Mathieu Barthet
- Signal Processing top 2%
- Music and Audio Processing 50
- Human-Computer Interaction top 2%
- Interactive and Immersive Displays 7
- Innovative Human-Technology Interaction 4
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- Music Technology and Sound Studies 54
- Video Analysis and Summarization 5
- Music top 2%
- Cognitive Neuroscience top 5%
- Neuroscience and Music Perception 22
- Tactile and Sensory Interactions 7
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- Advanced Text Analysis Techniques 4
- Co-authors
- Luca TurchetGyörgy FazekasM. SandlerCarlo FischioneGeorg EsslDamián KellerRichard Kronland-MartinetSølvi Ystad
- Journals
- Journal of the Audio Engineering Society (5 papers)Journal of New Music Research (2 papers)IEEE Transactions on Affective Computing (2 papers)
- Partner nations
- United KingdomFranceUnited States
In The Last Decade
Mathieu Barthet
72 papers receiving 708 citations
Peers
Comparison fields: 5 of 72
- Signal Processing 398
- Human-Computer Interaction 147
- Computer Vision and Pattern Recognition 490
- Music 56
- Cognitive Neuroscience 264
Countries citing papers authored by Mathieu Barthet
This map shows the geographic impact of Mathieu Barthet's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mathieu Barthet with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mathieu Barthet more than expected).
Fields of papers citing papers by Mathieu Barthet
This network shows the impact of papers produced by Mathieu Barthet. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mathieu Barthet. The network helps show where Mathieu Barthet may publish in the future.
Co-authorship network
The 25 scholars most cited alongside Mathieu Barthet, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2023 | 1 | |
| 2 | 2022 | 1 | |
| 3 | Exploring Real-time Visualisations to Support Chord Learning with a Large Music Collection | 2019 | 5 |
| 4 | Groove Explorer: An Intelligent Visual Interface for Drum Loop Library Navigation. | 2019 | 3 |
| 5 | 2019 | 6 | |
| 6 | The Impact of Compressor Ballistics on the Perceived Style of Music | 2018 | 6 |
| 7 | 2018 | 6 | |
| 8 | 2018 | 3 | |
| 9 | 2018 | 33 | |
| 10 | 2017 | 20 | |
| 11 | 2017 | 2 | |
| 12 | Crossroads: Interactive Music Systems Transforming Performance, Production and Listening | 2016 | 3 |
| 13 | myMoodplay: An interactive mood-based music discovery app | 2016 | 5 |
| 14 | 2015 | 5 | |
| 15 | Big Chord Data Extraction and Mining | 2014 | 8 |
| 16 | 2014 | 7 | |
| 17 | 2013 | 14 | |
| 18 | 2013 | 3 | |
| 19 | 2011 | 15 | |
| 20 | On the Effect of Reverberation on Musical Instrument Automatic Recognition | 2010 | 6 |
About Mathieu Barthet
Mathieu Barthet is a scholar working on Signal Processing, Computer Vision and Pattern Recognition and Human-Computer Interaction, having authored 73 papers that have together received 750 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (54 papers), Music and Audio Processing (50 papers), Neuroscience and Music Perception (22 papers), Interactive and Immersive Displays (7 papers), Tactile and Sensory Interactions (7 papers), Video Analysis and Summarization (5 papers), Advanced Text Analysis Techniques (4 papers) and Innovative Human-Technology Interaction (4 papers). The work is most often cited by research in Signal Processing (398 citations), Human-Computer Interaction (147 citations) and Computer Vision and Pattern Recognition (490 citations). Mathieu Barthet has collaborated with scholars based in United Kingdom, France and United States. Frequent co-authors include Luca Turchet, György Fazekas, M. Sandler, Carlo Fischione, Georg Essl, Damián Keller, Richard Kronland-Martinet, Sølvi Ystad, Nick Bryan–Kinns and Şefki Kolozali. Their work appears in journals such as Journal of the Audio Engineering Society, Journal of New Music Research, IEEE Transactions on Affective Computing, Music Perception An Interdisciplinary Journal and IEEE Transactions on Human-Machine Systems.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.