David Rosand

573 total citations
40 papers, 117 citations indexed

About

David Rosand is a scholar working on History, Visual Arts and Performing Arts and Anthropology. According to data from OpenAlex, David Rosand has authored 40 papers receiving a total of 117 indexed citations (citations by other indexed papers that have themselves been cited), including 8 papers in History, 8 papers in Visual Arts and Performing Arts and 6 papers in Anthropology. Recurrent topics in David Rosand's work include Renaissance and Early Modern Studies (6 papers), Architecture and Art History Studies (5 papers) and Classical Antiquity Studies (5 papers). David Rosand is often cited by papers focused on Renaissance and Early Modern Studies (6 papers), Architecture and Art History Studies (5 papers) and Classical Antiquity Studies (5 papers). David Rosand collaborates with scholars based in United States, Netherlands and France. David Rosand's co-authors include Robert W. Hanning, Dennis Romano, Gottfried Boehm, Svetlana Alpers, da Vinci Leonardo, Georges Didi‐Huberman, Wolfgang Pichler, Christopher G. Wood, Gerhard Neumann and Norman Bryson and has published in prestigious journals such as New Literary History, The Art Bulletin and Renaissance and Reformation.

In The Last Decade

David Rosand

27 papers receiving 66 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
David Rosand United States 6 55 40 19 18 13 40 117
Cecil Grayson 5 43 0.8× 24 0.6× 14 0.7× 10 0.6× 5 0.4× 19 94
Michelangelo Buonarroti 6 56 1.0× 22 0.6× 10 0.5× 11 0.6× 7 0.5× 51 97
J. B. Trapp United Kingdom 6 57 1.0× 12 0.3× 7 0.4× 37 2.1× 7 0.5× 26 142
John Shearman United Kingdom 7 64 1.2× 40 1.0× 13 0.7× 13 0.7× 6 0.5× 22 113
Paul Barolsky United States 5 56 1.0× 35 0.9× 7 0.4× 18 1.0× 4 0.3× 53 108
Bernard Berenson 6 24 0.4× 19 0.5× 7 0.4× 11 0.6× 4 0.3× 28 97
Mario Praz United States 6 22 0.4× 24 0.6× 5 0.3× 6 0.3× 20 1.5× 13 83
Iain Fenlon United Kingdom 7 63 1.1× 10 0.3× 34 1.8× 59 3.3× 3 0.2× 46 179
Wolfgang Kemp Germany 6 26 0.5× 28 0.7× 7 0.4× 10 0.6× 9 0.7× 35 87
Reinhard Strohm United Kingdom 6 54 1.0× 6 0.1× 38 2.0× 41 2.3× 7 0.5× 22 134

Countries citing papers authored by David Rosand

Since Specialization
Citations

This map shows the geographic impact of David Rosand's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David Rosand with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David Rosand more than expected).

Fields of papers citing papers by David Rosand

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by David Rosand. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David Rosand. The network helps show where David Rosand may publish in the future.

Co-authorship network of co-authors of David Rosand

This figure shows the co-authorship network connecting the top 25 collaborators of David Rosand. A scholar is included among the top collaborators of David Rosand based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with David Rosand. David Rosand is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Rosand, David. (2010). "Most musical of mourners, weep again!": Titian's Triumph of Marsyas. 17(3). 17–43. 1 indexed citations
2.
Rosand, David. (2009). Titian Draws Himself. 65–71. 1 indexed citations
3.
Rosand, David, et al.. (2007). Titian : materiality, likeness, istoria. Medical Entomology and Zoology. 1 indexed citations
4.
Rosand, David & Dennis Romano. (2002). Myths of Venice: The Figuration of a State. Renaissance and Reformation. 38(2). 106–107. 10 indexed citations
5.
Rosand, David. (2001). Myths of Venice.
6.
Rosand, David, et al.. (1986). Palma il Giovane: L'opera completa. The Art Bulletin. 68(2). 336–336. 2 indexed citations
7.
Rosand, David, et al.. (1984). Painting in Cinquecento Venice: Titian, Veronese, Tintoretto. The Art Bulletin. 66(2). 337–337. 8 indexed citations
8.
Rosand, David. (1984). RAPHAEL, MARCANTONIO, AND THE ICON OF PATHOS. Source Notes in the History of Art. 3(2). 34–52. 1 indexed citations
9.
Rosand, David, et al.. (1984). Interpretazioni veneziane : studi di storia dell'arte in onore di Michelangelo Muraro. Medical Entomology and Zoology. 8 indexed citations
10.
Rosand, David, et al.. (1981). Veronese: L'Opera completa. The Art Bulletin. 63(1). 163–163. 1 indexed citations
11.
Rosand, David, et al.. (1977). Titian and the Venetian Woodcut. The Art Bulletin. 59(4). 637–637. 4 indexed citations
12.
Rosand, David, et al.. (1976). Tiziano e la silografia veneziana del Cinquecento. 1 indexed citations
13.
Rosand, David, et al.. (1976). Titian and the Venetian woodcut : a loan exhibition.
14.
Rosand, David. (1976). Titian'sPresentation of the Virgin in the Templeand the Scuola della Carità. The Art Bulletin. 58(1). 55–84. 4 indexed citations
15.
Rosand, David. (1975). Titian's Light as Form and Symbol. The Art Bulletin. 57(1). 58–64. 2 indexed citations
16.
Rosand, David. (1974). Art History and Criticism: The Past as Present. New Literary History. 5(3). 435–435. 1 indexed citations
17.
Rosand, David. (1973). : The Paintings of Titian, Complete Edition. Volume II, The Portraits.. Renaissance Quarterly. 26(4). 497–500.
18.
Rosand, David. (1973). Theater and Structure in the Art of Paolo Veronese. The Art Bulletin. 55(2). 217–239. 1 indexed citations
19.
Rosand, David, et al.. (1972). Letters to the Editor. The Art Bulletin. 54(1). 116–116.
20.
Rosand, David. (1969). Rubens's Munich Lion Hunt: Its Sources and Significance. The Art Bulletin. 51(1). 29–29.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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