Stephanie Jordan
- Music top 1%
- Musicology and Musical Analysis 21
- Theater, Performance, and Music History 5
- Diverse Musicological Studies 3
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- Theatre and Performance Studies 4
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- Diversity and Impact of Dance 21
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- Music Technology and Sound Studies 3
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- Neuroscience and Music Perception 2
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- Sport and Mega-Event Impacts 1
- Partner nations
- United Kingdom
In The Last Decade
Stephanie Jordan
21 papers receiving 98 citations
Peers
Comparison fields: 5 of 36
- Music 102
- Visual Arts and Performing Arts 30
- Experimental and Cognitive Psychology 74
- Literature and Literary Theory 19
- Computer Vision and Pattern Recognition 35
Countries citing papers authored by Stephanie Jordan
This map shows the geographic impact of Stephanie Jordan's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Stephanie Jordan with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Stephanie Jordan more than expected).
Fields of papers citing papers by Stephanie Jordan
This network shows the impact of papers produced by Stephanie Jordan. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Stephanie Jordan. The network helps show where Stephanie Jordan may publish in the future.
Co-authorship network
The 4 scholars most cited alongside Stephanie Jordan, linked wherever they have co-authored with each other. Click a name or a connecting line to browse the papers they share.
All Works
| # | Work | ||
|---|---|---|---|
| 1 | Music and Dance: Special Issue on Choreomusical Analysis | 2021 | 0 |
| 2 | 2021 | 0 | |
| 3 | 2012 | 0 | |
| 4 | 2011 | 1 | |
| 5 | 2002 | 5 | |
| 6 | Stravinsky the Global Dancer:: A Chronology of Choreography to the Music of Igor Stravinsky | 2002 | 0 |
| 7 | Preservation politics : dance revived, reconstructed, remade : proceedings of the conference at the University of Surrey Roehampton, November 8-9, 1997 | 2001 | 0 |
| 8 | 2001 | 36 | |
| 9 | 2000 | 0 | |
| 10 | 1999 | 45 | |
| 11 | 1998 | 5 | |
| 12 | 1995 | 1 | |
| 13 | 1994 | 6 | |
| 14 | 1994 | 4 | |
| 15 | 1994 | 4 | |
| 16 | 1993 | 3 | |
| 17 | 1993 | 5 | |
| 18 | Striding out: Aspects of contemporary and new dance in Britain | 1992 | 11 |
| 19 | THE ROYAL-BALLET | 1988 | 0 |
| 20 | 1983 | 3 |
About Stephanie Jordan
Stephanie Jordan is a scholar working on Music, Experimental and Cognitive Psychology and Visual Arts and Performing Arts, having authored 30 papers that have together received 171 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (21 papers), Diversity and Impact of Dance (21 papers), Theater, Performance, and Music History (5 papers), Theatre and Performance Studies (4 papers), Music Technology and Sound Studies (3 papers), Diverse Musicological Studies (3 papers), Neuroscience and Music Perception (2 papers) and Sport and Mega-Event Impacts (1 paper). The work is most often cited by research in Music (102 citations), Visual Arts and Performing Arts (30 citations) and Experimental and Cognitive Psychology (74 citations). Stephanie Jordan has collaborated with scholars based in United Kingdom. Frequent co-authors include Richard Taruskin, Helen Thomas, Nancy R. Reynolds and Richard Cohn. Their work appears in journals such as Dance Research, Dance Chronicle, Dance Research Journal, Journal of Music Theory and The Slavic and East European Journal.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.