Phillip McIntyre
About
In The Last Decade
Phillip McIntyre
42 papers receiving 223 citations
Peers
Comparison fields: 5 of 67
- Experimental and Cognitive Psychology 81
- Visual Arts and Performing Arts 72
- Music 66
- Sociology and Political Science 58
- Urban Studies 55
Countries citing papers authored by Phillip McIntyre
This map shows the geographic impact of Phillip McIntyre's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Phillip McIntyre with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Phillip McIntyre more than expected).
Fields of papers citing papers by Phillip McIntyre
This network shows the impact of papers produced by Phillip McIntyre. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Phillip McIntyre. The network helps show where Phillip McIntyre may publish in the future.
Co-authorship network of co-authors of Phillip McIntyre
This figure shows the co-authorship network connecting the top 25 collaborators of Phillip McIntyre. A scholar is included among the top collaborators of Phillip McIntyre based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Phillip McIntyre. Phillip McIntyre is excluded from the visualization to improve readability, since they are connected to all nodes in the network.
All Works
| # | Work | Indexed citations |
|---|---|---|
| 1 | 2 | |
| 2 | 1 | |
| 3 | 0 | |
| 4 | 1 | |
| 5 | 0 | |
| 6 | The Newcastle music industry: an ethnographic study of a regional creative system in action | 1 |
| 7 | Constraining and Enabling Creativity: The Theoretical Ideas Surrounding Creativity, Agency and Structure | 3 |
| 8 | Creativity and cultural production: issues for media practice | 11 |
| 9 | Examining the impact of multiple technological, legal, social and cultural factors on the creative practice of sampling record producers in Britain | 1 |
| 10 | 'How are messages created?': Changes in thinking about communication theory leading to a new synthesis | 1 |
| 11 | What have we learned? Identifying transferable lessons from SWITCH city experiences | 1 |
| 12 | 26 | |
| 13 | 9 | |
| 14 | Communication and the creation of media content: a practitioner-based enquiry study of popular music songwriting | 3 |
| 15 | Rethinking communication, creativity and cultural production: outlining issues for media practice | 6 |
| 16 | Rethinking creativity and approaches to teaching: the systems model and creative writing | 1 |
| 17 | 3 | |
| 18 | Creative practice as research: 'Testing Out' the systems model of creativity through practitioner based enquiry | 4 |
| 19 | 10 | |
| 20 | DEMAND FOR IVHS IN CHARLOTTE, NORTH CAROLINA: A MARKETING STUDY | 0 |
Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.