Georg Essl
Impact in
- Human-Computer Interaction top 0.5%
- Interactive and Immersive Displays
- Signal Processing top 1%
- Music and Audio Processing
- Speech and Audio Processing
Papers in
-
- Interactive and Immersive Displays 35
-
- Music and Audio Processing 36
- Speech and Audio Processing 12
- Co-authors
- Michael RohsPerry R. CookGeorge TzanetakisSven KratzEmily Mower ProvostLuca TurchetMathieu BarthetCarlo Fischione
- Journals
- Organised Sound (3 papers)Computer Music Journal (3 papers)Journal of New Music Research (1 paper)Personal and Ubiquitous Computing (1 paper)IEEE Access (1 paper)
- Partner nations
- United StatesGermanyUnited Kingdom
In The Last Decade
Georg Essl
79 papers receiving 1.4k citations
Peers
Comparison fields: 5 of 100
- Human-Computer Interaction 641
- Signal Processing 561
- Computer Vision and Pattern Recognition 983
- Computer Graphics and Computer-Aided Design 93
- Cognitive Neuroscience 489
Countries citing papers authored by Georg Essl
This map shows the geographic impact of Georg Essl's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Georg Essl with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Georg Essl more than expected).
Fields of papers citing papers by Georg Essl
This network shows the impact of papers produced by Georg Essl. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Georg Essl. The network helps show where Georg Essl may publish in the future.
Co-authorship network
The 25 scholars most cited alongside Georg Essl, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | Computer Music through the Cloud: Evaluating a Cloud Service for Collaborative Computer Music Applications | 2015 | 3 |
| 2 | 2015 | 5 | |
| 3 | 2014 | 2 | |
| 4 | Playing with Time: manipulation of Time and rate in a Multi-rate signal Processing Pipeline. | 2012 | 3 |
| 5 | Concepts and Practical Considerations of Platform-Independent Design of Mobile Music Environments | 2011 | 3 |
| 6 | Automated Ad Hoc Networking for Mobile and Hybrid Music Performance. | 2011 | 7 |
| 7 | 2010 | 13 | |
| 8 | 2010 | 11 | |
| 9 | Ursound - Live Patching Of Audio And Multimedia Using A Multi-Rate Normed Single-Stream Data-Flow Engine. | 2010 | 12 |
| 10 | Urmus - An Environment For Mobile Instrument Design And Performance | 2010 | 20 |
| 11 | DO MOBILE PHONES DREAM OF ELECTRIC ORCHESTRAS | 2009 | 39 |
| 12 | 2009 | 12 | |
| 13 | Microphone as Sensor in Mobile Phone Performance. | 2008 | 17 |
| 14 | Developments and Challenges turning Mobile Phones into Generic Music Performance Platforms | 2008 | 15 |
| 15 | SHAMUS - A SENSOR-BASED INTEGRATED MOBILE PHONE INSTRUMENT | 2007 | 23 |
| 16 | 2006 | 24 | |
| 17 | Circle Maps as Simple Oscillators for Complex Behavior: I. Basics | 2006 | 7 |
| 18 | Mobile STK for Symbian OS | 2006 | 17 |
| 19 | 2003 | 14 | |
| 20 | Banded Waveguides: Towards Physical Modeling of Bowed Bar Percussion Instruments | 1999 | 15 |
About Georg Essl
Georg Essl is a scholar working on Human-Computer Interaction, Signal Processing, Computer Vision and Pattern Recognition, Computer Graphics and Computer-Aided Design and Cognitive Neuroscience, having authored 82 papers that have together received 1.5k indexed citations. Recurring topics across this work include Music Technology and Sound Studies (50 papers), Music and Audio Processing (36 papers), Interactive and Immersive Displays (35 papers), Tactile and Sensory Interactions (23 papers), Speech and Audio Processing (12 papers), Augmented Reality Applications (6 papers), Multimedia Communication and Technology (6 papers) and Computer Graphics and Visualization Techniques (5 papers). The work is most often cited by research in Human-Computer Interaction (641 citations), Signal Processing (561 citations), Computer Vision and Pattern Recognition (983 citations), Computer Graphics and Computer-Aided Design (93 citations) and Cognitive Neuroscience (489 citations). Georg Essl has collaborated with scholars based in United States, Germany and United Kingdom. Frequent co-authors include Michael Rohs, Perry R. Cook, George Tzanetakis, Sven Kratz, Emily Mower Provost, Luca Turchet, Mathieu Barthet, Carlo Fischione, Damián Keller and James F. O’Brien. Their work appears in journals such as Organised Sound, Computer Music Journal, Journal of New Music Research, Personal and Ubiquitous Computing and IEEE Access.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.