Ronald Knowles
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- Shakespeare, Adaptation, and Literary Criticism 8
- Contemporary Literature and Criticism 2
- Samuel Beckett and Modernism 2
- Visual Arts and Performing Arts top 10%
- Theatre and Performance Studies 8
- Museology top 10%
- Historical Art and Culture Studies 3
- History top 10%
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- Irish and British Studies 3
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- Historical Economic and Social Studies 2
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- Russian Literature and Bakhtin Studies 2
Ronald Knowles
15 papers receiving 45 citations
Peers
Comparison fields: 5 of 26
- Literature and Literary Theory 70
- Visual Arts and Performing Arts 18
- Museology 11
- Music 9
- History 25
Countries citing papers authored by Ronald Knowles
This map shows the geographic impact of Ronald Knowles's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Ronald Knowles with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Ronald Knowles more than expected).
Fields of papers citing papers by Ronald Knowles
This network shows the impact of papers produced by Ronald Knowles. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Ronald Knowles. The network helps show where Ronald Knowles may publish in the future.
Co-authorship network
The 15 scholars most cited alongside Ronald Knowles, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2009 | 6 | |
| 2 | 2009 | 0 | |
| 3 | 2003 | 4 | |
| 4 | 2002 | 9 | |
| 5 | 2001 | 3 | |
| 6 | 1999 | 16 | |
| 7 | 1999 | 1 | |
| 8 | 1998 | 3 | |
| 9 | 1998 | 3 | |
| 10 | 1998 | 7 | |
| 11 | Joyce and Pinter: "Exiles" and "Betrayal" | 1998 | 0 |
| 12 | 1997 | 7 | |
| 13 | 1995 | 1 | |
| 14 | 1993 | 1 | |
| 15 | 1993 | 0 | |
| 16 | 1993 | 6 | |
| 17 | 1991 | 1 | |
| 18 | 1991 | 3 | |
| 19 | 1991 | 2 | |
| 20 | The Entertainment of His Most Excellent Majestie Charles II, in His Passage Through the City of London to His Coronation | 1988 | 6 |
About Ronald Knowles
Ronald Knowles is a scholar working on Visual Arts and Performing Arts, Literature and Literary Theory, Museology, History and History and Philosophy of Science, having authored 26 papers that have together received 117 indexed citations. Recurring topics across this work include Theatre and Performance Studies (8 papers), Shakespeare, Adaptation, and Literary Criticism (8 papers), Historical Art and Culture Studies (3 papers), Irish and British Studies (3 papers), Contemporary Literature and Criticism (2 papers), Historical Economic and Social Studies (2 papers), Samuel Beckett and Modernism (2 papers) and Russian Literature and Bakhtin Studies (2 papers). The work is most often cited by research in Literature and Literary Theory (70 citations), Visual Arts and Performing Arts (18 citations), Museology (11 citations), Music (9 citations) and History (25 citations). Ronald Knowles has collaborated with scholars based in United Kingdom. Frequent co-authors include Graham Holderness, Jonathan Hall, Stuart Gillespie, Steven N. Zwicker, Leslie Smith, John Stokes, Francesca Coppa, Jean E. Howard, Peter Raby and Christopher Innes. Their work appears in journals such as The Modern Language Review, Renaissance Quarterly, Renaissance and Reformation, The Yearbook of English Studies and Palgrave Macmillan UK eBooks.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.