Harold S. Powers
Impact in
Papers in
- Music 18
- Musicology and Musical Analysis 15
- Diverse Musicological Studies 14
- Theater, Performance, and Music History 5
- Co-authors
- Regula Burckhardt QureshiAllan W. AtlasRichard WiddessAlan P. MerriamFrans WieringMary Ann SmartEmanuele SeniciAndreas Giger
- Journals
- Ethnomusicology (4 papers)Notes (3 papers)Journal of the American Musicological Society (3 papers)Yearbook for Traditional Music (2 papers)Cambridge Opera Journal (1 paper)
- Partner nations
- United States
In The Last Decade
Harold S. Powers
25 papers receiving 139 citations
Peers
Comparison fields: 5 of 37
- Music 175
- Classics 28
- Developmental Biology 6
- General Arts and Humanities 3
- Signal Processing 27
Countries citing papers authored by Harold S. Powers
This map shows the geographic impact of Harold S. Powers's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Harold S. Powers with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Harold S. Powers more than expected).
Fields of papers citing papers by Harold S. Powers
This network shows the impact of papers produced by Harold S. Powers. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Harold S. Powers. The network helps show where Harold S. Powers may publish in the future.
Co-authors
The 12 scholars most cited alongside Harold S. Powers, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | Three Pragmatists in Search of a Theory | 2017 | 0 |
| 2 | 2001 | 13 | |
| 3 | 1997 | 0 | |
| 4 | 1995 | 0 | |
| 5 | 1992 | 2 | |
| 6 | Puccini's Turandot | 1991 | 1 |
| 7 | 1991 | 4 | |
| 8 | 1990 | 1 | |
| 9 | 1989 | 2 | |
| 10 | 1988 | 4 | |
| 11 | 1987 | 21 | |
| 12 | 1984 | 3 | |
| 13 | 1981 | 8 | |
| 14 | 1981 | 45 | |
| 15 | 1980 | 9 | |
| 16 | 1980 | 5 | |
| 17 | 1969 | 35 | |
| 18 | 1965 | 5 | |
| 19 | 1959 | 3 | |
| 20 | 1958 | 10 |
About Harold S. Powers
Harold S. Powers is a scholar working on Music, Religious studies, General Social Sciences, Experimental and Cognitive Psychology and Linguistics and Language, having authored 32 papers that have together received 268 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (15 papers), Diverse Musicological Studies (14 papers), Theater, Performance, and Music History (5 papers), Music Technology and Sound Studies (4 papers), Islamic Studies and History (3 papers), Diversity and Impact of Dance (2 papers), Music and Audio Processing (2 papers) and Neuroscience and Music Perception (2 papers). The work is most often cited by research in Music (175 citations), Classics (28 citations), Developmental Biology (6 citations), General Arts and Humanities (3 citations) and Signal Processing (27 citations). Harold S. Powers has collaborated with scholars based in United States. Frequent co-authors include Regula Burckhardt Qureshi, Allan W. Atlas, Richard Widdess, Alan P. Merriam, Frans Wiering, Mary Ann Smart, Emanuele Senici, Andreas Giger, Marc Perlman and James I. Porter. Their work appears in journals such as Ethnomusicology, Notes, Journal of the American Musicological Society, Yearbook for Traditional Music and Cambridge Opera Journal.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.