Georges Didi‐Huberman
About
In The Last Decade
Georges Didi‐Huberman
101 papers receiving 599 citations
Peers
Comparison fields: 5 of 88
- Visual Arts and Performing Arts 258
- Sociology and Political Science 212
- History 199
- Literature and Literary Theory 158
- Philosophy 151
Countries citing papers authored by Georges Didi‐Huberman
This map shows the geographic impact of Georges Didi‐Huberman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Georges Didi‐Huberman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Georges Didi‐Huberman more than expected).
Fields of papers citing papers by Georges Didi‐Huberman
This network shows the impact of papers produced by Georges Didi‐Huberman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Georges Didi‐Huberman. The network helps show where Georges Didi‐Huberman may publish in the future.
Co-authorship network of co-authors of Georges Didi‐Huberman
This figure shows the co-authorship network connecting the top 25 collaborators of Georges Didi‐Huberman. A scholar is included among the top collaborators of Georges Didi‐Huberman based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Georges Didi‐Huberman. Georges Didi‐Huberman is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | El arte de la vida otra, o cómo no ser gobernado | 1 |
| 2 | Sur le fil | 1 |
| 3 | De semejanza a semejanza | 0 |
| 4 | Atlas, ou, Le gai savoir inquiet | 23 |
| 5 | Sampling Chaos. Aby Warburg and the Photographic Atlas of the Great War | 0 |
| 6 | La exposición como máquina de guerra: keywords | 1 |
| 7 | Atlas : how to carry the world on one's back? | 4 |
| 8 | La ressemblance par contact : archéologie, anachronisme et modernité de l'empreinte | 8 |
| 9 | La peinture en actes : gestes et manières dans l'Italie de la Renaissance | 1 |
| 10 | Storia dell'arte e anacronismo delle immagini | 3 |
| 11 | Le danseur des solitudes | 8 |
| 12 | Die leibhaftige Malerei | 0 |
| 13 | Vor einem Bild | 1 |
| 14 | Was wir sehen blickt uns an: Zur Metapsychologie des Bildes | 6 |
| 15 | L'étoilement : conversation avec Hantaï | 2 |
| 16 | La ressemblance informe, ou, Le gai savoir visuel selon Georges Bataille | 27 |
| 17 | Fra Angelico : Unähnlichkeit und Figuration | 1 |
| 18 | Fra Angelico : dissemblance et figuration | 15 |
| 19 | 1 | |
| 20 | Beato Angelico: figure del dissimile | 2 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.