Brandon LaBelle

1.7k total citations
20 papers, 552 citations indexed

About

Brandon LaBelle is a scholar working on Music, Computer Vision and Pattern Recognition and Visual Arts and Performing Arts. According to data from OpenAlex, Brandon LaBelle has authored 20 papers receiving a total of 552 indexed citations (citations by other indexed papers that have themselves been cited), including 5 papers in Music, 2 papers in Computer Vision and Pattern Recognition and 2 papers in Visual Arts and Performing Arts. Recurrent topics in Brandon LaBelle's work include Diverse Musicological Studies (5 papers), Music Technology and Sound Studies (2 papers) and Visual Culture and Art Theory (2 papers). Brandon LaBelle is often cited by papers focused on Diverse Musicological Studies (5 papers), Music Technology and Sound Studies (2 papers) and Visual Culture and Art Theory (2 papers). Brandon LaBelle collaborates with scholars based in Denmark, Norway and Iran. Brandon LaBelle's co-authors include Steve Pile, Jane Rendell, K. Ehrlich and Yves Citton and has published in prestigious journals such as SHILAP Revista de lepidopterología, Cultural Geographies and Organised Sound.

In The Last Decade

Brandon LaBelle

14 papers receiving 439 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Brandon LaBelle Denmark 8 190 99 95 87 74 20 552
Christoph Cox United States 9 175 0.9× 167 1.7× 33 0.3× 46 0.5× 78 1.1× 16 531
Thomas Porcello United States 7 260 1.4× 49 0.5× 26 0.3× 42 0.5× 100 1.4× 11 460
Michael Bull United Kingdom 8 131 0.7× 35 0.4× 63 0.7× 27 0.3× 150 2.0× 14 522
Douglas A. Kahn United States 8 122 0.6× 72 0.7× 37 0.4× 38 0.4× 60 0.8× 43 464
Lee B. Brown United States 9 90 0.5× 34 0.3× 19 0.2× 29 0.3× 121 1.6× 30 538
Philip V. Bohlman United States 14 533 2.8× 35 0.4× 24 0.3× 115 1.3× 268 3.6× 86 845
Susan Kozel Sweden 7 38 0.2× 27 0.3× 18 0.2× 27 0.3× 79 1.1× 21 358
Simon D. O'Sullivan United Kingdom 10 31 0.2× 9 0.1× 56 0.6× 110 1.3× 127 1.7× 46 461
Jeff Todd Tıton United States 11 293 1.5× 45 0.5× 8 0.1× 49 0.6× 115 1.6× 56 505
Carrie Noland United States 6 46 0.2× 19 0.2× 16 0.2× 33 0.4× 77 1.0× 23 301

Countries citing papers authored by Brandon LaBelle

Since Specialization
Citations

This map shows the geographic impact of Brandon LaBelle's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Brandon LaBelle with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Brandon LaBelle more than expected).

Fields of papers citing papers by Brandon LaBelle

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Brandon LaBelle. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Brandon LaBelle. The network helps show where Brandon LaBelle may publish in the future.

Co-authorship network of co-authors of Brandon LaBelle

This figure shows the co-authorship network connecting the top 25 collaborators of Brandon LaBelle. A scholar is included among the top collaborators of Brandon LaBelle based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Brandon LaBelle. Brandon LaBelle is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
LaBelle, Brandon. (2025). Poetics of Listening.
2.
LaBelle, Brandon. (2023). Justicia acústica.
3.
LaBelle, Brandon. (2020). Towards Acoustic Justice. Law/text/culture. 24(1).
4.
LaBelle, Brandon. (2020). Acoustic Justice. Bloomsbury Publishing Plc eBooks. 7 indexed citations
5.
LaBelle, Brandon. (2020). Acoustic Justice: Listening, Performativity, and the Work of Reorientation. 2 indexed citations
6.
LaBelle, Brandon, et al.. (2020). Improbables publics. Multitudes. n° 79(2). 88–92.
7.
LaBelle, Brandon. (2019). Acoustic Territories. Bloomsbury Publishing Plc eBooks. 7 indexed citations
8.
LaBelle, Brandon. (2018). Sonic Agency: Sound and Emergent Forms of Resistance. Goldsmiths (University of London). 63 indexed citations
9.
LaBelle, Brandon. (2016). Restless Acoustics, Emergent Publics. 295–306. 1 indexed citations
10.
LaBelle, Brandon. (2015). Background Noise Second Edition. 28 indexed citations
11.
LaBelle, Brandon. (2014). Lexicon of the Mouth. Bloomsbury Academic eBooks. 28 indexed citations
12.
LaBelle, Brandon. (2012). Acoustic Spatiality. SHILAP Revista de lepidopterología.
13.
LaBelle, Brandon. (2011). Sharing Architecture: Space, Time and the Aesthetics of Pressure. Journal of Visual Culture. 10(2). 177–188. 1 indexed citations
14.
LaBelle, Brandon. (2010). Acoustic Territories: Sound Culture and Everyday Life. Medical Entomology and Zoology. 225 indexed citations
15.
LaBelle, Brandon. (2008). Pump up the Bass—Rhythm, Cars, and Auditory Scaffolding. The Senses and Society. 3(2). 187–203. 18 indexed citations
16.
LaBelle, Brandon. (2006). Phantom Music: radio, memory, and narratives from auditory life. Organised Sound. 11(1). 19–25. 2 indexed citations
17.
LaBelle, Brandon. (2006). Background Noise: Perspectives on Sound Art. Medical Entomology and Zoology. 145 indexed citations
18.
LaBelle, Brandon, et al.. (2005). Exploring ‘an area of outstanding unnatural beauty’: a treasure hunt around King’s Cross, London. Cultural Geographies. 12(4). 429–462. 14 indexed citations
19.
Ehrlich, K., et al.. (2003). Surface tension : problematics of site. Medical Entomology and Zoology. 7 indexed citations
20.
LaBelle, Brandon. (2002). Reading Between the Lines: Word as Conceptual Project. Performance Research. 7(3). 47–53. 4 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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