Sarah Whatley

871 total citations
53 papers, 440 citations indexed

About

Sarah Whatley is a scholar working on Experimental and Cognitive Psychology, Music and Visual Arts and Performing Arts. According to data from OpenAlex, Sarah Whatley has authored 53 papers receiving a total of 440 indexed citations (citations by other indexed papers that have themselves been cited), including 37 papers in Experimental and Cognitive Psychology, 12 papers in Music and 11 papers in Visual Arts and Performing Arts. Recurrent topics in Sarah Whatley's work include Diversity and Impact of Dance (36 papers), Theatre and Performance Studies (10 papers) and Human Motion and Animation (10 papers). Sarah Whatley is often cited by papers focused on Diversity and Impact of Dance (36 papers), Theatre and Performance Studies (10 papers) and Human Motion and Animation (10 papers). Sarah Whatley collaborates with scholars based in United Kingdom, United States and Italy. Sarah Whatley's co-authors include Karen D. Wood, Katerina El Raheb, Antonio Camurri, Augusto Sarti, Charlotte Waelde, Jon May, Emma Redding, Rebecca Weber, Abbe Brown and Shawn Harmon and has published in prestigious journals such as SHILAP Revista de lepidopterología, Thinking Skills and Creativity and Convergence The International Journal of Research into New Media Technologies.

In The Last Decade

Sarah Whatley

43 papers receiving 399 citations

Peers

Sarah Whatley
Ricardo Nemirovsky United States
Lu‐Ho Hsia Taiwan
Joshua Danish United States
Lynna J. Ausburn United States
Elisabeth Etopio United States
Ernest Edmonds Australia
Pilar Orero Spain
Mathias Broth Sweden
Stacy Lee DeZutter United States
Jeanne Bamberger United States
Ricardo Nemirovsky United States
Sarah Whatley
Citations per year, relative to Sarah Whatley Sarah Whatley (= 1×) peers Ricardo Nemirovsky

Countries citing papers authored by Sarah Whatley

Since Specialization
Citations

This map shows the geographic impact of Sarah Whatley's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Sarah Whatley with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Sarah Whatley more than expected).

Fields of papers citing papers by Sarah Whatley

Since Specialization
Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Sarah Whatley. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Sarah Whatley. The network helps show where Sarah Whatley may publish in the future.

Co-authorship network of co-authors of Sarah Whatley

This figure shows the co-authorship network connecting the top 25 collaborators of Sarah Whatley. A scholar is included among the top collaborators of Sarah Whatley based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Sarah Whatley. Sarah Whatley is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

20 of 20 papers shown
1.
Whatley, Sarah, et al.. (2023). Personalising prosthetics: digital interventions in disability and dance. International Journal of Performance Arts and Digital Media. 19(3). 318–333. 2 indexed citations
2.
Whatley, Sarah, et al.. (2020). Dance Fields: Staking a Claim for Dance Studies in the 21st Century.
3.
Whatley, Sarah, et al.. (2020). Towards Hybridity. Performance Research. 25(4). 125–132. 1 indexed citations
4.
Whatley, Sarah, et al.. (2019). A Report on the Screendance Symposium. SHILAP Revista de lepidopterología. 2.
5.
Wood, Karen D., et al.. (2019). Virtual Reality and Choreographic Practice: The Potential for New Creative Methods. SHILAP Revista de lepidopterología. 18(1). 1–1. 20 indexed citations
6.
Raheb, Katerina El, et al.. (2018). Wholodance: Whole-Body Interaction Learning For Dance Education. Zenodo (CERN European Organization for Nuclear Research). 41–50. 6 indexed citations
7.
Whatley, Sarah. (2018). 11 Million Reasons: Transmitting Inclusion in Dance. 163–184. 1 indexed citations
8.
Brown, Abbe, et al.. (2018). Body extension and the law: medical devices, intellectual property, prosthetics and marginalisation (again). Law Innovation and Technology. 10(2). 161–184. 1 indexed citations
9.
Whatley, Sarah. (2018). The Spectacle of Difference: Dance and Disability on Screen. SHILAP Revista de lepidopterología. 1. 6 indexed citations
10.
Harmon, Shawn, et al.. (2017). Struggling to be Fit: Identity, Integrity, and the Law. SHILAP Revista de lepidopterología. 14(2). 326–344. 1 indexed citations
11.
Whatley, Sarah. (2017). Transmitting, Transforming, and Documenting Dance in the Digital Environment: What Dance Does Now that It Didn’t Do Before. TDR/The Drama Review. 61(4). 78–95. 3 indexed citations
12.
Camurri, Antonio, Katerina El Raheb, Yannis Ioannidis, et al.. (2016). WhoLoDancE. Pure (Coventry University). 1–2. 25 indexed citations
13.
Whatley, Sarah, Charlotte Waelde, Abbe Brown, & Shawn Harmon. (2015). Validation and virtuosity: Perspectives on difference and authorship/control in dance. Pure (Coventry University). 6(1). 59–83. 2 indexed citations
14.
Whatley, Sarah, et al.. (2015). Attending to Movement: Somatic Perspectives on Living in this World. Coventry University Open Collections (Coventry university). 8 indexed citations
15.
Waelde, Charlotte, et al.. (2014). Let's Dance! But who owns it?. Open Research Exeter (University of Exeter). 36(4). 217–228. 3 indexed citations
16.
Whatley, Sarah. (2014). Digital inscriptions and the dancing body: Expanding territories through and with the archive. Pure (Coventry University). 5(1). 121–138. 4 indexed citations
17.
Whatley, Sarah. (2013). Recovering and Reanimating ‘Lost’ Traces: The Digital Archiving of the Rehearsal Process in Siobhan Davies RePlay. Dance Research. 31(2). 144–156. 4 indexed citations
18.
Whatley, Sarah. (2012). Siobhan Davies RePlay: corporeality and materiality in the online environment. Pure (Coventry University). 1(1). 135–148. 3 indexed citations
19.
Whatley, Sarah, et al.. (2009). Born digital; dance in the digital age. International Journal of Performance Arts and Digital Media. 5(1). 51–63. 14 indexed citations
20.
Whatley, Sarah. (2006). Issues of style in dance analysis: choreographic style or performance style?. Coventry University Open Collections (Coventry university).

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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