C. Michael Elavsky

522 total citations
12 papers, 372 citations indexed

About

C. Michael Elavsky is a scholar working on Communication, Sociology and Political Science and Music. According to data from OpenAlex, C. Michael Elavsky has authored 12 papers receiving a total of 372 indexed citations (citations by other indexed papers that have themselves been cited), including 5 papers in Communication, 4 papers in Sociology and Political Science and 4 papers in Music. Recurrent topics in C. Michael Elavsky's work include Social Media and Politics (3 papers), Music History and Culture (3 papers) and Cultural Industries and Urban Development (3 papers). C. Michael Elavsky is often cited by papers focused on Social Media and Politics (3 papers), Music History and Culture (3 papers) and Cultural Industries and Urban Development (3 papers). C. Michael Elavsky collaborates with scholars based in United States, Czechia and Estonia. C. Michael Elavsky's co-authors include Reynol Junco, Greg Heiberger, Steriani Elavsky, Вероника Калмус, Vassilis Pavlopoulos and Jan Šerek and has published in prestigious journals such as British Journal of Educational Technology, Learning Media and Technology and European Journal of Developmental Psychology.

In The Last Decade

C. Michael Elavsky

9 papers receiving 324 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
C. Michael Elavsky United States 4 223 205 94 80 61 12 372
Sarah Galvin United States 8 187 0.8× 218 1.1× 102 1.1× 74 0.9× 63 1.0× 11 396
Lori Holcomb United States 6 162 0.7× 232 1.1× 55 0.6× 88 1.1× 72 1.2× 19 359
Alison Le Cornu United Kingdom 7 132 0.6× 177 0.9× 62 0.7× 106 1.3× 38 0.6× 17 389
Yuqin Yang China 5 300 1.3× 316 1.5× 111 1.2× 138 1.7× 89 1.5× 6 525
Ellen Hoffman United States 8 116 0.5× 172 0.8× 37 0.4× 68 0.8× 32 0.5× 32 290
Charlotte Nirmalani Gunawardena United States 6 99 0.4× 137 0.7× 72 0.8× 51 0.6× 93 1.5× 9 272
Benjamin Kehrwald Australia 8 118 0.5× 287 1.4× 51 0.5× 42 0.5× 114 1.9× 18 394
Feng Su United Kingdom 7 48 0.2× 231 1.1× 74 0.8× 55 0.7× 48 0.8× 32 377
Nafisa Kasem Malaysia 4 102 0.5× 143 0.7× 35 0.4× 102 1.3× 29 0.5× 6 284
Panagiota Alevizou United Kingdom 6 149 0.7× 207 1.0× 86 0.9× 98 1.2× 82 1.3× 18 424

Countries citing papers authored by C. Michael Elavsky

Since Specialization
Citations

This map shows the geographic impact of C. Michael Elavsky's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by C. Michael Elavsky with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites C. Michael Elavsky more than expected).

Fields of papers citing papers by C. Michael Elavsky

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by C. Michael Elavsky. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by C. Michael Elavsky. The network helps show where C. Michael Elavsky may publish in the future.

Co-authorship network of co-authors of C. Michael Elavsky

This figure shows the co-authorship network connecting the top 25 collaborators of C. Michael Elavsky. A scholar is included among the top collaborators of C. Michael Elavsky based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with C. Michael Elavsky. C. Michael Elavsky is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

12 of 12 papers shown
1.
Elavsky, C. Michael, et al.. (2022). The Place of Convergent Audiences in the Small Industry Market. Television & New Media. 24(1). 19–36.
2.
Pavlopoulos, Vassilis, et al.. (2017). Trust in alternative and professional media: The case of the youth news audiences in three European countries. European Journal of Developmental Psychology. 15(3). 340–354. 10 indexed citations
3.
Elavsky, C. Michael, et al.. (2013). Microphone Czech, Keepin' It Real: Politics of Creative Strategy in Cross-Cultural Music Production. Popular Communication. 11(3). 257–271. 2 indexed citations
4.
Elavsky, C. Michael. (2013). Activating Ego Engagement through Social Media Integration in the Large Lecture Hall. New Directions for Teaching and Learning. 2013(135). 61–67. 1 indexed citations
5.
Elavsky, C. Michael. (2012). Because “We Are . . .”. Culture Studies ↔ Critical Methodologies. 12(4). 297–300. 1 indexed citations
6.
Junco, Reynol, C. Michael Elavsky, & Greg Heiberger. (2012). Putting twitter to the test: Assessing outcomes for student collaboration, engagement and success. British Journal of Educational Technology. 44(2). 273–287. 255 indexed citations
7.
Elavsky, C. Michael, et al.. (2011). When talking less is more: exploring outcomes ofTwitterusage in the large‐lecture hall. Learning Media and Technology. 36(3). 215–233. 88 indexed citations
8.
Elavsky, C. Michael. (2011). Musically mapped: Czech popular music as a second ‘world sound’. European Journal of Cultural Studies. 14(1). 3–24. 8 indexed citations
9.
Elavsky, C. Michael. (2009). How You Gonna Save Y/our Soul? Tempering Corporate Identity in a Global Age. Culture Studies ↔ Critical Methodologies. 10(3). 175–186. 3 indexed citations
10.
Elavsky, C. Michael. (2009). United as ONE: Live 8 and the Politics of the Global Music Media Spectacle. Journal of Popular Music Studies. 21(4). 384–410. 3 indexed citations
11.
Elavsky, C. Michael, et al.. (2008). ‘And the Children of Israel Sang this Song’: The Role of Israeli Law and Policy in the Advancement of Israeli Song. 7(2). 1 indexed citations
12.
Elavsky, C. Michael. (2005). Producing "Local" Repertoire: Czech Identity, Pop Music, and the Global Music Industry.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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