Dan Trueman
Impact in
- Human-Computer Interaction top 5%
- Interactive and Immersive Displays
- Innovative Human-Technology Interaction
- Signal Processing top 5%
- Music and Audio Processing
- Speech and Audio Processing
Papers in
-
- Music Technology and Sound Studies 16
-
- Music and Audio Processing 12
- Speech and Audio Processing 4
- Co-authors
- Perry R. Cook (11 shared papers)Rebecca Fiebrink (2 shared papers)Scott Smallwood (3 shared papers)Ge Wang (2 shared papers)Georg Essl (1 shared paper)Jisun Kim (1 shared paper)Thomas Grill (1 shared paper)
- Journals
- Computer Music Journal (4 papers)Contemporary Music Review (1 paper)The Journal of the Acoustical Society of America (1 paper)Journal of New Music Research (1 paper)Organised Sound (1 paper)
- Partner nations
- United States
In The Last Decade
Dan Trueman
19 papers receiving 344 citations
Peers
Comparison fields: 5 of 55
- Human-Computer Interaction 124
- Signal Processing 179
- Computer Vision and Pattern Recognition 308
- Architecture 16
- Cognitive Neuroscience 176
Countries citing papers authored by Dan Trueman
This map shows the geographic impact of Dan Trueman's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Dan Trueman with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Dan Trueman more than expected).
Fields of papers citing papers by Dan Trueman
This network shows the impact of papers produced by Dan Trueman. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Dan Trueman. The network helps show where Dan Trueman may publish in the future.
Co-authors
The 7 scholars most cited alongside Dan Trueman, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2011 | 106 | |
| 2 | 2007 | 52 | |
| 3 | 2008 | 44 | |
| 4 | BoSSA: The Deconstructed Violin Reconstructed | 1999 | 40 |
| 5 | Physicality and Feedback: A Focus on the Body in the Performance of Electronic Music | 2001 | 31 |
| 6 | 2008 | 29 | |
| 7 | 2000 | 22 | |
| 8 | 2001 | 15 | |
| 9 | Alternative Voices for Electronic Sound: Spherical Speakers and Sensor-Speaker Arrays (SenSAs) | 2000 | 13 |
| 10 | 2000 | 11 | |
| 11 | 1998 | 8 | |
| 12 | NBody: Interactive Multidirectional Musical Instrument Body Radiation Simulators, and a Database of Measured Impulse Responses | 1998 | 7 |
| 13 | 2009 | 6 | |
| 14 | The Wekinator: Software for using machine learning to build real-time interactive systems | 2011 | 5 |
| 15 | Re-coupling: the uBlotar synthesis instrument and the sHowl speaker-feedback controller | 2004 | 4 |
| 16 | munger1~: TOWARDS A CROSS-PLATFORM SWISSARMY KNIFE OF REAL-TIME GRANULAR SYNTHESIS | 2007 | 4 |
| 17 | 2019 | 2 | |
| 18 | 2019 | 1 | |
| 19 | 2012 | 1 |
About Dan Trueman
Dan Trueman is a scholar working on Computer Vision and Pattern Recognition, Signal Processing, Cognitive Neuroscience, Human-Computer Interaction and Music, having authored 19 papers that have together received 401 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (16 papers), Music and Audio Processing (12 papers), Neuroscience and Music Perception (5 papers), Speech and Audio Processing (4 papers), Interactive and Immersive Displays (2 papers), Hand Gesture Recognition Systems (1 paper), Electrowetting and Microfluidic Technologies (1 paper) and Diverse Music Education Insights (1 paper). The work is most often cited by research in Human-Computer Interaction (124 citations), Signal Processing (179 citations), Computer Vision and Pattern Recognition (308 citations), Architecture (16 citations) and Cognitive Neuroscience (176 citations). Dan Trueman has collaborated with scholars based in United States. Frequent co-authors include Perry R. Cook, Rebecca Fiebrink, Scott Smallwood, Ge Wang, Georg Essl, Jisun Kim and Thomas Grill. Their work appears in journals such as Computer Music Journal, Contemporary Music Review, The Journal of the Acoustical Society of America, Journal of New Music Research and Organised Sound.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.