Hit papers significantly outperform the citation benchmark for their cohort. A paper qualifies
if it has ≥500 total citations, achieves ≥1.5× the top-1% citation threshold for papers in the
same subfield and year (this is the minimum needed to enter the top 1%, not the average
within it), or reaches the top citation threshold in at least one of its specific research
topics.
Digitizing Intangible Cultural Heritage Embodied: State of the Art
2022100 citationsSarah Kenderdine, Alessandro Adamou et al.Journal on Computing and Cultural Heritageprofile →
Peers — A (Enhanced Table)
Peers by citation overlap · career bar shows stage (early→late)
cites ·
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Countries citing papers authored by Sarah Kenderdine
Since
Specialization
Citations
This map shows the geographic impact of Sarah Kenderdine's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Sarah Kenderdine with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Sarah Kenderdine more than expected).
Fields of papers citing papers by Sarah Kenderdine
This network shows the impact of papers produced by Sarah Kenderdine. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Sarah Kenderdine. The network helps show where Sarah Kenderdine may publish in the future.
Co-authorship network of co-authors of Sarah Kenderdine
This figure shows the co-authorship network connecting the top 25 collaborators of Sarah Kenderdine.
A scholar is included among the top collaborators of Sarah Kenderdine based on the total number of
citations received by their joint publications. Widths of edges
represent the number of papers authors have co-authored together.
Node borders
signify the number of papers an author published with Sarah Kenderdine. Sarah Kenderdine is excluded from
the visualization to improve readability, since they are connected to all nodes in the network.
Kenderdine, Sarah, et al.. (2022). Digitizing Intangible Cultural Heritage Embodied: State of the Art. Journal on Computing and Cultural Heritage. 15(3). 1–20.100 indexed citations breakdown →
5.
Shaw, Jeffrey, et al.. (2016). 300 Years of Hakka Kung Fu: Digital Vision of its Legacy and Future.5 indexed citations
Kenderdine, Sarah, et al.. (2007). Theorizing Digital Cultural Heritage: A Critical Discourse (Media in Transition). The MIT Press eBooks.8 indexed citations
13.
Wyeld, Theodor, Sarah Kenderdine, & Michael Docherty. (2007). Proceedings of the 13th international conference on Virtual systems and multimedia.44 indexed citations
Kenderdine, Sarah. (1997). Diving into shipwrecks: Aquanauts in cyberspace. 21. 85.3 indexed citations
18.
Kenderdine, Sarah. (1994). Revelations about river boats and 'rotten rows': A guide to wreck sites of the River Murray. 18(1). 17.3 indexed citations
19.
Kenderdine, Sarah, et al.. (1994). Maritime graffiti in Oman. 18(2). 33.1 indexed citations
20.
Kenderdine, Sarah, et al.. (1991). Chinese emigration to South Australia aboard foreign-owned vessels: The Guichen Bay shipwrecks of 1857. 15(1). 31.1 indexed citations
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive
bibliographic database. While OpenAlex provides broad and valuable coverage of the global
research landscape, it—like all bibliographic datasets—has inherent limitations. These include
incomplete records, variations in author disambiguation, differences in journal indexing, and
delays in data updates. As a result, some metrics and network relationships displayed in
Rankless may not fully capture the entirety of a scholar's output or impact.