Cat Hope
- Music top 2%
- Diverse Musicological Studies 9
- Diverse Music Education Insights 8
- Music History and Culture 7
- Urban Studies top 10%
- Cultural Industries and Urban Development 5
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- Music Technology and Sound Studies 20
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- Music and Audio Processing 11
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- Neuroscience and Music Perception 6
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- Art, Technology, and Culture 3
- Co-authors
- Sophie HennekamDawn BennettMartin L. FergusonJennifer McKinleyJamie K. PringleRuth M. MorganVivienne HeatonJohn Ryan
- Journals
- Australasian Journal of Paramedicine (15 papers)Contemporary Music Review (3 papers)Organised Sound (2 papers)
- Partner nations
- AustraliaFranceUnited Kingdom
In The Last Decade
Cat Hope
38 papers receiving 180 citations
Peers
Comparison fields: 5 of 75
- Music 62
- Space and Planetary Science 6
- Human-Computer Interaction 17
- Urban Studies 18
- Archeology 3
Countries citing papers authored by Cat Hope
This map shows the geographic impact of Cat Hope's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Cat Hope with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Cat Hope more than expected).
Fields of papers citing papers by Cat Hope
This network shows the impact of papers produced by Cat Hope. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Cat Hope. The network helps show where Cat Hope may publish in the future.
Co-authorship network
The 23 scholars most cited alongside Cat Hope, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2024 | 1 | |
| 2 | 2024 | 0 | |
| 3 | 2023 | 1 | |
| 4 | 2022 | 4 | |
| 5 | 2020 | 0 | |
| 6 | 2017 | 1 | |
| 7 | 2017 | 0 | |
| 8 | 2016 | 1 | |
| 9 | 2015 | 6 | |
| 10 | Proceedings of the 2015 WA Chapter of MSA Symposium on Music Performance and Analysis | 2015 | 1 |
| 11 | 2013 | 4 | |
| 12 | 2D AND 3D Timbral Spatialisation: Spatial Motion, Immersiveness, and Notions of Space | 2013 | 0 |
| 13 | ANIMATED MUSIC NOTATION ON THE IPAD | 2013 | 3 |
| 14 | Digital adaptions of the scores for Cage Variations I, II and III | 2012 | 6 |
| 15 | Screen Scores: New Media Music Manuscripts | 2011 | 9 |
| 16 | Vibrating performance: Experiencing music though vibration in the works of Abe Sada | 2010 | 1 |
| 17 | Silence as Stillness? Sonic experiences in art using Infrasonics | 2007 | 0 |
| 18 | Sound Art Mobile Art | 2005 | 1 |
| 19 | 1998 | 2 | |
| 20 | 1985 | 3 |
About Cat Hope
Cat Hope is a scholar working on Music, Computer Vision and Pattern Recognition, Signal Processing, Archeology and Urban Studies, having authored 48 papers that have together received 201 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (20 papers), Music and Audio Processing (11 papers), Diverse Musicological Studies (9 papers), Diverse Music Education Insights (8 papers), Music History and Culture (7 papers), Neuroscience and Music Perception (6 papers), Cultural Industries and Urban Development (5 papers) and Art, Technology, and Culture (3 papers). The work is most often cited by research in Music (62 citations), Space and Planetary Science (6 citations), Human-Computer Interaction (17 citations), Urban Studies (18 citations) and Archeology (3 citations). Cat Hope has collaborated with scholars based in Australia, France and United Kingdom. Frequent co-authors include Sophie Hennekam, Dawn Bennett, Martin L. Ferguson, Jennifer McKinley, Jamie K. Pringle, Ruth M. Morgan, Vivienne Heaton, John Ryan, John Cassella and Alastair Ruffell. Their work appears in journals such as Australasian Journal of Paramedicine, Contemporary Music Review, Organised Sound, Journal of the Australian Library and Information Association and The Journal of Egyptian Archaeology.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.