Stephen Barrass

922 total citations
53 papers, 595 citations indexed

About

Stephen Barrass is a scholar working on Cognitive Neuroscience, Computer Vision and Pattern Recognition and Human-Computer Interaction. According to data from OpenAlex, Stephen Barrass has authored 53 papers receiving a total of 595 indexed citations (citations by other indexed papers that have themselves been cited), including 27 papers in Cognitive Neuroscience, 18 papers in Computer Vision and Pattern Recognition and 13 papers in Human-Computer Interaction. Recurrent topics in Stephen Barrass's work include Tactile and Sensory Interactions (22 papers), Music Technology and Sound Studies (12 papers) and Multisensory perception and integration (10 papers). Stephen Barrass is often cited by papers focused on Tactile and Sensory Interactions (22 papers), Music Technology and Sound Studies (12 papers) and Multisensory perception and integration (10 papers). Stephen Barrass collaborates with scholars based in Australia, Germany and United Kingdom. Stephen Barrass's co-authors include Gregory Kramer, Keith Nesbitt, Matt Adcock, Nina Schaffert, Mitchell Whitelaw, Petra Isenberg, Jörn Hurtienne, Roberta L. Klatzky, Yun Wang and Eva Hornecker and has published in prestigious journals such as International Journal of Human-Computer Studies, IEEE Computer Graphics and Applications and Multimedia Tools and Applications.

In The Last Decade

Stephen Barrass

50 papers receiving 520 citations

Peers

Stephen Barrass
Comparison fields: 5 of 94
  • Cognitive Neuroscience 319
  • Computer Vision and Pattern Recognition 234
  • Human-Computer Interaction 212
  • Experimental and Cognitive Psychology 119
  • Social Psychology 77
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Citations per field, relative to Stephen Barrass
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Citations per year, relative to Stephen Barrass
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Countries citing papers authored by Stephen Barrass

Since Specialization
Citations

This map shows the geographic impact of Stephen Barrass's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Stephen Barrass with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Stephen Barrass more than expected).

Fields of papers citing papers by Stephen Barrass

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Stephen Barrass. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Stephen Barrass. The network helps show where Stephen Barrass may publish in the future.

Co-authorship network of co-authors of Stephen Barrass

This figure shows the co-authorship network connecting the top 25 collaborators of Stephen Barrass. A scholar is included among the top collaborators of Stephen Barrass based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Stephen Barrass. Stephen Barrass is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
# Work Indexed citations
1 11
2 4
3 6
4
A social platform for information sonification: many-ears.com
1
5
Digital learning communities (DLC) : investigating the application of social software to support networked learning (CG6-36)
5
6
A communal map of design in auditory display
4
7
Developing the Practice and Theory of Stream-based Sonifications
3
8
Social Software: Piloting MyToons As A Digital Learning Community For Teaching New Media
1
9 5
10
SONIPY: THE DESIGN OF AN EXTENDABLE SOFTWARE FRAMEWORK FOR SONIFICATION RESEARCH AND AUDITORY DISPLAY
10
11 18
12
Soundstudio 4D - A VR Interface for Gestural Composition of Spatial Soundscapes.
8
13
ICAD 2004: The 10th Meeting of the International Conference on Auditory Display, Sydney, Australia, July 6-9 2004, Proceedings
1
14
Cultivating design patterns for auditory displays
21
15 53
16
Sonification from a Design Perspective
1
17
Evaluation of a Multimodal Sonification and Visualisation of Depth of Market Stock Data
23
18
Interactive Granular Synthesis of Haptic Contact Sounds
10
19 87
20 5

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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