Citations per year, relative to Nicola Orio Nicola Orio (= 1×)
peers
Mathieu Barthet
Countries citing papers authored by Nicola Orio
Since
Specialization
Citations
This map shows the geographic impact of Nicola Orio's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Nicola Orio with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Nicola Orio more than expected).
This network shows the impact of papers produced by Nicola Orio. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Nicola Orio. The network helps show where Nicola Orio may publish in the future.
Co-authorship network of co-authors of Nicola Orio
This figure shows the co-authorship network connecting the top 25 collaborators of Nicola Orio.
A scholar is included among the top collaborators of Nicola Orio based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Nicola Orio. Nicola Orio is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
Orio, Nicola, et al.. (2021). FakeMuse. Journal on Computing and Cultural Heritage. 14(2). 1–22.8 indexed citations
3.
Carolis, Berardina De, Stefano Ferilli, & Nicola Orio. (2014). Recommending Music to Groups in Fitness Classes. The Journal of the Abraham Lincoln Association. 2014.2 indexed citations
4.
Agosti, Maristella, et al.. (2013). An Evaluation of the Involvement of General Users in a Cultural Heritage Collection.. Research Padua Archive (University of Padua). 75–76.1 indexed citations
5.
Liem, Cynthia C. S., Nicola Orio, Geoffroy Peeters, & Markus Schedl. (2013). MusiClef 2013: Soundtrack Selection for Commercials.. Research Repository (Delft University of Technology).2 indexed citations
6.
Canazza, Sergio, et al.. (2009). Preserving today for tomorrow: a case study of an archive of Interactive Music Installations. CNR Solar (Scientific Open-access Literature Archive and Repository) (Consiglio Nazionale delle Ricerche). 24–29.1 indexed citations
7.
Miotto, Riccardo & Nicola Orio. (2007). Recognition of Music Performances through Audio Matching.. Research Padua Archive (University of Padua). 22–23.2 indexed citations
8.
Orio, Nicola, et al.. (2007). SONG IDENTIFICATION THROUGH HMM-BASED MODELING OF THE MAIN MELODY. The Journal of the Abraham Lincoln Association. 2007. 248–251.1 indexed citations
9.
Agosti, Maristella, Giorgio Maria Di Nunzio, Nicola Ferro, et al.. (2007). Distributed Information Retrieval and Automatic Identification of Music Works in SAPIR.. Research Padua Archive (University of Padua). 479–482.
10.
Orio, Nicola. (2006). MUSIC RETRIEVAL (Foundations and Trends(R) in Information Retrieval). now publishers, Inc. eBooks.5 indexed citations
11.
Nunzio, Giorgio Maria Di, Nicola Ferro, Massimo Melucci, & Nicola Orio. (2003). The University of Padova at CLEF 2003: Experiments to Evaluate Probabilistic Models for Automatic Stemmer Generation and Query Word Translation.. Research Padua Archive (University of Padua). 211–223.1 indexed citations
Melucci, Massimo, et al.. (2000). An Evaluation Study on Music Perception for Music Content-based Information Retrieval. The Journal of the Abraham Lincoln Association. 2000.4 indexed citations
14.
Melucci, Massimo & Nicola Orio. (2000). Smile: a system for content-based musical information retrieval environments. 1246–1260.12 indexed citations
15.
Orio, Nicola. (1999). The Timbre Space of the Classical Guitar and Its Relationship with the Plucking Techniques. The Journal of the Abraham Lincoln Association.13 indexed citations
16.
Canazza, Sergio, Antonio Rodà, & Nicola Orio. (1999). A Parametric Model of Expressiveness in Musical Performance Based on Perceptual and Acoustic Analysis. The Journal of the Abraham Lincoln Association. 1999.4 indexed citations
17.
Melucci, Massimo & Nicola Orio. (1999). The Use of Melodic Segmentation for Content-based Retrieval of Musical Data. The Journal of the Abraham Lincoln Association. 1999.3 indexed citations
18.
Pope, Stephen, Pierre Roy, & Nicola Orio. (1999). Content Analysis and Queries in a Sound and Music Database. The Journal of the Abraham Lincoln Association. 1999.2 indexed citations
19.
Orio, Nicola, et al.. (1998). Controlled Refractions: A Two-Levels Coding of Musical Gestures for Interactive Live Performances. The Journal of the Abraham Lincoln Association. 1998.3 indexed citations
20.
Orio, Nicola. (1997). A Gesture Interface Controlled by the Oral Cavity. The Journal of the Abraham Lincoln Association.9 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.