David Rosand
Impact in
-
- Visual Culture and Art Theory
- Architecture and Art History Studies
- History top 5%
- Renaissance and Early Modern Studies
- Historical and Religious Studies of Rome
Papers in
- History 8
- Renaissance and Early Modern Studies 6
- Historical and Religious Studies of Rome 3
-
- Architecture and Art History Studies 5
- Visual Culture and Art Theory 3
- Art History and Market Analysis 3
- Co-authors
- Robert W. Hanning (1 shared paper)Dennis Romano (1 shared paper)Gottfried Boehm (1 shared paper)Christopher G. Wood (1 shared paper)Wolfgang Pichler (1 shared paper)Norman Bryson (1 shared paper)Georges Didi‐Huberman (1 shared paper)Svetlana Alpers (1 shared paper)
- Journals
- The Art Bulletin (16 papers)New Literary History (2 papers)Source Notes in the History of Art (2 papers)Artibus et Historiae (2 papers)Art Journal (2 papers)
- Partner nations
- United StatesNetherlandsFrance
In The Last Decade
David Rosand
27 papers receiving 65 citations
Peers
Comparison fields: 5 of 38
- Visual Arts and Performing Arts 39
- History 54
- Classics 18
- Museology 12
- Conservation 11
Countries citing papers authored by David Rosand
This map shows the geographic impact of David Rosand's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David Rosand with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David Rosand more than expected).
Fields of papers citing papers by David Rosand
This network shows the impact of papers produced by David Rosand. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David Rosand. The network helps show where David Rosand may publish in the future.
Co-authors
The 10 scholars most cited alongside David Rosand, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 40 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | Castiglione: The Ideal and the Real in Renaissance Culture | 1983 | 24 |
| 2 | 2002 | 10 | |
| 3 | 1984 | 8 | |
| 4 | 1972 | 8 | |
| 5 | Interpretazioni veneziane : studi di storia dell'arte in onore di Michelangelo Muraro | 1984 | 8 |
| 6 | 1982 | 8 | |
| 7 | 1976 | 4 | |
| 8 | 1971 | 4 | |
| 9 | 1977 | 4 | |
| 10 | 1987 | 4 | |
| 11 | 1971 | 3 | |
| 12 | 1975 | 2 | |
| 13 | 2009 | 2 | |
| 14 | 1986 | 2 | |
| 15 | Places of Delight: The Pastoral Landscape | 1988 | 2 |
| 16 | 1977 | 2 | |
| 17 | 1994 | 2 | |
| 18 | The meaning of the mark : Leonardo and Titian | 1988 | 2 |
| 19 | 1981 | 2 | |
| 20 | Titian Draws Himself | 2009 | 1 |
About David Rosand
David Rosand is a scholar working on History, Visual Arts and Performing Arts, Anthropology, Archeology and Museology, having authored 40 papers that have together received 115 indexed citations. Recurring topics across this work include Renaissance and Early Modern Studies (6 papers), Classical Antiquity Studies (5 papers), Architecture and Art History Studies (5 papers), Historical Art and Culture Studies (4 papers), Visual Culture and Art Theory (3 papers), Art History and Market Analysis (3 papers), Historical and Religious Studies of Rome (3 papers) and Historical Art and Architecture Studies (3 papers). The work is most often cited by research in Visual Arts and Performing Arts (39 citations), History (54 citations), Classics (18 citations), Museology (12 citations) and Conservation (11 citations). David Rosand has collaborated with scholars based in United States, Netherlands and France. Frequent co-authors include Robert W. Hanning, Dennis Romano, Gottfried Boehm, Christopher G. Wood, Wolfgang Pichler, Norman Bryson, Georges Didi‐Huberman, Svetlana Alpers, da Vinci Leonardo and Gerhard Neumann. Their work appears in journals such as The Art Bulletin, New Literary History, Source Notes in the History of Art, Artibus et Historiae and Art Journal.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.