Emanuele Senici

493 total citations
21 papers, 104 citations indexed

About

Emanuele Senici is a scholar working on Music, Sociology and Political Science and Anthropology. According to data from OpenAlex, Emanuele Senici has authored 21 papers receiving a total of 104 indexed citations (citations by other indexed papers that have themselves been cited), including 15 papers in Music, 2 papers in Sociology and Political Science and 2 papers in Anthropology. Recurrent topics in Emanuele Senici's work include Musicology and Musical Analysis (13 papers), Theater, Performance, and Music History (8 papers) and Diverse Musicological Studies (4 papers). Emanuele Senici is often cited by papers focused on Musicology and Musical Analysis (13 papers), Theater, Performance, and Music History (8 papers) and Diverse Musicological Studies (4 papers). Emanuele Senici collaborates with scholars based in Italy, United States and United Kingdom. Emanuele Senici's co-authors include Richard Dellamora, Daniel Fischlin, Lydia G. Cochrane, Nicholas Mathew, Lorenzo Bianconi, Mary Ann Smart, Andreas Giger, Harold S. Powers, Suzannah Clark and Scott Burnham and has published in prestigious journals such as SHILAP Revista de lepidopterología, Notes and Journal of Modern Italian Studies.

In The Last Decade

Emanuele Senici

17 papers receiving 50 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name h Career Trend Papers Cites
Emanuele Senici Italy 7 68 19 17 13 13 21 104
Annegret Fauser United Kingdom 6 61 0.9× 20 1.1× 19 1.1× 11 0.8× 3 0.2× 25 98
David Suisman United States 5 57 0.8× 8 0.4× 17 1.0× 13 1.0× 9 0.7× 13 88
Lorenzo Bianconi Italy 5 58 0.9× 9 0.5× 8 0.5× 9 0.7× 4 0.3× 21 92
Julian Rushton United Kingdom 6 52 0.8× 16 0.8× 7 0.4× 13 1.0× 2 0.2× 43 81
Ian Woodfield United Kingdom 7 50 0.7× 3 0.2× 17 1.0× 6 0.5× 5 0.4× 25 93
Carol J. Oja United States 7 136 2.0× 16 0.8× 24 1.4× 11 0.8× 7 0.5× 20 157
Guido Heldt United States 4 31 0.5× 14 0.7× 12 0.7× 5 0.4× 13 1.0× 16 54
Peter Jeffery United States 6 24 0.4× 6 0.3× 13 0.8× 10 0.8× 7 0.5× 22 85
Pamela M. Potter United States 5 81 1.2× 9 0.5× 51 3.0× 6 0.5× 5 0.4× 22 135
Reinhard Strohm United Kingdom 6 65 1.0× 6 0.3× 6 0.4× 6 0.5× 3 0.2× 22 134

Countries citing papers authored by Emanuele Senici

Since Specialization
Citations

This map shows the geographic impact of Emanuele Senici's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Emanuele Senici with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Emanuele Senici more than expected).

Fields of papers citing papers by Emanuele Senici

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Emanuele Senici. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Emanuele Senici. The network helps show where Emanuele Senici may publish in the future.

Co-authorship network of co-authors of Emanuele Senici

This figure shows the co-authorship network connecting the top 25 collaborators of Emanuele Senici. A scholar is included among the top collaborators of Emanuele Senici based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Emanuele Senici. Emanuele Senici is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Senici, Emanuele, et al.. (2023). Music, Place, and Identity in Italian Urban Soundscapes circa 1550-1860. IRIS Research product catalog (Sapienza University of Rome). 2 indexed citations
2.
Senici, Emanuele. (2019). Music in the Present Tense. 6 indexed citations
3.
Senici, Emanuele. (2019). Music in the Present Tense: Rossini’s Italian Operas in Their Time. IRIS Research product catalog (Sapienza University of Rome). 2 indexed citations
4.
Senici, Emanuele. (2017). L’opera alla televisione italiana fin de siècle (1976-2000). SHILAP Revista de lepidopterología. 1 indexed citations
5.
Senici, Emanuele. (2015). Delirious Hopes: Napoleonic Milan and the Rise of Modern Italian Operatic Criticism. Cambridge Opera Journal. 27(2). 97–127. 2 indexed citations
6.
Walton, Benjamin, Carolyn Abbate, Tim Carter, et al.. (2013). OPR volume 25 issue 2 Cover and Front matter. Cambridge Opera Journal. 25(2). f1–f5. 1 indexed citations
7.
Mathew, Nicholas, Nicholas Mathew, Nicholas Mathew, et al.. (2013). The Invention of Beethoven and Rossini. Cambridge University Press eBooks. 6 indexed citations
8.
Senici, Emanuele. (2012). ‘An atrocious indifference’: Rossini's operas and the politics of musical representation in early-nineteenth-century Italy. Journal of Modern Italian Studies. 17(4). 414–426. 2 indexed citations
9.
Senici, Emanuele. (2011). L'opera e la nascita della televisione in Italia. Dialnet (Universidad de la Rioja). 33(1). 26–35. 1 indexed citations
10.
Senici, Emanuele. (2011). «Ferrea e tenace memoria» La pratica rossiniana dell'autoimprestito nel discorso dei contemporanei. IRIS Research product catalog (Sapienza University of Rome). 9(1). 69–99. 1 indexed citations
11.
Senici, Emanuele. (2010). Porn Style? Space and Time in Live Opera Videos. The Opera Quarterly. 26(1). 63–80. 17 indexed citations
12.
Senici, Emanuele. (2004). The Cambridge Companion to Rossini. Cambridge University Press eBooks. 9 indexed citations
13.
Smart, Mary Ann, et al.. (2004). The Cambridge Companion to Verdi. Cambridge University Press eBooks. 13 indexed citations
14.
Senici, Emanuele. (2002). ‘Teco io sto’: Strategies of seduction in Act II of Un ballo in maschera. Cambridge Opera Journal. 14(1-2). 79–92. 1 indexed citations
15.
Senici, Emanuele. (2001). Verdi's Falstaff at Italy's Fin de Siecle. The Musical Quarterly. 85(2). 274–310. 9 indexed citations
16.
Senici, Emanuele, et al.. (1999). Opera Production and Its Resources. Notes. 55(3). 629–629. 7 indexed citations
17.
Senici, Emanuele, Richard Dellamora, & Daniel Fischlin. (1999). The Work of Opera: Genre, Nationhood, and Sexual Difference. Notes. 56(1). 113–113. 16 indexed citations
18.
Senici, Emanuele. (1997). La clemenza di Tito di Mozart : i primi trent'anni (1791-1821). Brepols eBooks. 2 indexed citations
19.
Senici, Emanuele, et al.. (1995). ‘Representations of gender and sexuality in opera’ September 14–17, 1995, State University of New York at Stony Brook. Journal of Musicological Research. 15(3). 275–283. 2 indexed citations
20.
Senici, Emanuele. (1995). ‘Adapted to the modern stage’: La clemenza di Tito in London. Cambridge Opera Journal. 7(1). 1–22. 3 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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