Whitney Chadwick

672 total citations
24 papers, 221 citations indexed

About

Whitney Chadwick is a scholar working on Visual Arts and Performing Arts, History and Sociology and Political Science. According to data from OpenAlex, Whitney Chadwick has authored 24 papers receiving a total of 221 indexed citations (citations by other indexed papers that have themselves been cited), including 12 papers in Visual Arts and Performing Arts, 9 papers in History and 5 papers in Sociology and Political Science. Recurrent topics in Whitney Chadwick's work include Art, Politics, and Modernism (11 papers), French Historical and Cultural Studies (6 papers) and Historical Gender and Feminism Studies (4 papers). Whitney Chadwick is often cited by papers focused on Art, Politics, and Modernism (11 papers), French Historical and Cultural Studies (6 papers) and Historical Gender and Feminism Studies (4 papers). Whitney Chadwick collaborates with scholars based in United States. Whitney Chadwick's co-authors include Janet A. Kaplan, Isabelle de Courtivron, Tirza True Latimer, Colin Jones, Julia Kelly, Patricia Mathews and Roger F. Malina and has published in prestigious journals such as Leonardo, The Art Bulletin and Art Journal.

In The Last Decade

Whitney Chadwick

16 papers receiving 123 citations

Peers

Whitney Chadwick
Norma Broude United States
Anne Hollander
Gen Doy United Kingdom
Serge Guilbaut Canada
Thomas E. Crow United States
David Cast United States
Rozsika Parker United Kingdom
Lisa Tickner
Laurence Senelick United States
Marsha Meskimmon United Kingdom
Norma Broude United States
Whitney Chadwick
Citations per year, relative to Whitney Chadwick Whitney Chadwick (= 1×) peers Norma Broude

Countries citing papers authored by Whitney Chadwick

Since Specialization
Citations

This map shows the geographic impact of Whitney Chadwick's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Whitney Chadwick with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Whitney Chadwick more than expected).

Fields of papers citing papers by Whitney Chadwick

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Whitney Chadwick. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Whitney Chadwick. The network helps show where Whitney Chadwick may publish in the future.

Co-authorship network of co-authors of Whitney Chadwick

This figure shows the co-authorship network connecting the top 25 collaborators of Whitney Chadwick. A scholar is included among the top collaborators of Whitney Chadwick based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Whitney Chadwick. Whitney Chadwick is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Kelly, Julia, et al.. (2009). Twilight Visions: Surrealism and Paris. Medical Entomology and Zoology. 1 indexed citations
2.
Chadwick, Whitney, et al.. (2005). The Modern Woman Revisited: Paris between the Wars. Woman s Art Journal. 26(1). 44–44. 19 indexed citations
3.
Chadwick, Whitney, et al.. (2004). Couture Culture: A Study in Modern Art and Fashion. The Art Bulletin. 86(2). 384–384. 58 indexed citations
4.
Chadwick, Whitney. (2000). Three artists/ three women: Orlan, Annette messager and Sophie Calle. 4(1). 111–118. 1 indexed citations
5.
Chadwick, Whitney, et al.. (1999). Mirror Images: Women, Surrealism and Self-Representation. Woman s Art Journal. 20(2). 55–55. 16 indexed citations
6.
Chadwick, Whitney, et al.. (1996). Gustav Klimt and Emilie Floge: An Artist and His Muse. Woman s Art Journal. 17(2). 42–42. 1 indexed citations
7.
Chadwick, Whitney, et al.. (1995). Confessions of the Guerrilla Girls. 13 indexed citations
8.
Chadwick, Whitney, et al.. (1994). Los otros importantes: Creatividad y relaciones íntimas. Dialnet (Universidad de la Rioja). 1 indexed citations
9.
Chadwick, Whitney. (1993). Las mujeres y el arte. Debate Feminista. 7. 2 indexed citations
10.
Chadwick, Whitney & Isabelle de Courtivron. (1993). Significant Others: Creativity & Intimate Partnership. 20 indexed citations
11.
Malina, Roger F. & Whitney Chadwick. (1991). Women, Art and Society. Leonardo. 24(4). 491–491.
12.
Mathews, Patricia & Whitney Chadwick. (1991). Women, Art, and Society (World of Art). The Art Bulletin. 73(2). 336–336.
13.
Chadwick, Whitney. (1986). Leonora Carrington: Evolution of a Feminist Consciousness. Woman s Art Journal. 7(1). 37–37. 2 indexed citations
14.
Chadwick, Whitney, et al.. (1986). Women Artists and the Surrealist Movement. Circa. 41–41. 6 indexed citations
15.
Chadwick, Whitney. (1985). Narrative Imagism and the Figurative Tradition in Northern California Painting. Art Journal. 45(4). 309–314.
16.
Chadwick, Whitney. (1985). Narrative Imagism and the Figurative Tradition in Northern California Painting. Art Journal. 45(4). 309–309. 1 indexed citations
17.
Chadwick, Whitney. (1979). Myth in Surrealist Paintings 1929-1939. Medical Entomology and Zoology.
18.
Chadwick, Whitney. (1970). Masson's Gradiva: The Metamorphosis of a Surrealist Myth. The Art Bulletin. 52(4). 415–415.
19.
Chadwick, Whitney. (1970). Masson'sGradiva: The Metamorphosis of a Surrealist Myth. The Art Bulletin. 52(4). 415–422.
20.
Chadwick, Whitney. (1970). Masson'sGradiva: The Metamorphosis of a Surrealist Myth. The Art Bulletin. 52(4). 415–422. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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