Simon Dixon

6.5k total citations
166 papers, 3.6k citations indexed

About

Simon Dixon is a scholar working on Signal Processing, Computer Vision and Pattern Recognition and Cognitive Neuroscience. According to data from OpenAlex, Simon Dixon has authored 166 papers receiving a total of 3.6k indexed citations (citations by other indexed papers that have themselves been cited), including 154 papers in Signal Processing, 131 papers in Computer Vision and Pattern Recognition and 56 papers in Cognitive Neuroscience. Recurrent topics in Simon Dixon's work include Music and Audio Processing (154 papers), Music Technology and Sound Studies (129 papers) and Speech and Audio Processing (72 papers). Simon Dixon is often cited by papers focused on Music and Audio Processing (154 papers), Music Technology and Sound Studies (129 papers) and Speech and Audio Processing (72 papers). Simon Dixon collaborates with scholars based in United Kingdom, Austria and Japan. Simon Dixon's co-authors include Matthias Mauch, Emmanouil Benetos, Gerhard Widmer, Fabien Gouyon, Siddharth Sigtia, Elias Pampalk, Anssi Klapuri, Marcus T. Pearce, Holger Kirchhoff and Sebastian Ewert and has published in prestigious journals such as SHILAP Revista de lepidopterología, PLoS ONE and The Journal of the Acoustical Society of America.

In The Last Decade

Simon Dixon

159 papers receiving 3.3k citations

Peers

Simon Dixon
Comparison fields: 5 of 115
  • Signal Processing 3.2k
  • Computer Vision and Pattern Recognition 2.7k
  • Cognitive Neuroscience 1.0k
  • Artificial Intelligence 420
  • Music 327
Replace George Tzanetakis with:
George Tzanetakis Canada
Fabien Gouyon Portugal
Perfecto Herrera Spain
Xavier Serra Spain
Yi‐Hsuan Yang Taiwan
Lie Lu China
François Pachet Japan
Patrick Cook United States
Ichiro Fujinaga Canada
Douglas Eck Canada
George Tzanetakis Canada View profile →
Citations per field, relative to Simon Dixon
Simon Dixon · 1×
Citations per year, relative to Simon Dixon
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Countries citing papers authored by Simon Dixon

Since Specialization
Citations

This map shows the geographic impact of Simon Dixon's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Simon Dixon with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Simon Dixon more than expected).

Fields of papers citing papers by Simon Dixon

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Simon Dixon. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Simon Dixon. The network helps show where Simon Dixon may publish in the future.

Co-authorship network of co-authors of Simon Dixon

This figure shows the co-authorship network connecting the top 25 collaborators of Simon Dixon. A scholar is included among the top collaborators of Simon Dixon based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Simon Dixon. Simon Dixon is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
# Work Indexed citations
1 0
2 0
3 2
4 2
5 5
6 2
7 2
8 0
9 129
10
A DETERMINISTIC ANNEALING EM ALGORITHM FOR AUTOMATIC MUSIC TRANSCRIPTION
5
11
Improving PLCA-based score-informed source separation with invertible Constant-Q Transforms
3
12
Multiple-F0 estimation of piano sounds exploiting spectral structure and temporal evolution
4
13 18
14
An on-line time warping algorithm for tracking musical performances
24
15
THE 'AIR WORM': AN INTERFACE FOR REAL-TIME MANIPULATION OF EXPRESSIVE MUSIC PERFORMANCE
6
16 54
17
The Performance Worm: Real Time Visualisation of Expression based on Langner's Tempo-Loudness Animation
22
18
An Interactive Beat Tracking and Visualisation System
27
19
A Dynamic Modelling Approach to Music Recognition
4
20
Connections between the ATMS and AGM belief revision
8

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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