Mark Franko

1.3k citations
57 papers · 301 · h-index 9

Impact in

  • Music top 1%
    • Musicology and Musical Analysis
    • Theater, Performance, and Music History
    • Music History and Culture
    • Theatre and Performance Studies

Papers in

Mark Franko

38 papers receiving 137 citations

Peers

Mark Franko
Comparison fields: 5 of 48
  • Music 106
  • Visual Arts and Performing Arts 91
  • Experimental and Cognitive Psychology 181
  • Museology 19
  • General Arts and Humanities 5
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Citations per year

Countries citing papers authored by Mark Franko

Since Specialization
Citations

This map shows the geographic impact of Mark Franko's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Mark Franko with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Mark Franko more than expected).

Fields of papers citing papers by Mark Franko

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Mark Franko. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Mark Franko. The network helps show where Mark Franko may publish in the future.

Co-authors

The 23 scholars most cited alongside Mark Franko, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Mark Franko Line = papers co-authored together Mark Franko links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown

Showing the 20 most-cited of 57 papers — load more, or switch the sort, to bring in the rest.

#Work
1 199349
2 200544
3 200628
4 198920
5
Corporealities : Dancing Knowledge, Culture and Power
199617
6 201114
7 201412
8 199610
9 20119
10 20158
11 20128
12 19967
13 20026
14 20115
15 19945
16
Editor's Note: What Is Dead and What Is Alive in Dance Phenomenology?
20114
17 20124
18 19954
19 20133
20 20033

About Mark Franko

Mark Franko is a scholar working on Experimental and Cognitive Psychology, Music, Sociology and Political Science, Visual Arts and Performing Arts and History, having authored 57 papers that have together received 301 indexed citations. Recurring topics across this work include Diversity and Impact of Dance (31 papers), Musicology and Musical Analysis (18 papers), Theatre and Performance Studies (6 papers), Theater, Performance, and Music History (6 papers), Historical Studies and Socio-cultural Analysis (5 papers), French Historical and Cultural Studies (5 papers), Art, Politics, and Modernism (3 papers) and Cinema and Media Studies (3 papers). The work is most often cited by research in Music (106 citations), Visual Arts and Performing Arts (91 citations), Experimental and Cognitive Psychology (181 citations), Museology (19 citations) and General Arts and Humanities (5 citations). Mark Franko has collaborated with scholars based in United States, United Kingdom and France. Frequent co-authors include André Lepecki, Helen Thomas, Susan Kozel, Randy Martín, Louis Marín, Marta E. Savigliano, Sally Ann Ness, Peggy Phelan, Susan Leigh Foster and Hal Foster. Their work appears in journals such as Dance Research Journal, TDR/The Drama Review, Dance Research, Theatre Journal and Res Anthropology and Aesthetics.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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