Pauline Oliveros
- Music top 1%
- Diverse Musicological Studies 3
- Music History and Culture 2
- Musicology and Musical Analysis 2
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- Music Technology and Sound Studies 21
- Visual Arts and Performing Arts top 10%
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- Tactile and Sensory Interactions 3
- Neuroscience and Music Perception 3
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- Music and Audio Processing 9
- Speech and Audio Processing 2
- Co-authors
- Jonas BraaschFred Everett MausGillian SiddallLarry R. SolomonLee M. KaplanJohn R. SilberChris ChafeChristopher Hobbs
- Journals
- The Journal of the Acoustical Society of America (4 papers)Journal of the Audio Engineering Society (2 papers)Computer Music Journal (1 paper)
- Partner nations
- United StatesCanada
In The Last Decade
Pauline Oliveros
31 papers receiving 192 citations
Peers
Comparison fields: 5 of 58
- Music 99
- Computer Vision and Pattern Recognition 110
- Visual Arts and Performing Arts 20
- Archeology 4
- Cognitive Neuroscience 71
Countries citing papers authored by Pauline Oliveros
This map shows the geographic impact of Pauline Oliveros's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Pauline Oliveros with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Pauline Oliveros more than expected).
Fields of papers citing papers by Pauline Oliveros
This network shows the impact of papers produced by Pauline Oliveros. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Pauline Oliveros. The network helps show where Pauline Oliveros may publish in the future.
Co-authorship network
The 14 scholars most cited alongside Pauline Oliveros, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | Mapping to musical actions in the FILTER system. | 2012 | 0 |
| 2 | Reverberations: Eight Decades | 2012 | 0 |
| 3 | Reverberations : tape & electronic music, 1961-1970 | 2012 | 1 |
| 4 | 2011 | 14 | |
| 5 | Sound Texture Analysis Based on a Dynamical Systems Model and Empirical Mode Decomposition | 2010 | 2 |
| 6 | Developing Systems For Improvisation Based On Listening | 2010 | 5 |
| 7 | Mixing Console Design Considerations for Telematic Music Applications | 2009 | 1 |
| 8 | 2009 | 2 | |
| 9 | 2009 | 1 | |
| 10 | 2007 | 3 | |
| 11 | 2006 | 2 | |
| 12 | 2006 | 7 | |
| 13 | Deep Listening: A Composer's Sound Practice | 2005 | 136 |
| 14 | The Expanded instrument System: Recent Developments | 1998 | 1 |
| 15 | 1994 | 7 | |
| 16 | 1993 | 1 | |
| 17 | 1992 | 0 | |
| 18 | The Expanded Instrument System (EIS) | 1991 | 1 |
| 19 | 1982 | 1 | |
| 20 | Software for People | 1979 | 7 |
About Pauline Oliveros
Pauline Oliveros is a scholar working on Music, Computer Vision and Pattern Recognition and Signal Processing, having authored 39 papers that have together received 271 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (21 papers), Music and Audio Processing (9 papers), Tactile and Sensory Interactions (3 papers), Neuroscience and Music Perception (3 papers), Diverse Musicological Studies (3 papers), Speech and Audio Processing (2 papers), Music History and Culture (2 papers) and Musicology and Musical Analysis (2 papers). The work is most often cited by research in Music (99 citations), Computer Vision and Pattern Recognition (110 citations) and Visual Arts and Performing Arts (20 citations). Pauline Oliveros has collaborated with scholars based in United States and Canada. Frequent co-authors include Jonas Braasch, Fred Everett Maus, Gillian Siddall, Larry R. Solomon, Lee M. Kaplan, John R. Silber, Chris Chafe, Christopher Hobbs, Larry Austin and Michael Casey. Their work appears in journals such as The Journal of the Acoustical Society of America, Journal of the Audio Engineering Society and Computer Music Journal.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.