Nick Collins
Impact in
- Signal Processing top 1%
- Music and Audio Processing
- Speech and Audio Processing
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- Music Technology and Sound Studies
Papers in ⓘ
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- Music Technology and Sound Studies 64
- Video Analysis and Summarization 3
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- Music and Audio Processing 47
- Speech and Audio Processing 6
- Co-authors
- Alex McLean (3 shared papers)Richard Eglese (1 shared paper)Bruce Golden (1 shared paper)Adrian F. Ward (1 shared paper)Alan F. Blackwell (1 shared paper)Chris Kiefer (4 shared papers)Scott Wilson (3 shared papers)Geraldine Fitzpatrick (3 shared papers)
- Journals
- Computer Music Journal (5 papers)Organised Sound (4 papers)Journal of New Music Research (3 papers)Leonardo Music Journal (3 papers)Contemporary Music Review (3 papers)
- Partner nations
- United KingdomUnited StatesCanada
In The Last Decade
Nick Collins
69 papers receiving 915 citations
Peers
Comparison fields: 5 of 111
- Signal Processing 455
- Computer Vision and Pattern Recognition 683
- Human-Computer Interaction 176
- Music 84
- Cognitive Neuroscience 330
Countries citing papers authored by Nick Collins
This map shows the geographic impact of Nick Collins's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Nick Collins with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Nick Collins more than expected).
Fields of papers citing papers by Nick Collins
This network shows the impact of papers produced by Nick Collins. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Nick Collins. The network helps show where Nick Collins may publish in the future.
Co-authors
The 25 scholars most cited alongside Nick Collins, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 79 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1988 | 152 | |
| 2 | 2003 | 142 | |
| 3 | A Comparison of Sound Onset Detection Algorithms with Emphasis on Psychoacoustically Motivated Detection Functions | 2005 | 55 |
| 4 | 2018 | 49 | |
| 5 | 2013 | 48 | |
| 6 | The Programming Language as a Musical Instrument | 2005 | 45 |
| 7 | The SuperCollider Book | 2011 | 40 |
| 8 | 2008 | 34 | |
| 9 | 2003 | 33 | |
| 10 | 2010 | 32 | |
| 11 | 2007 | 28 | |
| 12 | 2005 | 27 | |
| 13 | 2011 | 26 | |
| 14 | 2008 | 22 | |
| 15 | 2006 | 21 | |
| 16 | 2009 | 18 | |
| 17 | 2012 | 17 | |
| 18 | Evaluating the Wiimote as a musical controller | 2008 | 16 |
| 19 | 2014 | 16 | |
| 20 | 2012 | 15 |
About Nick Collins
Nick Collins is a scholar working on Computer Vision and Pattern Recognition, Signal Processing, Cognitive Neuroscience, Music and Artificial Intelligence, having authored 79 papers that have together received 1.1k indexed citations. Recurring topics across this work include Music Technology and Sound Studies (64 papers), Music and Audio Processing (47 papers), Neuroscience and Music Perception (22 papers), Interactive and Immersive Displays (6 papers), Speech and Audio Processing (6 papers), Diverse Musicological Studies (4 papers), Digital Games and Media (4 papers) and Video Analysis and Summarization (3 papers). The work is most often cited by research in Signal Processing (455 citations), Computer Vision and Pattern Recognition (683 citations), Human-Computer Interaction (176 citations), Music (84 citations) and Cognitive Neuroscience (330 citations). Nick Collins has collaborated with scholars based in United Kingdom, United States and Canada. Frequent co-authors include Alex McLean, Richard Eglese, Bruce Golden, Adrian F. Ward, Alan F. Blackwell, Chris Kiefer, Scott Wilson, Geraldine Fitzpatrick, Lennart E. Nacke and Geraldine Fitzpatrick. Their work appears in journals such as Computer Music Journal, Organised Sound, Journal of New Music Research, Leonardo Music Journal and Contemporary Music Review.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.