Susan Kozel
Impact in
- Human-Computer Interaction top 2%
- Innovative Human-Technology Interaction
- Persona Design and Applications
- Interactive and Immersive Displays
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- Theatre and Performance Studies
Papers in
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- Innovative Human-Technology Interaction 8
- Interactive and Immersive Displays 3
- Persona Design and Applications 2
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- Digital Media and Philosophy 3
- Co-authors
- Susan Leigh Foster (1 shared paper)Sarah Homewood (1 shared paper)Lone Koefoed Hansen (1 shared paper)Helen Thomas (1 shared paper)Mark Franko (1 shared paper)Bruno Martelli (1 shared paper)Maria Engberg (1 shared paper)Kristina Höök (1 shared paper)
In The Last Decade
Susan Kozel
16 papers receiving 299 citations
Peers
Comparison fields: 5 of 73
- Human-Computer Interaction 162
- Visual Arts and Performing Arts 79
- Music 38
- Experimental and Cognitive Psychology 92
- Museology 24
Countries citing papers authored by Susan Kozel
This map shows the geographic impact of Susan Kozel's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Susan Kozel with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Susan Kozel more than expected).
Fields of papers citing papers by Susan Kozel
This network shows the impact of papers produced by Susan Kozel. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Susan Kozel. The network helps show where Susan Kozel may publish in the future.
Co-authors
The 9 scholars most cited alongside Susan Kozel, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 21 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 2021 | 111 | |
| 2 | 2008 | 94 | |
| 3 | 1997 | 86 | |
| 4 | 2007 | 33 | |
| 5 | 1996 | 10 | |
| 6 | 1996 | 10 | |
| 7 | 2010 | 6 | |
| 8 | 2012 | 5 | |
| 9 | Somatic Materialism or "Is it possible to do a Phenomenology of Affect?" | 2013 | 5 |
| 10 | AffeXity : performing affect using augmented reality | 2012 | 4 |
| 11 | 2018 | 4 | |
| 12 | 2005 | 3 | |
| 13 | Intuitive improvisation : a phenomenological method for dance experimentation with mobile digital media | 2010 | 3 |
| 14 | 1996 | 3 | |
| 15 | FCJ-150 AffeXity: Performing Affect with Augmented Reality | 2012 | 2 |
| 16 | 1995 | 2 | |
| 17 | 2017 | 0 | |
| 18 | 1999 | 0 | |
| 19 | The Archival Body : Re-enactments, affective doubling and surrogacy | 2017 | 0 |
| 20 | From Openness to Encryption | 2016 | 0 |
About Susan Kozel
Susan Kozel is a scholar working on Human-Computer Interaction, Computer Science Applications, Sociology and Political Science, Literature and Literary Theory and Philosophy, having authored 21 papers that have together received 381 indexed citations. Recurring topics across this work include Innovative Human-Technology Interaction (8 papers), Interactive and Immersive Displays (3 papers), Digital Media and Philosophy (3 papers), Simone de Beauvoir and Sartre (2 papers), Design Education and Practice (2 papers), Narrative Theory and Analysis (2 papers), Persona Design and Applications (2 papers) and French Literature and Criticism (2 papers). The work is most often cited by research in Human-Computer Interaction (162 citations), Visual Arts and Performing Arts (79 citations), Music (38 citations), Experimental and Cognitive Psychology (92 citations) and Museology (24 citations). Susan Kozel has collaborated with scholars based in Sweden, Denmark and Canada. Frequent co-authors include Susan Leigh Foster, Sarah Homewood, Lone Koefoed Hansen, Helen Thomas, Mark Franko, Bruno Martelli, Maria Engberg, Kristina Höök and Kristina Andersen. Their work appears in journals such as Performance Research, TDR/The Drama Review, Hypatia, Dance Research Journal and International Journal of Performance Arts and Digital Media.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.