Thomas S. Grey
Impact in
- Music top 2%
- Musicology and Musical Analysis
- Theater, Performance, and Music History
- Music History and Culture
- Diverse Musicological Studies
- Diverse Music Education Insights
Papers in
- Music 17
- Musicology and Musical Analysis 17
- Theater, Performance, and Music History 8
- Diverse Musicological Studies 4
- Music History and Culture 3
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- Historical Influence and Diplomacy 2
- Co-authors
- Warren Darcy (2 shared papers)Tim Carter (1 shared paper)Lydia Goehr (1 shared paper)Nicholas Vazsonyi (1 shared paper)Benjamin Walton (1 shared paper)David B. Dennis (1 shared paper)Reinhard Strohm (1 shared paper)P. Hoyng (1 shared paper)
- Journals
- 19th-Century Music (4 papers)Notes (4 papers)Cambridge Opera Journal (2 papers)The Journal of Interdisciplinary History (1 paper)Music Theory Spectrum (1 paper)
- Partner nations
- United StatesItalyCanada
In The Last Decade
Thomas S. Grey
16 papers receiving 51 citations
Peers
Comparison fields: 5 of 26
- Music 68
- Visual Arts and Performing Arts 10
- Literature and Literary Theory 20
- Classics 6
- Cognitive Neuroscience 22
Countries citing papers authored by Thomas S. Grey
This map shows the geographic impact of Thomas S. Grey's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Thomas S. Grey with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Thomas S. Grey more than expected).
Fields of papers citing papers by Thomas S. Grey
This network shows the impact of papers produced by Thomas S. Grey. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Thomas S. Grey. The network helps show where Thomas S. Grey may publish in the future.
Co-authors
The 18 scholars most cited alongside Thomas S. Grey, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 21 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 2009 | 14 | |
| 2 | 1995 | 14 | |
| 3 | 1997 | 11 | |
| 4 | 2008 | 10 | |
| 5 | 1988 | 10 | |
| 6 | 1995 | 8 | |
| 7 | 2002 | 7 | |
| 8 | 1992 | 6 | |
| 9 | Norman Foster and the British Museum | 2001 | 4 |
| 10 | 1988 | 2 | |
| 11 | 1998 | 2 | |
| 12 | 2013 | 1 | |
| 13 | 2005 | 1 | |
| 14 | 2016 | 1 | |
| 15 | 2002 | 1 | |
| 16 | 2016 | 1 | |
| 17 | 1997 | 1 | |
| 18 | 1994 | 1 | |
| 19 | 2003 | 0 | |
| 20 | Richard Wagner and the aesthetics of musical form in the mid-19th century (1840-1860) | 1988 | 0 |
About Thomas S. Grey
Thomas S. Grey is a scholar working on Music, Political Science and International Relations, Sociology and Political Science, Education and Visual Arts and Performing Arts, having authored 21 papers that have together received 95 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (17 papers), Theater, Performance, and Music History (8 papers), Diverse Musicological Studies (4 papers), Music History and Culture (3 papers), Visual Culture and Art Theory (2 papers), Historical Influence and Diplomacy (2 papers), Historical, Literary, and Cultural Studies (1 paper) and Kantian Philosophy and Modern Interpretations (1 paper). The work is most often cited by research in Music (68 citations), Visual Arts and Performing Arts (10 citations), Literature and Literary Theory (20 citations), Classics (6 citations) and Cognitive Neuroscience (22 citations). Thomas S. Grey has collaborated with scholars based in United States, Italy and Canada. Frequent co-authors include Warren Darcy, Tim Carter, Lydia Goehr, Nicholas Vazsonyi, Benjamin Walton, David B. Dennis, Reinhard Strohm, P. Hoyng, Peter Schneider and Martha S. Feldman. Their work appears in journals such as 19th-Century Music, Notes, Cambridge Opera Journal, The Journal of Interdisciplinary History and Music Theory Spectrum.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.