Roger Copeland

470 total citations
14 papers, 174 citations indexed

About

Roger Copeland is a scholar working on Experimental and Cognitive Psychology, Music and Visual Arts and Performing Arts. According to data from OpenAlex, Roger Copeland has authored 14 papers receiving a total of 174 indexed citations (citations by other indexed papers that have themselves been cited), including 8 papers in Experimental and Cognitive Psychology, 5 papers in Music and 5 papers in Visual Arts and Performing Arts. Recurrent topics in Roger Copeland's work include Diversity and Impact of Dance (8 papers), Musicology and Musical Analysis (4 papers) and Theatre and Performance Studies (3 papers). Roger Copeland is often cited by papers focused on Diversity and Impact of Dance (8 papers), Musicology and Musical Analysis (4 papers) and Theatre and Performance Studies (3 papers). Roger Copeland collaborates with scholars based in United States. Roger Copeland's co-authors include M. H. Cohen, William James Earle, Selma Jeanne Cohen, Susan Leigh Foster, Sally Banes and Ann Daly and has published in prestigious journals such as Journal of Aesthetics and Art Criticism, Journal of Physical Education Recreation & Dance and Theatre Journal.

In The Last Decade

Roger Copeland

11 papers receiving 99 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Roger Copeland United States	7	72	57	52	25	19	14	174
Stephanie Jordan United Kingdom	6	74 1.0×	30 0.5×	102 2.0×	21 0.8×	35 1.8×	30	171
Jennifer Parker-Starbuck United Kingdom	7	26 0.4×	76 1.3×	17 0.3×	35 1.4×	12 0.6×	20	182
William P. Malm United States	8	30 0.4×	16 0.3×	109 2.1×	40 1.6×	34 1.8×	49	255
Josephine Machon United Kingdom	6	22 0.3×	84 1.5×	11 0.2×	39 1.6×	22 1.2×	12	166
Christy Mag Uidhir United States	7	51 0.7×	30 0.5×	24 0.5×	15 0.6×	17 0.9×	21	162
Catharine Abell United Kingdom	8	74 1.0×	32 0.6×	5 0.1×	17 0.7×	21 1.1×	19	189
Marie Thompson United Kingdom	7	20 0.3×	16 0.3×	105 2.0×	33 1.3×	38 2.0×	19	200
David Neumeyer United States	8	15 0.2×	20 0.4×	137 2.6×	30 1.2×	30 1.6×	42	221
Andrew Kania United States	6	33 0.5×	16 0.3×	76 1.5×	19 0.8×	38 2.0×	24	161
Gary Iseminger United States	7	66 0.9×	33 0.6×	26 0.5×	17 0.7×	6 0.3×	31	188

Countries citing papers authored by Roger Copeland

Since Specialization

Citations

This map shows the geographic impact of Roger Copeland's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Roger Copeland with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Roger Copeland more than expected).

Fields of papers citing papers by Roger Copeland

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Roger Copeland. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Roger Copeland. The network helps show where Roger Copeland may publish in the future.

Co-authorship network of co-authors of Roger Copeland

This figure shows the co-authorship network connecting the top 25 collaborators of Roger Copeland. A scholar is included among the top collaborators of Roger Copeland based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Roger Copeland. Roger Copeland is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

14 of 14 papers shown

1.

Copeland, Roger, et al.. (2005). Merce Cunningham: The Modernizing of Modern Dance. Dance Research Journal. 37(1). 140–140. 21 indexed citations

2.

Copeland, Roger. (2004). Merce Cunningham. 25 indexed citations

3.

Copeland, Roger. (2002). Merce Cunningham and the Aesthetic of Collage. TDR/The Drama Review. 46(1). 11–28. 9 indexed citations

4.

Copeland, Roger. (1999). Cunningham, Collage, and the Computer. PAJ A Journal of Performance and Art. 21(3). 42–42. 3 indexed citations

5.

Daly, Ann, et al.. (1992). What Has Become of Postmodern Dance? Answers and Other Questions by Marcia B. Siegel, Anna Halprin, Janice Ross, Cynthia J. Novack, Deborah Hay, Sally Banes, Senta Driver, Roger Copeland, and Susan L. Foster. TDR/The Drama Review. 36(1). 48–48. 3 indexed citations

6.

Copeland, Roger. (1991). A Post-Mortem for the Post-Modern. Theater. 22(3). 67–77.

7.

Copeland, Roger. (1991). The China Syndrome. Journal of Physical Education Recreation & Dance. 62(9). 53–56. 1 indexed citations

8.

Copeland, Roger. (1990). The Presence of Mediation. TDR/The Drama Review. 34(4). 28–28. 18 indexed citations

9.

Copeland, Roger. (1986). A curmudgeonly view of the American dance boom.. 4(1). 10–13. 1 indexed citations

10.

Copeland, Roger. (1985). Theatrical Dance: How Do We Know It When We See It If We Can't Define It. Performing Arts Journal. 9(2/3). 174–174. 2 indexed citations

11.

Cohen, Selma Jeanne, et al.. (1984). The Intimate Act of Choreography. Theatre Journal. 36(3). 442–442. 6 indexed citations

12.

Earle, William James, M. H. Cohen, & Roger Copeland. (1984). What Is Dance? Readings in Theory and Criticism. Journal of Aesthetics and Art Criticism. 43(1). 104–104. 53 indexed citations

13.

Copeland, Roger. (1983). Postmodern Dance Postmodern Architecture Postmodernism. Performing Arts Journal. 7(1). 27–27. 5 indexed citations

14.

Copeland, Roger, et al.. (1983). What Is Dance?. Performing Arts Journal. 7(2). 115–115. 27 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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