Damián Keller
Impact in
- Human-Computer Interaction top 1%
- Innovative Human-Technology Interaction
- Interactive and Immersive Displays
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- Music Technology and Sound Studies
Papers in
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- Music Technology and Sound Studies 41
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- Innovative Human-Technology Interaction 23
- Interactive and Immersive Displays 14
- Co-authors
- Victor Lazzarini (19 shared papers)Marcelo Soares Pimenta (18 shared papers)Carlo Fischione (1 shared paper)Mathieu Barthet (1 shared paper)Georg Essl (1 shared paper)Luca Turchet (1 shared paper)Ariadna Capasso (7 shared papers)Barry Truax (1 shared paper)
- Journals
- Journal of New Music Research (6 papers)Organised Sound (5 papers)Journal of Music Technology and Education (2 papers)Computer Music Journal (1 paper)Leonardo (1 paper)
- Partner nations
- BrazilUnited StatesIreland
In The Last Decade
Damián Keller
55 papers receiving 590 citations
Peers
Comparison fields: 5 of 59
- Human-Computer Interaction 273
- Computer Vision and Pattern Recognition 442
- Music 58
- Signal Processing 166
- Architecture 22
Countries citing papers authored by Damián Keller
This map shows the geographic impact of Damián Keller's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Damián Keller with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Damián Keller more than expected).
Fields of papers citing papers by Damián Keller
This network shows the impact of papers produced by Damián Keller. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Damián Keller. The network helps show where Damián Keller may publish in the future.
Co-authors
The 21 scholars most cited alongside Damián Keller, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 64 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 2018 | 172 | |
| 2 | 2017 | 41 | |
| 3 | 2000 | 37 | |
| 4 | Ecologically-based Granular Synthesis | 1998 | 36 |
| 5 | 2011 | 33 | |
| 6 | 2011 | 28 | |
| 7 | 2012 | 25 | |
| 8 | 2006 | 22 | |
| 9 | Anchoring In Ubiquitous Musical Activities | 2010 | 21 |
| 10 | 2019 | 15 | |
| 11 | THE MOBILE CSOUND PLATFORM | 2012 | 14 |
| 12 | 2015 | 9 | |
| 13 | 2018 | 9 | |
| 14 | 2000 | 8 | |
| 15 | 2014 | 8 | |
| 16 | Patterns of Musical Interaction with Computing Devices | 2014 | 7 |
| 17 | 2022 | 7 | |
| 18 | 2004 | 7 | |
| 19 | 2010 | 7 | |
| 20 | Urban Corridor: Accumulation and Interaction as Form-Bearing Process | 2002 | 6 |
About Damián Keller
Damián Keller is a scholar working on Computer Vision and Pattern Recognition, Human-Computer Interaction, Signal Processing, Cognitive Neuroscience and Mechanical Engineering, having authored 64 papers that have together received 626 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (41 papers), Innovative Human-Technology Interaction (23 papers), Music and Audio Processing (18 papers), Interactive and Immersive Displays (14 papers), Neuroscience and Music Perception (10 papers), Design Education and Practice (7 papers), Diverse Music Education Insights (6 papers) and Creativity in Education and Neuroscience (5 papers). The work is most often cited by research in Human-Computer Interaction (273 citations), Computer Vision and Pattern Recognition (442 citations), Music (58 citations), Signal Processing (166 citations) and Architecture (22 citations). Damián Keller has collaborated with scholars based in Brazil, United States and Ireland. Frequent co-authors include Victor Lazzarini, Marcelo Soares Pimenta, Carlo Fischione, Mathieu Barthet, Georg Essl, Luca Turchet, Ariadna Capasso, Barry Truax, Maria Helena Melo Lima and François Bouchet. Their work appears in journals such as Journal of New Music Research, Organised Sound, Journal of Music Technology and Education, Computer Music Journal and Leonardo.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.