Laurence Senelick

1.0k total citations
71 papers, 283 citations indexed

About

Laurence Senelick is a scholar working on Visual Arts and Performing Arts, Literature and Literary Theory and Music. According to data from OpenAlex, Laurence Senelick has authored 71 papers receiving a total of 283 indexed citations (citations by other indexed papers that have themselves been cited), including 24 papers in Visual Arts and Performing Arts, 17 papers in Literature and Literary Theory and 12 papers in Music. Recurrent topics in Laurence Senelick's work include Theatre and Performance Studies (23 papers), Folklore, Mythology, and Literature Studies (11 papers) and Cultural Studies and Interdisciplinary Research (7 papers). Laurence Senelick is often cited by papers focused on Theatre and Performance Studies (23 papers), Folklore, Mythology, and Literature Studies (11 papers) and Cultural Studies and Interdisciplinary Research (7 papers). Laurence Senelick collaborates with scholars based in United States. Laurence Senelick's co-authors include Bernard F. Dukore, Sharon Marie Carnicke, Simon Karlinsky, Tracy C. Davis, Антон Павлович Чехов, Harold B. Segel and John Bell and has published in prestigious journals such as The American Historical Review, Poetics Today and World Literature Today.

In The Last Decade

Laurence Senelick

39 papers receiving 138 citations

Peers

Laurence Senelick
David Román United States
Nicholas Ridout United Kingdom
Elaine Aston United Kingdom
Alisa Solomon United States
Christopher Bigsby United Kingdom
Roger Sabin United Kingdom
Coppélia Kahn United States
David Román United States
Laurence Senelick
Citations per year, relative to Laurence Senelick Laurence Senelick (= 1×) peers David Román

Countries citing papers authored by Laurence Senelick

Since Specialization
Citations

This map shows the geographic impact of Laurence Senelick's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Laurence Senelick with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Laurence Senelick more than expected).

Fields of papers citing papers by Laurence Senelick

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Laurence Senelick. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Laurence Senelick. The network helps show where Laurence Senelick may publish in the future.

Co-authorship network of co-authors of Laurence Senelick

This figure shows the co-authorship network connecting the top 25 collaborators of Laurence Senelick. A scholar is included among the top collaborators of Laurence Senelick based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Laurence Senelick. Laurence Senelick is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Senelick, Laurence. (2019). The ever-widening contexts of Konstantin Stanislavsky. 8(1). 7–21. 1 indexed citations
2.
Senelick, Laurence. (2016). Offenbach, Wagner, Nietzsche: the Polemics of Opera. New Theatre Quarterly. 32(1). 3–18. 2 indexed citations
3.
Senelick, Laurence. (2013). Stanislavsky: A Life in Letters. 3 indexed citations
4.
Senelick, Laurence. (2011). The model of a modern impresario: Diaghilev’s Russian background. Digital Access to Scholarship at Harvard (DASH) (Harvard University). 1 indexed citations
5.
Senelick, Laurence. (2010). The American stage : writing on theater from Washington Irving to Tony Kushner. 1 indexed citations
6.
Senelick, Laurence. (2008). The Word Made Flesh: Staging Pornography in Eighteenth-Century Paris. Theatre Research International. 33(2). 191–203.
7.
Senelick, Laurence. (2007). Historical Dictionary of Russian Theater. Scarecrow Press eBooks.
9.
Чехов, Антон Павлович & Laurence Senelick. (2005). The Complete Plays. Medical Entomology and Zoology. 4 indexed citations
10.
Senelick, Laurence. (2005). Consuming Passions: Eating and the Stage at the Fin de Sièècle. Gastronomica The Journal of Food and Culture. 5(2). 43–49. 2 indexed citations
11.
Senelick, Laurence. (1997). Early Photographic Attempts to Record Performance Sequence. Theatre Research International. 22(3). 255–264. 1 indexed citations
12.
Senelick, Laurence. (1992). Wandering stars : Russian emigré theatre, 1905-1940. University of Iowa Press eBooks.
13.
Senelick, Laurence. (1990). Mollies or men of mode? Sodomy and the eighteenth-century London stage.. PubMed. 1(1). 33–67. 14 indexed citations
14.
Senelick, Laurence, et al.. (1989). The Age and Stage of George L. Fox, 1825-1877. The American Historical Review. 94(5). 1479–1479. 3 indexed citations
15.
Senelick, Laurence. (1987). The prestige of evil : the murderer as romantic hero from Sade to Lacenaire. Garland eBooks. 4 indexed citations
16.
Senelick, Laurence, et al.. (1984). Russian Constructivism. Theatre Journal. 36(3). 435–435. 21 indexed citations
17.
Senelick, Laurence, et al.. (1984). Gordon Craig's Moscow Hamlet: A Reconstruction. The Russian Review. 43(2). 192–192. 10 indexed citations
18.
Senelick, Laurence. (1983). New Information on My Life in Art. Theatre Survey. 24(1-2). 127–130. 1 indexed citations
19.
Senelick, Laurence. (1980). Vera Kommissarzhevskaya: The Actress as Symbolist Eidolon. Theatre Journal. 32(4). 475–475. 1 indexed citations
20.
Senelick, Laurence. (1977). The Moscow Scene. Educational Theatre Journal. 29(2). 251–251. 1 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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