Carrie Noland
- Sociology and Political Science
- Experimental and Cognitive Psychology top 10%
- Visual Arts and Performing Arts top 2%
- Music top 5%
- Literature and Literary Theory top 10%
- Co-authors
- John LyonsIan JamesEdward HughesWarren MotteOlivier GalletCharles ForsdickKaren SullivanTom Conley
- Topics
- Theatre and Performance Studies (4 papers)Diversity and Impact of Dance (4 papers)French Literature and Critical Theory (4 papers)
- Journals
- SHILAP Revista de lepidopterologíaCritical InquiryPMLA/Publications of the Modern Language Association of America
- Partner nations
- United States
In The Last Decade
Carrie Noland
17 papers receiving 208 citations
Peers
Comparison fields: 5 of 61
- Sociology and Political Science 77
- Experimental and Cognitive Psychology 76
- Visual Arts and Performing Arts 71
- Music 46
- Literature and Literary Theory 44
Countries citing papers authored by Carrie Noland
This map shows the geographic impact of Carrie Noland's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Carrie Noland with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Carrie Noland more than expected).
Fields of papers citing papers by Carrie Noland
This network shows the impact of papers produced by Carrie Noland. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Carrie Noland. The network helps show where Carrie Noland may publish in the future.
Co-authorship network of co-authors of Carrie Noland
This figure shows the co-authorship network connecting the top 25 collaborators of Carrie Noland. A scholar is included among the top collaborators of Carrie Noland based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Carrie Noland. Carrie Noland is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 1 | |
| 2 | 0 | |
| 3 | 0 | |
| 4 | 2 | |
| 5 | 1 | |
| 6 | Dire la poésie | 1 |
| 7 | 6 | |
| 8 | 0 | |
| 9 | 2 | |
| 10 | 6 | |
| 11 | 9 | |
| 12 | Coping and Choreography | 3 |
| 13 | 116 | |
| 14 | 126 | |
| 15 | 4 | |
| 16 | 1 | |
| 17 | 2 | |
| 18 | 1 | |
| 19 | 4 | |
| 20 | 8 |
About Carrie Noland
Carrie Noland is a scholar working on Music, Visual Arts and Performing Arts and Literature and Literary Theory, having authored 23 papers that have together received 301 indexed citations. Recurring topics across this work include Theatre and Performance Studies (4 papers), Diversity and Impact of Dance (4 papers) and French Literature and Critical Theory (4 papers). The work is most often cited by research in Visual Arts and Performing Arts (71 citations), Music (46 citations) and Experimental and Cognitive Psychology (76 citations). Carrie Noland has collaborated with scholars based in United States. Frequent co-authors include John Lyons, Ian James, Edward Hughes, Warren Motte, Olivier Gallet, Charles Forsdick, Karen Sullivan, Tom Conley, Michel Murât and Michaël Moriarty. Their work appears in journals such as SHILAP Revista de lepidopterología, Critical Inquiry and PMLA/Publications of the Modern Language Association of America.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.