Roger B. Dannenberg
About
In The Last Decade
Roger B. Dannenberg
143 papers receiving 2.0k citations
Peers
Comparison fields: 5 of 91
- Computer Vision and Pattern Recognition 1.6k
- Signal Processing 1.6k
- Cognitive Neuroscience 567
- Artificial Intelligence 394
- Human-Computer Interaction 241
Countries citing papers authored by Roger B. Dannenberg
This map shows the geographic impact of Roger B. Dannenberg's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Roger B. Dannenberg with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Roger B. Dannenberg more than expected).
Fields of papers citing papers by Roger B. Dannenberg
This network shows the impact of papers produced by Roger B. Dannenberg. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Roger B. Dannenberg. The network helps show where Roger B. Dannenberg may publish in the future.
Co-authorship network of co-authors of Roger B. Dannenberg
This figure shows the co-authorship network connecting the top 25 collaborators of Roger B. Dannenberg. A scholar is included among the top collaborators of Roger B. Dannenberg based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Roger B. Dannenberg. Roger B. Dannenberg is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 2 | |
| 2 | Time-Flow Concepts and Architectures For Music and Media Synchronization. | 1 |
| 3 | O2: Rethinking Open Sound Control | 4 |
| 4 | SOUNDCOOL: NEW TECHNOLOGIES FOR MUSIC EDUCATION | 2 |
| 5 | 5 | |
| 6 | Characterizing Tempo Change In Musical Performances | 5 |
| 7 | A Vision of Creative Computation in Music Performance. | 6 |
| 8 | A Virtual Orchestra for Human-Computer Music Performance | 7 |
| 9 | Aurafx: A Simple And Flexible Approach To Interactive Audio Effect-Based Composition And Performance | 1 |
| 10 | AN INTELLIGENT MULTI-TRACK AUDIO EDITOR | 12 |
| 11 | Automating Ensemble Performance | 3 |
| 12 | Instruction of Computer Music for Computer Engineering Students and Professionals | 1 |
| 13 | Practical Aspects of a MIDI Conducting System | 3 |
| 14 | An Expert System for Teaching Piano to Novices | 2 |
| 15 | Analysis and Synthesis of Tones by Spectral Interpolation | 16 |
| 16 | Music Representation Issues: A Position Paper | 0 |
| 17 | New Techniques for Enhanced Quality of Computer Accompaniment | 31 |
| 18 | A Structure for Representing, Displaying, and Editing Music. | 7 |
| 19 | The CMU MIDI Toolkit | 11 |
| 20 | A Functional Approach to Real-Time Control | 1 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.