Griselda Pollock

3.8k citations
121 papers · 1.1k indexed · h-index 15

Impact in

Papers in

Griselda Pollock

86 papers receiving 661 citations

Peers

Griselda Pollock
Comparison fields: 5 of 90
  • Visual Arts and Performing Arts 317
  • Museology 129
  • History 187
  • Literature and Literary Theory 180
  • Music 42
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Citations per field
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Citations per year

Countries citing papers authored by Griselda Pollock

Since Specialization
Citations

This map shows the geographic impact of Griselda Pollock's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Griselda Pollock with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Griselda Pollock more than expected).

Fields of papers citing papers by Griselda Pollock

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Griselda Pollock. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Griselda Pollock. The network helps show where Griselda Pollock may publish in the future.

Co-authors

The 25 scholars most cited alongside Griselda Pollock, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.

Border = papers with Griselda Pollock Line = papers co-authored together Griselda Pollock links everyone, so they are left out of the graph.

All Works

20 of 20 papers shown
#Work
1 20140
2 20132
3 20126
4
Concentrationary cinema : aesthetics as political resistance in Alain Resnais's Night and fog (1955)
201118
5
Griselda Pollock : allo-thanatography or allo-auto-biography : a few thoughts on one painting in Charlotte Salomon's Leben? oder Theater?, 1941-42 = Allo-Thanatografie oder Allo-Auto-Biografie : Überlegungen zu einem Bild in Charlotte Salomons Leben? oder Theater?, 1941/42
20111
6
Digital and Other Virtualities : Renegotiating the Image
20106
7 20102
8
Bluebeard's legacy : death and secrets from Bartók to Hitchcock
20091
9
Museums After Modernism : Strategies of Engagement
20079
10
Women Artists at the Millenium
20067
11 20063
12 20032
13
Differencing the canon : feminist desire and the writing of art's histories
199983
14
A hungry eye
19981
15
Mary Kelly : Social Process/Collaborative Action, 1970-1975
19970
16
Theory, ideology, politics: art history and its myths
19961
17
Féminisme, art et histoire de l'art
19941
18
Mujeres ausentes: un replanteamiento de antiguas reflexiones sobre imágenes de la mujer
19911
19
Vision and Difference: Feminism, Femininity and Histories of Art
1988127
20 19841

About Griselda Pollock

Griselda Pollock is a scholar working on Visual Arts and Performing Arts, Museology, History, Information Systems and Management and Literature and Literary Theory, having authored 121 papers that have together received 1.1k indexed citations. Recurring topics across this work include Art, Politics, and Modernism (30 papers), Historical Gender and Feminism Studies (17 papers), Diverse academic research themes (10 papers), Visual Culture and Art Theory (8 papers), French Historical and Cultural Studies (7 papers), Cinema and Media Studies (7 papers), Fashion and Cultural Textiles (5 papers) and Photography and Visual Culture (5 papers). The work is most often cited by research in Visual Arts and Performing Arts (317 citations), Museology (129 citations), History (187 citations), Literature and Literary Theory (180 citations) and Music (42 citations). Griselda Pollock has collaborated with scholars based in United Kingdom, Australia and Hong Kong. Frequent co-authors include Caroline Osborne, Brian Massumi, Bracha L. Ettinger, Judith Butler, Mieke Bal, Maxim Silverman, Penny Florence, Rozsika Parker, Lawrence Alloway and Laura Mulvey. Their work appears in journals such as Art History, Parallax, The Art Bulletin, Journal of Visual Culture and differences.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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2026