Cambridge Opera Journal
- Music top 2%
- Sociology and Political Science
- Literature and Literary Theory
- Visual Arts and Performing Arts top 10%
- Anthropology
- Fields
- Music (258 papers)Visual Arts and Performing Arts (35 papers)General Arts and Humanities (8 papers)
- Topics
- Musicology and Musical AnalysisTheater, Performance, and Music HistoryDiverse Musicological Studies
In The Last Decade
Cambridge Opera Journal
204 papers receiving 458 citations
Peers
Comparison fields: 5 of 69
- Music 705
- Sociology and Political Science 155
- Literature and Literary Theory 150
- Visual Arts and Performing Arts 110
- Anthropology 91
Countries where authors publish in Cambridge Opera Journal
This map shows the geographic impact of research published in Cambridge Opera Journal. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by papers published in Cambridge Opera Journal with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Cambridge Opera Journal more than expected).
Fields of papers published in Cambridge Opera Journal
This network shows the impact of papers published in Cambridge Opera Journal. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers published in Cambridge Opera Journal.
About Cambridge Opera Journal
The 375 papers published in Cambridge Opera Journal in the last decades have received a total of 1000 indexed citations . Papers published in Cambridge Opera Journal usually cover Music (258 papers), Visual Arts and Performing Arts (35 papers) and General Arts and Humanities (8 papers) specifically the topics of Musicology and Musical Analysis (230 papers), Theater, Performance, and Music History (118 papers) and Diverse Musicological Studies (71 papers). The most active scholars publishing in Cambridge Opera Journal are Ralph P. Locke, Mary Ann Smart, Philip Gossett, Paul Robinson, Lawrence Kramer, Peter Kivy, Robert D. Hume, Andreas Giger, Carolyn Abbate and Richard Taruskin.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.