Julian Rushton

714 total citations
43 papers, 81 citations indexed

About

Julian Rushton is a scholar working on Music, Political Science and International Relations and Computer Vision and Pattern Recognition. According to data from OpenAlex, Julian Rushton has authored 43 papers receiving a total of 81 indexed citations (citations by other indexed papers that have themselves been cited), including 31 papers in Music, 3 papers in Political Science and International Relations and 3 papers in Computer Vision and Pattern Recognition. Recurrent topics in Julian Rushton's work include Musicology and Musical Analysis (31 papers), Diverse Musicological Studies (10 papers) and Theater, Performance, and Music History (4 papers). Julian Rushton is often cited by papers focused on Musicology and Musical Analysis (31 papers), Diverse Musicological Studies (10 papers) and Theater, Performance, and Music History (4 papers). Julian Rushton collaborates with scholars based in United Kingdom and United States. Julian Rushton's co-authors include Simon McVeigh, Delia da Sousa Correa, James Ellis, Christoph Wolff, Tim Carter, Otto Erich Deutsch, John Bowden, Peter Williams, Paul Henry Láng and Robert Philip and has published in prestigious journals such as The Modern Language Review, Notes and Contemporary Music Review.

In The Last Decade

Julian Rushton

22 papers receiving 53 citations

Peers

Julian Rushton
Thomas S. Grey United States
David Yearsley United Kingdom
Ellen Rosand United States
Piero Weiss United States
Winton Dean United Kingdom
Allan W. Atlas United States
Julian Rushton
Citations per year, relative to Julian Rushton Julian Rushton (= 1×) peers Lorenzo Bianconi

Countries citing papers authored by Julian Rushton

Since Specialization
Citations

This map shows the geographic impact of Julian Rushton's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Julian Rushton with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Julian Rushton more than expected).

Fields of papers citing papers by Julian Rushton

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Julian Rushton. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Julian Rushton. The network helps show where Julian Rushton may publish in the future.

Co-authorship network of co-authors of Julian Rushton

This figure shows the co-authorship network connecting the top 25 collaborators of Julian Rushton. A scholar is included among the top collaborators of Julian Rushton based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Julian Rushton. Julian Rushton is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Rushton, Julian, et al.. (2012). Dramma Giocoso. Leuven University Press eBooks. 1 indexed citations
2.
3.
Rushton, Julian, et al.. (2005). Hector Berlioz. Miscellaneous Studies. Medical Entomology and Zoology. 2 indexed citations
4.
Rushton, Julian. (2001). Rochefort, Jean-Baptiste. Oxford Music Online. 1 indexed citations
5.
Rushton, Julian. (2001). Tierce de Picardie. Oxford Music Online. 2 indexed citations
6.
Rushton, Julian. (2001). The Music of Berlioz. Medical Entomology and Zoology. 3 indexed citations
7.
Rushton, Julian. (2001). Hemiola. Oxford Music Online.
8.
Rushton, Julian. (1998). Mozart's art of rhetoric: understanding an opera seria aria (‘Deh se piacer mi vuoi’ fromLa clemenza di Tito). Contemporary Music Review. 17(3). 15–27. 1 indexed citations
9.
Rushton, Julian, et al.. (1995). Mozart's Requiem: Historical and Analytical Studies -- Documents -- Score. The Musical Times. 136(1825). 151–151. 4 indexed citations
10.
Rushton, Julian. (1995). Voice of Britain. The Musical Times. 136(1831). 472–472. 1 indexed citations
11.
Rushton, Julian, et al.. (1994). "Chopin: The Four Ballades", Jim Samson [w:] "Cambridge Music Handbook", red. Julian Rushton, Cambridge 1992 : [recenzja] / Agnieszka Chwiłek, Paweł Gancarczyk.. 39.
12.
Rushton, Julian & Simon McVeigh. (1994). Concert Life in London from Mozart to Haydn. The Musical Times. 135(1812). 106–106. 9 indexed citations
13.
Rushton, Julian, Paul Henry Láng, Hans Küng, et al.. (1993). The Creative World of Mozart. The Musical Times. 134(1801). 144–144.
14.
Berlioz, Hector, et al.. (1993). Choral Works with Orchestra (I). Notes. 50(1). 378–378. 1 indexed citations
15.
Rushton, Julian, et al.. (1991). Atys : tragédie lyrique. 1 indexed citations
16.
Ellis, James & Julian Rushton. (1986). The Musical Language of Berlioz. Music Analysis. 5(2/3). 270–270. 5 indexed citations
17.
Rushton, Julian. (1982). Berlioz's Swan-Song: Towards a Criticism of Béatrice et Bénédict. Proceedings of the Royal Musical Association. 109. 105–118.
18.
Rushton, Julian. (1975). THE GENESIS OF BERLIOZ'S ‘LA DAMNATION DE FAUST’. Music and Letters. 56(2). 129–146. 1 indexed citations
19.
Rushton, Julian. (1974). Berlioz's 'Huit Scenes De Faust': New Source Material. The Musical Times. 115(1576). 471–471.
20.
Rushton, Julian. (1971). The Theory and Practice of Piccinnisme. Proceedings of the Royal Musical Association. 98. 31–46.

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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