Oded Ben‐Tal
Impact in
- Signal Processing top 5%
- Music and Audio Processing
- Music top 5%
- Diverse Musicological Studies
Papers in
-
- Music and Audio Processing 11
-
- Music Technology and Sound Studies 12
- Co-authors
- Bob L. T. Sturm (7 shared papers)Emília Gómez (1 shared paper)María Teresa Iglesias (1 shared paper)Marius Miron (1 shared paper)Jonathan C Berger (2 shared papers)Noam Sagiv (2 shared papers)Dorien Herremans (1 shared paper)Nick Collins (1 shared paper)
- Journals
- Leonardo (2 papers)Musicae Scientiae (1 paper)Cognitive Science (1 paper)Journal of Music Technology and Education (1 paper)Journal of New Music Research (1 paper)
- Partner nations
- United KingdomSwedenUnited States
In The Last Decade
Oded Ben‐Tal
17 papers receiving 278 citations
Peers
Comparison fields: 5 of 64
- Signal Processing 143
- Music 35
- Computer Vision and Pattern Recognition 176
- Cognitive Neuroscience 143
- Sensory Systems 18
Countries citing papers authored by Oded Ben‐Tal
This map shows the geographic impact of Oded Ben‐Tal's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Oded Ben‐Tal with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Oded Ben‐Tal more than expected).
Fields of papers citing papers by Oded Ben‐Tal
This network shows the impact of papers produced by Oded Ben‐Tal. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Oded Ben‐Tal. The network helps show where Oded Ben‐Tal may publish in the future.
Co-authors
The 17 scholars most cited alongside Oded Ben‐Tal, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2019 | 70 | |
| 2 | 2018 | 67 | |
| 3 | SONART : THE SONIFICATION APPLICATION RESEARCH TOOLBOX | 2002 | 35 |
| 4 | 2017 | 27 | |
| 5 | 2016 | 26 | |
| 6 | 2004 | 15 | |
| 7 | 2011 | 15 | |
| 8 | 2020 | 15 | |
| 9 | 2016 | 11 | |
| 10 | Reflections on synaesthesia, perception, and cognition | 2011 | 10 |
| 11 | 2021 | 10 | |
| 12 | 2014 | 6 | |
| 13 | 2012 | 3 | |
| 14 | 2013 | 2 | |
| 15 | 2014 | 2 | |
| 16 | Making music with technology: a free improvisation ensemble | 2014 | 1 |
| 17 | Bringing the models back to music practice: The evaluation of deep learning approaches to music transcription modelling and generation | 2016 | 1 |
| 18 | Zoom arrière. L’ethnomusicologie à l’ère du Big Data | 2017 | 0 |
| 19 | 2023 | 0 |
About Oded Ben‐Tal
Oded Ben‐Tal is a scholar working on Signal Processing, Computer Vision and Pattern Recognition, Cognitive Neuroscience, Music and Experimental and Cognitive Psychology, having authored 19 papers that have together received 316 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (12 papers), Music and Audio Processing (11 papers), Neuroscience and Music Perception (7 papers), Multisensory perception and integration (4 papers), Diverse Musicological Studies (3 papers), Neural dynamics and brain function (3 papers), Olfactory and Sensory Function Studies (2 papers) and Speech Recognition and Synthesis (2 papers). The work is most often cited by research in Signal Processing (143 citations), Music (35 citations), Computer Vision and Pattern Recognition (176 citations), Cognitive Neuroscience (143 citations) and Sensory Systems (18 citations). Oded Ben‐Tal has collaborated with scholars based in United Kingdom, Sweden and United States. Frequent co-authors include Bob L. T. Sturm, Emília Gómez, María Teresa Iglesias, Marius Miron, Jonathan C Berger, Noam Sagiv, Dorien Herremans, Nick Collins, Elaine Chew and Gaëtan Hadjeres. Their work appears in journals such as Leonardo, Musicae Scientiae, Cognitive Science, Journal of Music Technology and Education and Journal of New Music Research.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.