David Worrall
Impact in
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- Literature: history, themes, analysis
- Moravian Church and William Blake
- Music top 10%
Papers in
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- Music Technology and Sound Studies 13
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- Tactile and Sensory Interactions 6
- Neuroscience and Music Perception 3
- Co-authors
- Anne Janowitz (2 shared papers)Jon Mee (1 shared paper)Morton D. Paley (1 shared paper)Roger T. Dean (2 shared papers)Stephen Barrass (1 shared paper)Meinard Müller (1 shared paper)Mitchell Whitelaw (1 shared paper)Hazel Smith (1 shared paper)
- Journals
- Organised Sound (6 papers)Studies in Romanticism (4 papers)The Modern Language Review (2 papers)Contemporary Music Review (1 paper)Romanticism (1 paper)
- Partner nations
- AustraliaUnited KingdomUnited States
In The Last Decade
David Worrall
34 papers receiving 188 citations
Peers
Comparison fields: 5 of 60
- Literature and Literary Theory 63
- Music 16
- History 40
- Cognitive Neuroscience 69
- Museology 12
Countries citing papers authored by David Worrall
This map shows the geographic impact of David Worrall's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by David Worrall with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites David Worrall more than expected).
Fields of papers citing papers by David Worrall
This network shows the impact of papers produced by David Worrall. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by David Worrall. The network helps show where David Worrall may publish in the future.
Co-authors
The 22 scholars most cited alongside David Worrall, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 37 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | 1992 | 48 | |
| 2 | 2019 | 23 | |
| 3 | 1993 | 19 | |
| 4 | 2006 | 13 | |
| 5 | 2006 | 13 | |
| 6 | SONIPY: THE DESIGN OF AN EXTENDABLE SOFTWARE FRAMEWORK FOR SONIFICATION RESEARCH AND AUDITORY DISPLAY | 2007 | 10 |
| 7 | 2007 | 9 | |
| 8 | PARAMETER MAPPING SONIC ARTICULATION AND THE PERCEIVING BODY | 2010 | 9 |
| 9 | 1996 | 8 | |
| 10 | 2009 | 7 | |
| 11 | 1986 | 7 | |
| 12 | 2012 | 7 | |
| 13 | 2013 | 7 | |
| 14 | 2019 | 6 | |
| 15 | Realtime sonification and visualisation of network metadata | 2015 | 6 |
| 16 | 2014 | 6 | |
| 17 | A METHOD FOR DEVELOPING AN IMPROVED MAPPING MODEL FOR DATA SONIFICATION | 2011 | 6 |
| 18 | Understanding the need for micro-gestural inflections in parameter-mapping sonification | 2013 | 6 |
| 19 | 1998 | 5 | |
| 20 | 2006 | 5 |
About David Worrall
David Worrall is a scholar working on Computer Vision and Pattern Recognition, Cognitive Neuroscience, Literature and Literary Theory, Sociology and Political Science and Signal Processing, having authored 37 papers that have together received 256 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (13 papers), Moravian Church and William Blake (6 papers), Tactile and Sensory Interactions (6 papers), Music and Audio Processing (4 papers), Shakespeare, Adaptation, and Literary Criticism (3 papers), Multisensory perception and integration (3 papers), Neuroscience and Music Perception (3 papers) and Theater, Performance, and Music History (3 papers). The work is most often cited by research in Literature and Literary Theory (63 citations), Music (16 citations), History (40 citations), Cognitive Neuroscience (69 citations) and Museology (12 citations). David Worrall has collaborated with scholars based in Australia, United Kingdom and United States. Frequent co-authors include Anne Janowitz, Jon Mee, Morton D. Paley, Roger T. Dean, Stephen Barrass, Meinard Müller, Mitchell Whitelaw, Hazel Smith, William Blake and Lloyd W. Rooney. Their work appears in journals such as Organised Sound, Studies in Romanticism, The Modern Language Review, Contemporary Music Review and Romanticism.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.