Stephanie Jordan
- Music top 1%
- Experimental and Cognitive Psychology top 10%
- Computer Vision and Pattern Recognition
- Visual Arts and Performing Arts top 5%
- Cognitive Neuroscience
- Topics
- Musicology and Musical Analysis (21 papers)Diversity and Impact of Dance (21 papers)Theater, Performance, and Music History (5 papers)
- Partner nations
- United Kingdom
In The Last Decade
Stephanie Jordan
21 papers receiving 98 citations
Peers
Comparison fields: 5 of 36
- Music 102
- Experimental and Cognitive Psychology 74
- Computer Vision and Pattern Recognition 35
- Visual Arts and Performing Arts 30
- Cognitive Neuroscience 28
Countries citing papers authored by Stephanie Jordan
This map shows the geographic impact of Stephanie Jordan's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Stephanie Jordan with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Stephanie Jordan more than expected).
Fields of papers citing papers by Stephanie Jordan
This network shows the impact of papers produced by Stephanie Jordan. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Stephanie Jordan. The network helps show where Stephanie Jordan may publish in the future.
Co-authorship network of co-authors of Stephanie Jordan
This figure shows the co-authorship network connecting the top 25 collaborators of Stephanie Jordan. A scholar is included among the top collaborators of Stephanie Jordan based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Stephanie Jordan. Stephanie Jordan is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | Music and Dance: Special Issue on Choreomusical Analysis | 0 |
| 2 | 0 | |
| 3 | 0 | |
| 4 | 1 | |
| 5 | 5 | |
| 6 | Stravinsky the Global Dancer:: A Chronology of Choreography to the Music of Igor Stravinsky | 0 |
| 7 | Preservation politics : dance revived, reconstructed, remade : proceedings of the conference at the University of Surrey Roehampton, November 8-9, 1997 | 0 |
| 8 | 36 | |
| 9 | 0 | |
| 10 | 45 | |
| 11 | 5 | |
| 12 | 1 | |
| 13 | 6 | |
| 14 | 4 | |
| 15 | 4 | |
| 16 | 3 | |
| 17 | 5 | |
| 18 | Striding out: Aspects of contemporary and new dance in Britain | 11 |
| 19 | THE ROYAL-BALLET | 0 |
| 20 | 3 |
About Stephanie Jordan
Stephanie Jordan is a scholar working on Music, Experimental and Cognitive Psychology and Visual Arts and Performing Arts, having authored 30 papers that have together received 171 indexed citations. Recurring topics across this work include Musicology and Musical Analysis (21 papers), Diversity and Impact of Dance (21 papers) and Theater, Performance, and Music History (5 papers). The work is most often cited by research in Music (102 citations), Visual Arts and Performing Arts (30 citations) and Experimental and Cognitive Psychology (74 citations). Stephanie Jordan has collaborated with scholars based in United Kingdom. Frequent co-authors include Richard Taruskin, Helen Thomas, Nancy R. Reynolds and Richard Cohn. Their work appears in journals such as The Slavic and East European Journal, Journal of Music Theory and Dance Research Journal.
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.