Daniel Overholt
Impact in
- Human-Computer Interaction top 1%
- Interactive and Immersive Displays
- Innovative Human-Technology Interaction
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- Music Technology and Sound Studies
Papers in
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- Music Technology and Sound Studies 39
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- Tactile and Sensory Interactions 17
- Neuroscience and Music Perception 6
- Co-authors
- Alexander Refsum Jensenius (3 shared papers)Kristian Nymoen (1 shared paper)Ståle Andreas van Dorp Skogstad (1 shared paper)Rolf Inge Godøy (2 shared papers)John E. Thompson (6 shared papers)JoAnn Kuchera-Morin (4 shared papers)Edgar Berdahl (2 shared papers)Thomas B. Moeslund (3 shared papers)
- Journals
- Organised Sound (2 papers)Journal of the Audio Engineering Society (1 paper)International Journal of Arts and Technology (1 paper)Computer Music Journal (1 paper)Personal and Ubiquitous Computing (1 paper)
- Partner nations
- DenmarkUnited StatesNew Zealand
In The Last Decade
Daniel Overholt
52 papers receiving 647 citations
Peers
Comparison fields: 5 of 67
- Human-Computer Interaction 294
- Computer Vision and Pattern Recognition 499
- Cognitive Neuroscience 403
- Signal Processing 211
- Architecture 13
Countries citing papers authored by Daniel Overholt
This map shows the geographic impact of Daniel Overholt's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Daniel Overholt with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Daniel Overholt more than expected).
Fields of papers citing papers by Daniel Overholt
This network shows the impact of papers produced by Daniel Overholt. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Daniel Overholt. The network helps show where Daniel Overholt may publish in the future.
Co-authors
The 25 scholars most cited alongside Daniel Overholt, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
Showing the 20 most-cited of 57 papers — load more, or switch the sort, to bring in the rest.
| # | Work | ||
|---|---|---|---|
| 1 | Proceedings of the International Conference on New Interfaces for Musical Expression | 2011 | 327 |
| 2 | Proceedings of New Interfaces for Musical Expression (NIME 2007) | 2007 | 30 |
| 3 | 2009 | 26 | |
| 4 | 2011 | 25 | |
| 5 | Musical Interaction Design with the CREATE USB Interface Teaching HCI with CUIs instead of GUIs | 2006 | 24 |
| 6 | 2009 | 21 | |
| 7 | 2011 | 20 | |
| 8 | 2001 | 17 | |
| 9 | 2016 | 16 | |
| 10 | THE OVERTONE VIOLIN: A NEW COMPUTER MUSIC INSTRUMENT | 2005 | 13 |
| 11 | 2013 | 12 | |
| 12 | 2007 | 10 | |
| 13 | 2006 | 10 | |
| 14 | 2022 | 9 | |
| 15 | 2017 | 8 | |
| 16 | 2020 | 8 | |
| 17 | 2021 | 8 | |
| 18 | 2009 | 8 | |
| 19 | HSP v2: Haptic Signal Processing with Extensions for Physical Modeling | 2010 | 8 |
| 20 | 2009 | 7 |
About Daniel Overholt
Daniel Overholt is a scholar working on Computer Vision and Pattern Recognition, Cognitive Neuroscience, Human-Computer Interaction, Signal Processing and Mechanical Engineering, having authored 57 papers that have together received 697 indexed citations. Recurring topics across this work include Music Technology and Sound Studies (39 papers), Interactive and Immersive Displays (18 papers), Tactile and Sensory Interactions (17 papers), Music and Audio Processing (11 papers), Neuroscience and Music Perception (6 papers), Innovative Human-Technology Interaction (4 papers), Human Motion and Animation (3 papers) and Teleoperation and Haptic Systems (3 papers). The work is most often cited by research in Human-Computer Interaction (294 citations), Computer Vision and Pattern Recognition (499 citations), Cognitive Neuroscience (403 citations), Signal Processing (211 citations) and Architecture (13 citations). Daniel Overholt has collaborated with scholars based in Denmark, United States and New Zealand. Frequent co-authors include Alexander Refsum Jensenius, Kristian Nymoen, Ståle Andreas van Dorp Skogstad, Rolf Inge Godøy, John E. Thompson, JoAnn Kuchera-Morin, Edgar Berdahl, Thomas B. Moeslund, Jim Kleban and Robert Hamilton. Their work appears in journals such as Organised Sound, Journal of the Audio Engineering Society, International Journal of Arts and Technology, Computer Music Journal and Personal and Ubiquitous Computing.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.