Edward T. Cone

1.6k total citations
43 papers, 547 citations indexed

About

Edward T. Cone is a scholar working on Music, Computer Vision and Pattern Recognition and Cognitive Neuroscience. According to data from OpenAlex, Edward T. Cone has authored 43 papers receiving a total of 547 indexed citations (citations by other indexed papers that have themselves been cited), including 25 papers in Music, 12 papers in Computer Vision and Pattern Recognition and 3 papers in Cognitive Neuroscience. Recurrent topics in Edward T. Cone's work include Musicology and Musical Analysis (24 papers), Music Technology and Sound Studies (12 papers) and Diverse Musicological Studies (6 papers). Edward T. Cone is often cited by papers focused on Musicology and Musical Analysis (24 papers), Music Technology and Sound Studies (12 papers) and Diverse Musicological Studies (6 papers). Edward T. Cone collaborates with scholars based in United States and United Kingdom. Edward T. Cone's co-authors include Wallace Berry, Benjamin Boretz, Roy Howat, Nicholas Cook, Joel Lester, John Rink, David Epstein, Ralf Krampe, William Rothstein and Eric Clarke and has published in prestigious journals such as Journal of Aesthetics and Art Criticism, Critical Inquiry and Notes.

In The Last Decade

Edward T. Cone

26 papers receiving 189 citations

Peers

Edward T. Cone
Warren Darcy
V. Kofi Agawu United Kingdom
James Hepokoski United States
Douglas Dempster United States
Claude V. Palisca
Leonard G. Ratner United States
Arnold Whittall United Kingdom
Robert S. Hatten United States
William E. Caplin Canada
Victor Zuckerkandl
Warren Darcy
Edward T. Cone
Citations per year, relative to Edward T. Cone Edward T. Cone (= 1×) peers Warren Darcy

Countries citing papers authored by Edward T. Cone

Since Specialization
Citations

This map shows the geographic impact of Edward T. Cone's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Edward T. Cone with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Edward T. Cone more than expected).

Fields of papers citing papers by Edward T. Cone

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Edward T. Cone. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Edward T. Cone. The network helps show where Edward T. Cone may publish in the future.

Co-authorship network of co-authors of Edward T. Cone

This figure shows the co-authorship network connecting the top 25 collaborators of Edward T. Cone. A scholar is included among the top collaborators of Edward T. Cone based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Edward T. Cone. Edward T. Cone is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Cone, Edward T.. (2009). Hearing and Knowing Music. Princeton University Press eBooks. 1 indexed citations
2.
Rink, John, Roy Howat, Eric Clarke, et al.. (1995). The Practice of Performance. Cambridge University Press eBooks. 54 indexed citations
3.
Cone, Edward T.. (1984). Schubert's Unfinished Business. 19th-Century Music. 7(3). 222–232. 1 indexed citations
4.
Cone, Edward T.. (1984). Schubert's Unfinished Business. 19th-Century Music. 7(3). 222–232. 5 indexed citations
5.
Cone, Edward T.. (1981). The Authority of Music Criticism. Journal of the American Musicological Society. 34(1). 1–18. 11 indexed citations
6.
Cone, Edward T.. (1981). The Authority of Music Criticism. Journal of the American Musicological Society. 34(1). 1–18. 2 indexed citations
7.
Cone, Edward T.. (1980). Berlioz's Divine Comedy: The Grande Messe des morts. 19th-Century Music. 4(1). 3–16. 1 indexed citations
8.
Cone, Edward T., et al.. (1979). Roger Sessions on music. 2 indexed citations
9.
Cone, Edward T.. (1976). Yet Once More, O Ye Laurels. Perspectives of New Music. 14(2). 294–294. 1 indexed citations
10.
Cone, Edward T., et al.. (1975). The Composer's Voice. Journal of Music Theory. 19(2). 312–312.
11.
Cone, Edward T.. (1974). Sound and Syntax: An Introduction to Schoenberg's Harmony. Perspectives of New Music. 13(1). 21–21. 7 indexed citations
12.
Cone, Edward T.. (1972). Editorial Responsibility and Schoenberg's Troublesome "Misprints". Perspectives of New Music. 11(1). 65–65. 3 indexed citations
13.
Berlioz, Hector & Edward T. Cone. (1971). Fantastic symphony : an authoritative score, historical background, analysis, views and comments. W.W. Norton eBooks. 2 indexed citations
14.
Berry, Wallace & Edward T. Cone. (1971). Musical Form and Musical Performance. Perspectives of New Music. 9(2). 271–271. 89 indexed citations
15.
Cone, Edward T.. (1970). SCHUBERT'S BEETHOVEN. The Musical Quarterly. LVI(4). 779–793. 9 indexed citations
16.
Cone, Edward T. & Aarón Copland. (1968). Conversation with Aaron Copland. Perspectives of New Music. 6(2). 57–57. 7 indexed citations
17.
Cone, Edward T.. (1967). WEBERN'S APPRENTICESHIP. The Musical Quarterly. LIII(1). 39–52.
18.
Cone, Edward T., et al.. (1966). Conversation with Roger Sessions. Perspectives of New Music. 4(2). 29–29.
19.
Cone, Edward T., et al.. (1963). Communications. Perspectives of New Music. 1(2). 206–206. 1 indexed citations
20.
Cone, Edward T.. (1962). THE USES OF CONVENTION: STRAVINSKY AND HIS MODELS. The Musical Quarterly. XLVIII(3). 287–299. 6 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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