Nick Kaye

786 total citations
18 papers, 248 citations indexed

About

Nick Kaye is a scholar working on Visual Arts and Performing Arts, Experimental and Cognitive Psychology and Human-Computer Interaction. According to data from OpenAlex, Nick Kaye has authored 18 papers receiving a total of 248 indexed citations (citations by other indexed papers that have themselves been cited), including 12 papers in Visual Arts and Performing Arts, 1 paper in Experimental and Cognitive Psychology and 1 paper in Human-Computer Interaction. Recurrent topics in Nick Kaye's work include Theatre and Performance Studies (10 papers), Art, Politics, and Modernism (5 papers) and Geographies of human-animal interactions (1 paper). Nick Kaye is often cited by papers focused on Theatre and Performance Studies (10 papers), Art, Politics, and Modernism (5 papers) and Geographies of human-animal interactions (1 paper). Nick Kaye collaborates with scholars based in United Kingdom and United States. Nick Kaye's co-authors include Philip Auslander, Gabriella Giannachi and Michael Shanks and has published in prestigious journals such as TDR/The Drama Review, Performance Research and Contemporary Theatre Review.

In The Last Decade

Nick Kaye

16 papers receiving 165 citations

Peers — A (Enhanced Table)

Peers by citation overlap · career bar shows stage (early→late) cites · hero ref

Name	h						Papers	Cites
Nick Kaye United Kingdom	7	122	54	38	27	25	18	248
Jennifer Parker-Starbuck United Kingdom	7	76 0.6×	35 0.6×	31 0.8×	26 1.0×	8 0.3×	20	182
RoseLee Goldberg	6	97 0.8×	29 0.5×	17 0.4×	25 0.9×	14 0.6×	14	190
Josephine Machon United Kingdom	6	84 0.7×	39 0.7×	32 0.8×	22 0.8×	9 0.4×	12	166
Yve-Alain Bois United Kingdom	8	108 0.9×	43 0.8×	35 0.9×	17 0.6×	19 0.8×	43	265
P. N. Humble United Kingdom	4	62 0.5×	45 0.8×	38 1.0×	45 1.7×	11 0.4×	6	252
Brian O’Doherty	5	87 0.7×	38 0.7×	15 0.4×	13 0.5×	42 1.7×	11	223
Gregory Battcock United States	6	95 0.8×	33 0.6×	19 0.5×	30 1.1×	21 0.8×	17	206
Sergei Eisenstein	9	67 0.5×	63 1.2×	43 1.1×	8 0.3×	7 0.3×	40	230
Kirsty Sedgman United Kingdom	7	43 0.4×	45 0.8×	18 0.5×	10 0.4×	24 1.0×	18	134
Blake Stimson United States	5	72 0.6×	30 0.6×	16 0.4×	12 0.4×	35 1.4×	13	165

Countries citing papers authored by Nick Kaye

Since Specialization

Citations

This map shows the geographic impact of Nick Kaye's research. It shows the number of citations coming from papers published by authors working in each country. You can also color the map by specialization and compare the number of citations received by Nick Kaye with the expected number of citations based on a country's size and research output (numbers larger than one mean the country cites Nick Kaye more than expected).

Fields of papers citing papers by Nick Kaye

Since Specialization

Physical SciencesHealth SciencesLife SciencesSocial Sciences

This network shows the impact of papers produced by Nick Kaye. Nodes represent research fields, and links connect fields that are likely to share authors. Colored nodes show fields that tend to cite the papers produced by Nick Kaye. The network helps show where Nick Kaye may publish in the future.

Co-authorship network of co-authors of Nick Kaye

This figure shows the co-authorship network connecting the top 25 collaborators of Nick Kaye. A scholar is included among the top collaborators of Nick Kaye based on the total number of citations received by their joint publications. Widths of edges represent the number of papers authors have co-authored together. Node borders signify the number of papers an author published with Nick Kaye. Nick Kaye is excluded from the visualization to improve readability, since they are connected to all nodes in the network.

All Works

Sort: Min cites: Since: Top N: Style:

18 of 18 papers shown

1.

Kaye, Nick. (2018). On Objects. Performance Research. 23(4-5). 273–278. 1 indexed citations

2.

Kaye, Nick. (2016). Performance architecture: absence, place and action. 320–338. 1 indexed citations

3.

Kaye, Nick. (2013). Site-Specific Art. 2 indexed citations

4.

Kaye, Nick. (2013). One Time Over Another: Tom Marioni's Conceptual Art. PAJ A Journal of Performance and Art. 35(2). 26–38. 1 indexed citations

5.

Kaye, Nick. (2013). Art Into Theatre. 1 indexed citations

6.

Giannachi, Gabriella, Nick Kaye, & Michael Shanks. (2012). Archaeologies of presence : art, performance and the persistence of being. Routledge eBooks. 29 indexed citations

7.

Kaye, Nick & Gabriella Giannachi. (2011). Acts of Presence: Performance, Mediation, Virtual Reality. TDR/The Drama Review. 55(4). 88–95. 9 indexed citations

8.

Kaye, Nick. (2007). Multi-media: Video – Installation – Performance. 10 indexed citations

9.

Kaye, Nick. (2007). Video Presence: Tony Oursler's Media Entities. PAJ A Journal of Performance and Art. 30(1). 15–30. 1 indexed citations

10.

Kaye, Nick. (2007). Multi-media. 3 indexed citations

11.

Kaye, Nick. (2007). Screening Presence: The Builders Association and dbox, SUPER VISION (2005). Contemporary Theatre Review. 17(4). 557–577. 2 indexed citations

12.

Giannachi, Gabriella & Nick Kaye. (2002). Staging the Post-Avant-Garde: Italian Experimental Performance after 1970. 1 indexed citations

13.

Kaye, Nick. (2000). Site-Specific Art: Performance, Place and Documentation. Medical Entomology and Zoology. 109 indexed citations

14.

Kaye, Nick. (1996). Art Into Theatre: Performance Interviews and Documents. 15 indexed citations

15.

Kaye, Nick, et al.. (1995). Postmodernism and Performance. TDR/The Drama Review. 39(2). 193–193. 1 indexed citations

16.

Kaye, Nick. (1994). Postmodernism and Performance. 20 indexed citations

17.

Kaye, Nick & Philip Auslander. (1994). Presence and Resistance: Postmodernism and Cultural Politics in Contemporary American Performance. TDR/The Drama Review. 38(2). 181–181. 39 indexed citations

18.

Kaye, Nick. (1994). Live art: Definition and documentation. Contemporary Theatre Review. 2(2). 1–7. 3 indexed citations

Rankless uses publication and citation data sourced from OpenAlex, an open and comprehensive bibliographic database. While OpenAlex provides broad and valuable coverage of the global research landscape, it—like all bibliographic datasets—has inherent limitations. These include incomplete records, variations in author disambiguation, differences in journal indexing, and delays in data updates. As a result, some metrics and network relationships displayed in Rankless may not fully capture the entirety of a scholar's output or impact.

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