Emanuele Senici
- Music top 2%
- Literature and Literary Theory
- Sociology and Political Science
- Visual Arts and Performing Arts top 10%
- Economics and Econometrics
- Co-authors
- Richard DellamoraDaniel FischlinLydia G. CochraneLorenzo BianconiAndreas GigerHarold S. PowersMary Ann SmartScott Burnham
- Topics
- Musicology and Musical Analysis (13 papers)Theater, Performance, and Music History (8 papers)Diverse Musicological Studies (4 papers)
- Journals
- SHILAP Revista de lepidopterologíaNotesJournal of Modern Italian Studies
- Partner nations
- ItalyUnited StatesUnited Kingdom
In The Last Decade
Emanuele Senici
17 papers receiving 50 citations
Peers
Comparison fields: 5 of 33
- Music 68
- Literature and Literary Theory 19
- Sociology and Political Science 17
- Visual Arts and Performing Arts 13
- Economics and Econometrics 13
Countries citing papers authored by Emanuele Senici
This map shows the geographic impact of Emanuele Senici's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Emanuele Senici with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Emanuele Senici more than expected).
Fields of papers citing papers by Emanuele Senici
This network shows the impact of papers produced by Emanuele Senici. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Emanuele Senici. The network helps show where Emanuele Senici may publish in the future.
Co-authorship network of co-authors of Emanuele Senici
This figure shows the co-authorship network connecting the top 25 collaborators of Emanuele Senici. A scholar is included among the top collaborators of Emanuele Senici based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Emanuele Senici. Emanuele Senici is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 2 | |
| 2 | 6 | |
| 3 | 2 | |
| 4 | 1 | |
| 5 | 2 | |
| 6 | 1 | |
| 7 | 6 | |
| 8 | 2 | |
| 9 | 1 | |
| 10 | 1 | |
| 11 | 17 | |
| 12 | 9 | |
| 13 | 13 | |
| 14 | 1 | |
| 15 | 9 | |
| 16 | 7 | |
| 17 | 16 | |
| 18 | La clemenza di Tito di Mozart : i primi trent'anni (1791-1821) | 2 |
| 19 | 2 | |
| 20 | 3 |
About Emanuele Senici
Emanuele Senici is a scholar working on Music, General Arts and Humanities and Visual Arts and Performing Arts, having authored 21 papers that have together received 104 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (13 papers), Theater, Performance, and Music History (8 papers) and Diverse Musicological Studies (4 papers). The work is most often cited by research in Music (68 citations), Visual Arts and Performing Arts (13 citations) and Museology (8 citations). Emanuele Senici has collaborated with scholars based in Italy, United States and United Kingdom. Frequent co-authors include Richard Dellamora, Daniel Fischlin, Lydia G. Cochrane, Lorenzo Bianconi, Andreas Giger, Harold S. Powers, Mary Ann Smart, Scott Burnham, Mary Hunter and Roger Parker. Their work appears in journals such as SHILAP Revista de lepidopterología, Notes and Journal of Modern Italian Studies.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.