Warren Darcy

1.5k total citations
16 papers, 472 citations indexed

About

Warren Darcy is a scholar working on Music, Computer Vision and Pattern Recognition and Cognitive Neuroscience. According to data from OpenAlex, Warren Darcy has authored 16 papers receiving a total of 472 indexed citations (citations by other indexed papers that have themselves been cited), including 10 papers in Music, 5 papers in Computer Vision and Pattern Recognition and 3 papers in Cognitive Neuroscience. Recurrent topics in Warren Darcy's work include Musicology and Musical Analysis (10 papers), Music Technology and Sound Studies (5 papers) and Neuroscience and Music Perception (3 papers). Warren Darcy is often cited by papers focused on Musicology and Musical Analysis (10 papers), Music Technology and Sound Studies (5 papers) and Neuroscience and Music Perception (3 papers). Warren Darcy collaborates with scholars based in . Warren Darcy's co-authors include James Hepokoski, Thomas S. Grey and William Drabkin and has published in prestigious journals such as Notes, Music Theory Spectrum and 19th-Century Music.

In The Last Decade

Warren Darcy

13 papers receiving 200 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Warren Darcy	7	417	272	115	45	44	16	472
James Hepokoski United States	11	573 1.4×	348 1.3×	153 1.3×	67 1.5×	57 1.3×	35	643
V. Kofi Agawu United Kingdom	10	277 0.7×	119 0.4×	81 0.7×	48 1.1×	43 1.0×	23	399
Joel Lester United Kingdom	9	196 0.5×	138 0.5×	90 0.8×	29 0.6×	51 1.2×	34	282
Edward T. Cone United States	11	412 1.0×	206 0.8×	170 1.5×	49 1.1×	78 1.8×	43	547
Arnold Whittall United Kingdom	9	230 0.6×	108 0.4×	102 0.9×	30 0.7×	33 0.8×	101	327
Robert S. Hatten United States	9	213 0.5×	109 0.4×	80 0.7×	47 1.0×	39 0.9×	30	317
Douglas Dempster United States	7	165 0.4×	182 0.7×	83 0.7×	23 0.5×	75 1.7×	13	343
Carl Schachter United States	11	232 0.6×	214 0.8×	127 1.1×	16 0.4×	99 2.3×	29	352
William Drabkin United Kingdom	7	170 0.4×	92 0.3×	76 0.7×	22 0.5×	41 0.9×	57	262
Leonard G. Ratner United States	6	185 0.4×	111 0.4×	65 0.6×	29 0.6×	52 1.2×	22	296

Countries citing papers authored by Warren Darcy

Since Specialization

Citations

This map shows the geographic impact of Warren Darcy's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Warren Darcy with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Warren Darcy more than expected).

Fields of papers citing papers by Warren Darcy

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Warren Darcy. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Warren Darcy. The network helps show where Warren Darcy may publish in the future.

Co-authorship network of co-authors of Warren Darcy

This figure shows the co-authorship network connecting the top 25 collaborators of Warren Darcy. A scholar is included among the top collaborators of Warren Darcy based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Warren Darcy. Warren Darcy is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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16 of 16 papers shown

Drabkin, William, James Hepokoski, & Warren Darcy. (2007). Mostly Mozart. The Musical Times. 148(1901). 89–89. 3 indexed citations

Hepokoski, James & Warren Darcy. (2006). Elements of sonata theory : norms, types, and deformations in the late eighteenth-century sonata. The Journal of the Abraham Lincoln Association. 166 indexed citations

Hepokoski, James & Warren Darcy. (2006). Elements of Sonata Theory. Oxford University Press eBooks. 208 indexed citations

Darcy, Warren. (2001). Rotational Form,Teleological Genesis, and Fantasy-Projection in the Slow Movement of Mahler's Sixth Symphony. 19th-Century Music. 25(1). 49–74. 15 indexed citations

Darcy, Warren. (2000). Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven William E. Caplin. Music Theory Spectrum. 22(1). 122–125. 3 indexed citations

Darcy, Warren. (2000). : Classical Form: A Theory of Formal Functions for the Instrumental Music of Haydn, Mozart, and Beethoven . William E. Caplin.. Music Theory Spectrum. 22(1). 122–125. 2 indexed citations

Darcy, Warren & Thomas S. Grey. (1998). Wagner's Musical Prose: Texts and Contexts. Notes. 54(3). 671–671. 2 indexed citations

Hepokoski, James & Warren Darcy. (1997). The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition. Music Theory Spectrum. 19(2). 115–154. 38 indexed citations

Hepokoski, James & Warren Darcy. (1997). The Medial Caesura and Its Role in the Eighteenth-Century Sonata Exposition. Music Theory Spectrum. 19(2). 115–154. 6 indexed citations

10.

Grey, Thomas S. & Warren Darcy. (1995). Wagner's "Das Rheingold". Notes. 52(2). 474–474. 8 indexed citations

11.

Darcy, Warren. (1994). The Metaphysics of Annihilation: Wagner, Schopenhauer, and the Ending of the "Ring". Music Theory Spectrum. 16(1). 1–40. 1 indexed citations

12.

Darcy, Warren. (1994). The Metaphysics of Annihilation: Wagner, Schopenhauer, and the Ending of the "Ring". Music Theory Spectrum. 16(1). 1–40. 9 indexed citations

13.

Darcy, Warren. (1989). Creatio ex nihilo: The Genesis, Structure, and Meaning of the "Rheingold" Prelude. 19th-Century Music. 13(2). 79–100. 1 indexed citations

14.

Darcy, Warren. (1989). Creatio ex nihilo: The Genesis, Structure, and Meaning of the "Rheingold" Prelude. 19th-Century Music. 13(2). 79–100. 3 indexed citations

15.

Darcy, Warren. (1988). 'Everything That Is, Ends!': The Genesis and Meaning of the Erda Episode in 'Das Rheingold'. The Musical Times. 129(1747). 443–443. 4 indexed citations

16.

Darcy, Warren. (1986). The Pessimism of the Ring. The Opera Quarterly. 4(2). 24–48. 3 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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