Gen Doy
- Museology top 5%
- Fashion and Cultural Textiles 1
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- Art, Politics, and Modernism 5
- Theatre and Performance Studies 1
- History top 5%
- Photography and Visual Culture 5
- North African History and Literature 2
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- Historical Studies and Socio-cultural Analysis 1
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- Cultural Industries and Urban Development 3
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- African history and culture studies 2
- Journals
- Women s History Review (4 papers)Journal of Design History (1 paper)Women s Studies International Forum (1 paper)
- Partner nations
- United Kingdom
In The Last Decade
Gen Doy
21 papers receiving 124 citations
Peers
Comparison fields: 5 of 50
- Museology 34
- Visual Arts and Performing Arts 46
- History 49
- History and Philosophy of Science 14
- Archeology 3
Countries citing papers authored by Gen Doy
This map shows the geographic impact of Gen Doy's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Gen Doy with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Gen Doy more than expected).
Fields of papers citing papers by Gen Doy
This network shows the impact of papers produced by Gen Doy. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Gen Doy. The network helps show where Gen Doy may publish in the future.
Co-authorship network
The 5 scholars most cited alongside Gen Doy, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | 2020 | 0 | |
| 2 | 2008 | 11 | |
| 3 | 2008 | 2 | |
| 4 | 2007 | 3 | |
| 5 | 2006 | 1 | |
| 6 | 2005 | 14 | |
| 7 | 2005 | 1 | |
| 8 | Drapery: Classicism and Barbarism in Visual Culture | 2002 | 10 |
| 9 | 2002 | 6 | |
| 10 | 2001 | 9 | |
| 11 | 1998 | 47 | |
| 12 | 1998 | 2 | |
| 13 | Materializing art history | 1998 | 5 |
| 14 | 1997 | 2 | |
| 15 | Women and Visual Culture in Nineteenth Century France: 1800-1852 | 1997 | 7 |
| 16 | 1996 | 6 | |
| 17 | Seeing and Consciousness: Women, Class and Representation | 1995 | 2 |
| 18 | Art Has No History! : The Making and Unmaking of Modern Art | 1994 | 3 |
| 19 | 1994 | 31 | |
| 20 | 1992 | 22 |
About Gen Doy
Gen Doy is a scholar working on Visual Arts and Performing Arts, History, Museology, Urban Studies and History and Philosophy of Science, having authored 26 papers that have together received 196 indexed citations. Recurring topics across this work include Art, Politics, and Modernism (5 papers), Photography and Visual Culture (5 papers), Cultural Industries and Urban Development (3 papers), African history and culture studies (2 papers), North African History and Literature (2 papers), Theatre and Performance Studies (1 paper), Historical Studies and Socio-cultural Analysis (1 paper) and Fashion and Cultural Textiles (1 paper). The work is most often cited by research in Museology (34 citations), Visual Arts and Performing Arts (46 citations), History (49 citations), History and Philosophy of Science (14 citations) and Archeology (3 citations). Gen Doy has collaborated with scholars based in United Kingdom. Frequent co-authors include Jeffrey Steele, John Roberts, Terry Atkinson, Jessica Evans and Seán Cubitt. Their work appears in journals such as Women s History Review, Journal of Design History, Women s Studies International Forum, Body & Society and Visual Communication.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.