Sally Banes

1.2k total citations
42 papers, 404 citations indexed

About

Sally Banes is a scholar working on Experimental and Cognitive Psychology, Music and Visual Arts and Performing Arts. According to data from OpenAlex, Sally Banes has authored 42 papers receiving a total of 404 indexed citations (citations by other indexed papers that have themselves been cited), including 20 papers in Experimental and Cognitive Psychology, 12 papers in Music and 11 papers in Visual Arts and Performing Arts. Recurrent topics in Sally Banes's work include Diversity and Impact of Dance (20 papers), Musicology and Musical Analysis (10 papers) and Theater, Performance, and Music History (7 papers). Sally Banes is often cited by papers focused on Diversity and Impact of Dance (20 papers), Musicology and Musical Analysis (10 papers) and Theater, Performance, and Music History (7 papers). Sally Banes collaborates with scholars based in United States. Sally Banes's co-authors include Serge Guilbaut, André Lepecki, Noël Carroll, Laurie Lassiter, Susan Manning, Nelson George, Lynn Garafola, Ann Daly, Roger Copeland and Daryl Chin and has published in prestigious journals such as The American Historical Review, Journal of Aesthetics and Art Criticism and Dance Research Journal.

In The Last Decade

Sally Banes

30 papers receiving 210 citations

Peers

Sally Banes
André Lepecki United States
Sharon E. Friedler United States
Carrie Noland United States
Susan Kozel Sweden
Matthew Reason United Kingdom
Mikel Dufrenne France
Mary Ann Stankiewicz United States
Claire Detels United States
Bert O. States United States
Salomé Voegelin United Kingdom
André Lepecki United States
Sally Banes
Citations per year, relative to Sally Banes Sally Banes (= 1×) peers André Lepecki

Countries citing papers authored by Sally Banes

Since Specialization
Citations

This map shows the geographic impact of Sally Banes's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Sally Banes with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Sally Banes more than expected).

Fields of papers citing papers by Sally Banes

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Sally Banes. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Sally Banes. The network helps show where Sally Banes may publish in the future.

Co-authorship network of co-authors of Sally Banes

This figure shows the co-authorship network connecting the top 25 collaborators of Sally Banes. A scholar is included among the top collaborators of Sally Banes based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Sally Banes. Sally Banes is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Banes, Sally. (2013). Dancing Women. 2 indexed citations
2.
Lepecki, André & Sally Banes. (2012). Introduction: the performance of the senses. 12–18. 3 indexed citations
3.
4.
Banes, Sally, et al.. (2007). Before, Between, and Beyond: Three Decades of Dance Writing. Medical Entomology and Zoology. 2 indexed citations
5.
Banes, Sally & Noël Carroll. (2006). Cunningham, Balanchine, and Postmodern Dance. Dance Chronicle. 29(1). 49–68. 3 indexed citations
6.
Banes, Sally. (2002). Where they danced: patrons, institutions, spaces: Introduction. Dance Chronicle. 25(1). 95–100.
7.
Carroll, Noël & Sally Banes. (2001). Theatre: Philosophy, Theory, and Criticism. Latin American Theatre Review (The University of Kansas). 155–166. 3 indexed citations
8.
Chin, Daryl, et al.. (2000). Show Cause: Unconscious Partisanship in the History of Performance Art. Art Journal. 59(1). 111–111. 2 indexed citations
9.
Banes, Sally. (1999). Talking Women: Dance Herstories. Dance Research Journal. 31(2). 117–122.
10.
Carroll, Noël & Sally Banes. (1998). II. Expression, Rhythm and Dance: A Response to Gregory Scott. Dance Research Journal. 30(1). 15–24. 2 indexed citations
11.
Banes, Sally. (1998). Subversive Expectations: Performance Art and Paratheater in New York, 1976-85. Medical Entomology and Zoology. 2 indexed citations
12.
Banes, Sally. (1993). Greenwich Village 1963. 7 indexed citations
13.
Banes, Sally. (1993). Democracy's Body. 4 indexed citations
14.
Banes, Sally. (1993). Democracy's Body.
15.
Banes, Sally. (1993). Democracy's Body. 6 indexed citations
16.
Banes, Sally. (1989). The Feminist Spectator as Critic, by Jill Dolan. Ann Arbor, MI: UMI Research Press, 1988. xii + 154 pp. $39.95.. Dance Research Journal. 21(2). 29–31. 27 indexed citations
17.
Lassiter, Laurie & Sally Banes. (1985). Democracy's Body: Judson Dance Theater, 1962-1964. Performing Arts Journal. 9(1). 98–98. 16 indexed citations
18.
Banes, Sally. (1983). Democracy's Body: Judson Dance Theater, 1962-1964. 30 indexed citations
19.
Carroll, Noël & Sally Banes. (1982). Working and Dancing: A Response to Monroe Beardsley's “What Is Going On in a Dance?”. Dance Research Journal. 15(1). 37–41. 9 indexed citations
20.
Banes, Sally. (1981). Democracy's Body: Judson Dance Theatre and Its Legacy. Performing Arts Journal. 5(2). 98–98. 2 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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