Thomas E. Crow
About
In The Last Decade
Thomas E. Crow
18 papers receiving 99 citations
Peers
Comparison fields: 5 of 44
- Visual Arts and Performing Arts 76
- Museology 65
- History 60
- Sociology and Political Science 49
- Anthropology 48
Countries citing papers authored by Thomas E. Crow
This map shows the geographic impact of Thomas E. Crow's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Thomas E. Crow with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Thomas E. Crow more than expected).
Fields of papers citing papers by Thomas E. Crow
This network shows the impact of papers produced by Thomas E. Crow. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Thomas E. Crow. The network helps show where Thomas E. Crow may publish in the future.
Co-authorship network of co-authors of Thomas E. Crow
This figure shows the co-authorship network connecting the top 25 collaborators of Thomas E. Crow. A scholar is included among the top collaborators of Thomas E. Crow based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Thomas E. Crow. Thomas E. Crow is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | Sherrie Levine : mayhem | 0 |
| 2 | It happened at Pomona : art at the edge of Los Angeles 1969-1973 | 1 |
| 3 | Andy Warhol Enterprises | 0 |
| 4 | Take Place: Photography and Place from Multiple Perspectives | 2 |
| 5 | Late Thoughts: Reflections on Artists and Composers at Work | 4 |
| 6 | 6 | |
| 7 | 7 | |
| 8 | El arte moderno en la cultura de lo cotidiano | 1 |
| 9 | The Intelligence of Art | 1 |
| 10 | 4 | |
| 11 | L'atelier de David : émulation et révolution | 1 |
| 12 | The Rise of the Sixties: American and European Art in the Era of Dissent | 9 |
| 13 | 51 | |
| 14 | Discussions in contemporary culture | 2 |
| 15 | 2 | |
| 16 | 1 | |
| 17 | Endgame: Reference and Simulation in Recent Painting and Sculpture | 3 |
| 18 | 1 | |
| 19 | 12 | |
| 20 | 2 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.