Thomas S. Grey

710 total citations
20 papers, 88 citations indexed

About

Thomas S. Grey is a scholar working on Music, Political Science and International Relations and Sociology and Political Science. According to data from OpenAlex, Thomas S. Grey has authored 20 papers receiving a total of 88 indexed citations (citations by other indexed papers that have themselves been cited), including 16 papers in Music, 2 papers in Political Science and International Relations and 2 papers in Sociology and Political Science. Recurrent topics in Thomas S. Grey's work include Musicology and Musical Analysis (16 papers), Theater, Performance, and Music History (8 papers) and Diverse Musicological Studies (4 papers). Thomas S. Grey is often cited by papers focused on Musicology and Musical Analysis (16 papers), Theater, Performance, and Music History (8 papers) and Diverse Musicological Studies (4 papers). Thomas S. Grey collaborates with scholars based in United States, Italy and Canada. Thomas S. Grey's co-authors include Warren Darcy, Emanuele Senici, Mary Hunter, Roger Parker, Carolyn Abbate, Ellen Rosand, Lutz Koepnick, Tim Carter, Reinhard Strohm and Wendy Heller and has published in prestigious journals such as The Journal of Interdisciplinary History, German Studies Review and Notes.

In The Last Decade

Thomas S. Grey

15 papers receiving 48 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Thomas S. Grey United States	7	62	21	17	9	7	20	88
Julian Johnson United Kingdom	6	83 1.3×	27 1.3×	18 1.1×	13 1.4×	5 0.7×	14	112
Julian Rushton United Kingdom	6	52 0.8×	11 0.5×	16 0.9×	13 1.4×	13 1.9×	43	81
Lorenzo Bianconi Italy	5	58 0.9×	8 0.4×	9 0.5×	9 1.0×	10 1.4×	21	92
Hector Berlioz	5	53 0.9×	18 0.9×	12 0.7×	3 0.3×	4 0.6×	43	69
Elisabeth Le Guin	5	64 1.0×	19 0.9×	16 0.9×	10 1.1×	15 2.1×	14	88
David Yearsley United Kingdom	4	44 0.7×	19 0.9×	6 0.4×	6 0.7×	13 1.9×	14	72
Ellen Rosand United States	7	107 1.7×	18 0.9×	14 0.8×	10 1.1×	15 2.1×	29	162
James Buhler United States	4	57 0.9×	15 0.7×	12 0.7×	14 1.6×	3 0.4×	14	97
John Daverio United States	6	96 1.5×	39 1.9×	16 0.9×	6 0.7×	7 1.0×	18	123
Jeffrey Kallberg United States	6	88 1.4×	24 1.1×	15 0.9×	10 1.1×	9 1.3×	20	120

Countries citing papers authored by Thomas S. Grey

Since Specialization

Citations

This map shows the geographic impact of Thomas S. Grey's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Thomas S. Grey with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Thomas S. Grey more than expected).

Fields of papers citing papers by Thomas S. Grey

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Thomas S. Grey. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Thomas S. Grey. The network helps show where Thomas S. Grey may publish in the future.

Co-authorship network of co-authors of Thomas S. Grey

This figure shows the co-authorship network connecting the top 25 collaborators of Thomas S. Grey. A scholar is included among the top collaborators of Thomas S. Grey based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Thomas S. Grey. Thomas S. Grey is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

Grey, Thomas S.. (2016). Absolute Music: The History of an Idea. By Mark Evan Bonds. Oxford and New York: Oxford University Press, 2014, xvi + 375 pp. Music Theory Spectrum. 38(1). 126–131. 1 indexed citations

Grey, Thomas S., et al.. (2016). The Owl, the Nightingale and the Jew in the Thorn-bush: Relocating Anti-Semitism in Die Meistersinger. Cambridge Opera Journal. 28(1). 1–35. 1 indexed citations

Walton, Benjamin, Carolyn Abbate, Tim Carter, et al.. (2013). OPR volume 25 issue 2 Cover and Front matter. Cambridge Opera Journal. 25(2). f1–f5. 1 indexed citations

Grey, Thomas S.. (2009). Richard Wagner and His World. Princeton University Press eBooks. 14 indexed citations

Grey, Thomas S., et al.. (2008). The Cambridge Companion to Wagner. Cambridge University Press eBooks. 10 indexed citations

Grey, Thomas S.. (2005). Commentary: Opera in the Age of Revolution. The Journal of Interdisciplinary History. 36(3). 555–567. 1 indexed citations

Vazsonyi, Nicholas, Peter Schneider, Lydia Goehr, et al.. (2003). Wagner's <i>Meistersinger</i>.

Grey, Thomas S., et al.. (2002). Richard Wagner: Der fliegende Hollander. German Studies Review. 25(1). 125–125. 7 indexed citations

Grey, Thomas S.. (2002). Wagner the Degenerate: Fin de Siécle Cultural “Pathology” and the Anxiety of Modernism. 16(1). 73–92. 1 indexed citations

10.

Grey, Thomas S.. (2001). New German School. Oxford Music Online.

11.

Grey, Thomas S., et al.. (2001). Norman Foster and the British Museum. Medical Entomology and Zoology. 3 indexed citations

12.

Darcy, Warren & Thomas S. Grey. (1998). Wagner's Musical Prose: Texts and Contexts. Notes. 54(3). 671–671. 2 indexed citations

13.

Grey, Thomas S.. (1997). Tableaux vivants: Landscape, History Painting, and the Visual Imagination in Mendelssohn's Orchestral Music. 19th-Century Music. 21(1). 38–76. 11 indexed citations

14.

Grey, Thomas S.. (1997). Tableaux vivants: Landscape, History Painting, and the Visual Imagination in Mendelssohn's Orchestral Music. 19th-Century Music. 21(1). 38–76. 1 indexed citations

15.

Grey, Thomas S. & Warren Darcy. (1995). Wagner's "Das Rheingold". Notes. 52(2). 474–474. 8 indexed citations

16.

Grey, Thomas S.. (1995). Wagner's musical prose. Cambridge University Press eBooks. 14 indexed citations

17.

Grey, Thomas S., et al.. (1994). Nuchterne Briefe aus Bayreuth: Vergeblicher Versuch im Jahre 1876, Zeit und Geister Richard Wagners zu bannen. Notes. 51(1). 85–85. 1 indexed citations

18.

Grey, Thomas S.. (1988). Richard Wagner and the aesthetics of musical form in the mid-19th century (1840-1860). UMI Dissertation Information Service eBooks.

19.

Grey, Thomas S.. (1988). Wagner, the Overture, and the Aesthetics of Musical Form. 19th-Century Music. 12(1). 3–22. 2 indexed citations

20.

Grey, Thomas S.. (1988). Wagner, the Overture, and the Aesthetics of Musical Form. 19th-Century Music. 12(1). 3–22. 10 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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