera
Since
Specialization
Citations
This map shows the geographic impact of Perfecto Herrera's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Perfecto Herrera with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Perfecto Herrera more than expected).
Fields of papers citing papers by Perfecto Herrera
This network shows the impact of papers produced by Perfecto Herrera. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Perfecto Herrera. The network helps show where Perfecto Herrera may publish in the future.
Co-authorship network of co-authors of Perfecto Herrera
This figure shows the co-authorship network connecting the top 25 collaborators of Perfecto Herrera.
A scholar is included among the top collaborators of Perfecto Herrera based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Perfecto Herrera. Perfecto Herrera is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
Herrera, Perfecto, et al.. (2019). The emotions that we perceive in music: the influence of language and lyrics comprehension on agreement. Repositori digital de la UPF (Universitat Pompeu Fabra).1 indexed citations
4.
Bogdanov, Dmitry, Nicolas Wack, Emília Gómez, et al.. (2014). ESSENTIA: an open source library for audio analysis. Repositori digital de la UPF (Universitat Pompeu Fabra). 6(1).5 indexed citations
5.
Chen, Gang, et al.. (2008). MULTI-CLASS SUPPORT VECTOR MACHINE ACTIVE LEARNING FOR MUSIC ANNOTATION. RECERCAT (Consorci de Serveis Universitaris de Catalunya).11 indexed citations
6.
Herrera, Perfecto, et al.. (2007). EXPECTATION ALONG THE BEAT: A USE CASE FOR MUSIC EXPECTATION MODELS. The Journal of the Abraham Lincoln Association.5 indexed citations
7.
Gómez, Emília, et al.. (2006). Automatic Tonal Analysis from Music Summaries for Version Identification. Journal of the Audio Engineering Society.12 indexed citations
8.
Herrera, Perfecto, et al.. (2005). SEMANTIC SEGMENTATION OF MUSIC AUDIO CONTENTS. The Journal of the Abraham Lincoln Association. 2005.19 indexed citations
9.
Streich, Sebastian & Perfecto Herrera. (2005). Detrended Fluctuation Analysis of Music Signals: Danceability Estimation and Further Semantic Characterization. Journal of the Audio Engineering Society.17 indexed citations
10.
Herrera, Perfecto, et al.. (2005). The Rhythm Transform: Towards A Generic Rhythm Description. The Journal of the Abraham Lincoln Association. 2005.2 indexed citations
11.
Herrera, Perfecto, et al.. (2005). TOWARDS A SEMANTIC DESCRIPTOR OF SUBJECTIVE INTENSITY IN MUSIC. The Journal of the Abraham Lincoln Association. 2005.4 indexed citations
12.
Herrera, Perfecto, et al.. (2004). Morphological Sound Description: Computational Model and Usability Evaluation. Journal of the Audio Engineering Society.7 indexed citations
13.
Herrera, Perfecto. (2004). Automatic Extraction of Tonal Metadata from Polyphonic Audio Recordings. Advances in Engineering Software.12 indexed citations
14.
Cano, Pedro, et al.. (2004). Knowledge and Content-Based Audio Retrieval Using Wordnet.. 301–308.4 indexed citations
15.
Cano, Pedro, et al.. (2004). Nearest-neighbor Generic Sound Classification with a WordNet-based Taxonomy. Journal of the Audio Engineering Society.19 indexed citations
16.
Gouyon, Fabien & Perfecto Herrera. (2003). Determination of the Meter of Musical Audio Signals: Seeking Recurrences in Beat Segment Descriptors. Journal of the Audio Engineering Society.34 indexed citations
17.
Herrera, Perfecto, et al.. (2003). Automatic Labeling of Unpitched Percussion Sounds. Journal of the Audio Engineering Society.11 indexed citations
18.
Gómez, Emília, Fabien Gouyon, Perfecto Herrera, & Xavier Amatriain. (2003). Using and enhancing the current MPEG-7 standard for a music content processing tool. Journal of the Audio Engineering Society.3 indexed citations
19.
Herrera, Perfecto, Xavier Serra, & Geoffroy Peeters. (1999). Audio Descriptors and Descriptor Schemes in the Context of MPEG-7. The Journal of the Abraham Lincoln Association.27 indexed citations
20.
Serra, Xavier, et al.. (1997). Integrating Complementary Spectral Models in the Design of a Musical Synthesizer. RECERCAT (Consorci de Serveis Universitaris de Catalunya). 1997. 152–159.17 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.