Maxine Glancy

693 total citations
25 papers, 495 citations indexed

About

Maxine Glancy is a scholar working on Human-Computer Interaction, Sociology and Political Science and Computer Vision and Pattern Recognition. According to data from OpenAlex, Maxine Glancy has authored 25 papers receiving a total of 495 indexed citations (citations by other indexed papers that have themselves been cited), including 14 papers in Human-Computer Interaction, 11 papers in Sociology and Political Science and 11 papers in Computer Vision and Pattern Recognition. Recurrent topics in Maxine Glancy's work include Multimedia Communication and Technology (8 papers), Virtual Reality Applications and Impacts (7 papers) and Interactive and Immersive Displays (5 papers). Maxine Glancy is often cited by papers focused on Multimedia Communication and Technology (8 papers), Virtual Reality Applications and Impacts (7 papers) and Interactive and Immersive Displays (5 papers). Maxine Glancy collaborates with scholars based in United Kingdom, Netherlands and United States. Maxine Glancy's co-authors include Kenton O’Hara, Vinoba Vinayagamoorthy, Tim Kindberg, Christoph M. Ziegler, Richard Harper, Dave Randall, Siân Lindley, Andrew Wood, Peter Passmore and Md. Moinul Hossain and has published in prestigious journals such as International Journal of Human-Computer Studies, Computer Supported Cooperative Work (CSCW) and Proceedings of the ACM on Interactive Mobile Wearable and Ubiquitous Technologies.

In The Last Decade

Maxine Glancy

24 papers receiving 476 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Maxine Glancy United Kingdom	14	290	189	128	68	38	25	495
Nikoleta Yiannoutsou Greece	12	187 0.6×	109 0.6×	63 0.5×	69 1.0×	49 1.3×	31	386
Elisa Rubegni United Kingdom	15	379 1.3×	88 0.5×	103 0.8×	79 1.2×	40 1.1×	85	738
Esko Kurvinen Finland	9	604 2.1×	176 0.9×	124 1.0×	142 2.1×	40 1.1×	17	774
Abigale Stangl United States	15	235 0.8×	186 1.0×	75 0.6×	338 5.0×	24 0.6×	33	659
Juliana Aida Abu Bakar Malaysia	10	119 0.4×	157 0.8×	50 0.4×	34 0.5×	36 0.9×	79	503
Nicoletta Di Blas Italy	15	160 0.6×	84 0.4×	97 0.8×	21 0.3×	21 0.6×	79	553
Jonathan Hook United Kingdom	17	460 1.6×	233 1.2×	130 1.0×	178 2.6×	21 0.6×	61	799
Daragh Byrne United States	12	283 1.0×	219 1.2×	72 0.6×	34 0.5×	38 1.0×	61	603
Michael Nitsche United States	11	191 0.7×	84 0.4×	214 1.7×	26 0.4×	29 0.8×	43	496
Milena Droumeva Canada	11	275 0.9×	111 0.6×	56 0.4×	137 2.0×	78 2.1×	39	555

Countries citing papers authored by Maxine Glancy

Since Specialization

Citations

This map shows the geographic impact of Maxine Glancy's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Maxine Glancy with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Maxine Glancy more than expected).

Fields of papers citing papers by Maxine Glancy

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Maxine Glancy. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Maxine Glancy. The network helps show where Maxine Glancy may publish in the future.

Co-authorship network of co-authors of Maxine Glancy

This figure shows the co-authorship network connecting the top 25 collaborators of Maxine Glancy. A scholar is included among the top collaborators of Maxine Glancy based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Maxine Glancy. Maxine Glancy is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

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20 of 20 papers shown

Glancy, Maxine, Jinzheng Zhao, Marco Volino, et al.. (2024). ForecasterFlexOBM: A Multi-View Audio-Visual Dataset for Flexible Object-Based Media Production. View. 390. 1–6.

Glancy, Maxine, et al.. (2023). Producing Personalised Object-Based Audio-Visual Experiences: an Ethnographic Study. 71–82. 3 indexed citations

Hossain, Md. Moinul, et al.. (2021). VREED. Proceedings of the ACM on Interactive Mobile Wearable and Ubiquitous Technologies. 5(4). 1–20. 48 indexed citations

Hossain, Md. Moinul, et al.. (2021). VREED: Virtual Reality Emotion Recognition Dataset using Eye Tracking & Physiological Measures. Kent Academic Repository (University of Kent). 3 indexed citations

Brown, Andy, Amaia Aizpurua, Caroline Jay, et al.. (2019). Contrasting delivery modes for second screen TV content—Push or pull?. International Journal of Human-Computer Studies. 129. 15–26. 3 indexed citations

Vinayagamoorthy, Vinoba, et al.. (2019). Personalising the TV Experience using Augmented Reality. 1–12. 33 indexed citations

Clinch, Sarah, B. S. Weir, Maxine Glancy, et al.. (2019). Augmenting Television With Augmented Reality. Research Explorer (The University of Manchester). 255–261. 17 indexed citations

Glancy, Maxine, et al.. (2018). A New Production Platform for Authoring Object-based Multiscreen TV Viewing Experiences. Centrum Wiskunde & Informatica (CWI), the national research institute for mathematics and computer science in the Netherlands. 115–126. 11 indexed citations

Vinayagamoorthy, Vinoba, et al.. (2018). Personalising the TV Experience with Augmented Reality Technology. Zenodo (CERN European Organization for Nuclear Research). 179–184. 13 indexed citations

10.

Li, Jie, et al.. (2018). Designing an Object-based Preproduction Tool for Multiscreen TV Viewing. Centrum Wiskunde & Informatica (CWI), the national research institute for mathematics and computer science in the Netherlands. 1–6. 6 indexed citations

11.

Glancy, Maxine, et al.. (2017). User Experience of Panoramic Video in CAVE-like and Head Mounted Display Viewing Conditions. Middlesex University Research Repository (Middlesex University Of London). 65–75. 18 indexed citations

12.

Meixner, Britta, et al.. (2017). Multi-Screen Director. Data Archiving and Networked Services (DANS). 57–62. 4 indexed citations

13.

Galpin, Adam, et al.. (2016). I Kind of Had an Avatar Switch. University of Salford Institutional Repository (University of Salford). 77–82. 1 indexed citations

14.

Passmore, Peter, et al.. (2016). Effects of Viewing Condition on User Experience of Panoramic Video. Middlesex University Research Repository (Middlesex University Of London). 21 indexed citations

15.

Bartindale, Tom, Elizabeth R. Valentine, Maxine Glancy, et al.. (2013). Facilitating TV production using StoryCrate. 193–202. 12 indexed citations

16.

Lindley, Siân, et al.. (2009). Fixed in time and "time in motion". 1–10. 12 indexed citations

17.

Lindley, Siân, et al.. (2009). Narrative, Memory and Practice: Tensions and Choices in the Use of a Digital Artefact. Electronic workshops in computing. 18 indexed citations

18.

O’Hara, Kenton, et al.. (2008). Understanding collective play in an urban screen game. 67–76. 76 indexed citations

19.

O’Hara, Kenton, et al.. (2007). Collecting and Sharing Location-based Content on Mobile Phones in a Zoo Visitor Experience. Computer Supported Cooperative Work (CSCW). 16(1-2). 11–44. 54 indexed citations

20.

O’Hara, Kenton, et al.. (2007). Social practices in location-based collecting. 1225–1234. 24 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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